"Law & Order: Special Victims Unit" Rapist Anonymous (TV Episode 2013) Poster

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7/10
The thirteenth step
TheLittleSongbird2 August 2022
Amanda Rollins took quite a while to properly fit in, while Amaro settled quite quickly (though sadly regressed over-time) it took a season or so for Rollins to do so. "Rapist Anonymous" was one of those episodes that sees some development to her, she had had development in previous episodes but most of it through subplots that did little for me (especially all the Kim drama). When the show delved into her past in her job, she was a lot more interesting.

Which is the case here. While very wanting when it came to the case in the investigation half, the development to Rollins was appreciated and on the whole it did this aspect quite well. When it comes to the Rollins-centric episodes in terms of her character writing, this is one of the better faring ones. "Rapist Anonymous" is not a great episode, or one of the best episodes of Season 15 (nor is it one of the worst), but it did intrigue once it found its groove and it does boast one of Kelli Giddish's best performances of the show up to this point.

Giddish is terrific, up to this point of the show she only gave one better performance to here and that was in "Deadly Ambition". She has grown a lot as Rollins since she was first introduced, as has Rollins herself, and here she plays Rollins with edge but also in a way that made her rootable (or at least that was the case to me). Really liked Rollins' development, it wasn't earth shattering but it added a good deal to her character and it was interesting knowing more about her that wasn't her over-melodramatic family drama.

Raul Esparza is the other acting standout, as ever bringing a lot of spark to Barba. The rest of the cast are all fine and the perpetrator is suitably loathsome. It is a slickly made episode, the editing especially having come on quite a bit from when the show first started (never was it a problem but it got more fluid with each episode up to this stage). The music is sparingly used and never seemed melodramatic, the theme tune easy to remember as usual. The direction is sympathetic enough without being too low key. Most of the script is thought provoking.

Did feel though that the case wasn't as good, while the story comes to life in the legal scenes (thanks to Esparza primarily) the policing is not enough and is routine and with no real surprises.

Some of the writing is soap operatic, particularly in the middle. It takes a bit of time to get going.

In conclusion, not great but interesting with the second half being better than the first. 7/10.
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7/10
What's said in group, stays in group
bkoganbing23 November 2014
Earlier in the series we learned that Kelli Giddish had a gambling problem. In this story her interactions in Gamblers Anonymous had a great bearing on a murder case she's selected to catch.

Amy Seimetz who is in the group and who learned that Giddish is an SVU detective goes to her and confides that she's trying to break it off with Geoffrey Cantor who she's been seeing. The next night Cantor takes a header off the roof of Seimetz's building and the medical examiner rules it murder.

When Seimetz is arrested, Giddish is put in quite a quandary. Was this a cry for help or was she being played?

There's also the character of Thomas Sadowski who is sponsor of both Seimetz and Giddish. He's an intriguing figure in the drama, a bar owner who is in both Alcoholics and Gambler's Anonymous.

This episode belongs to Kelli Giddish as she sees her relationships with her own fellow detectives becoming seriously damaged. This might be her best episode so far with the series.
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10/10
Pressing the button
yazguloner4 August 2021
Amanda is at the center of the story.

We watch Amanda symbolically in order to know herself well, to realize her problems, to make the right choices, and to use an understanding language. Amanda struggles to be supportive and healing to herself and others in the face of her experiences. The circumstances that should have healed her are turning against her.

In summary, the problems and consequences of unstable friendship in Recovery groups are described.

We encountered this type of group before in the second episode of Season 12 with Jeremy Irons. The band there contained classic crime and suspense. Amanda's situation is more personal.
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All that Twenty Five Act stuffs
Dorjee_Wang25 October 2016
Warning: Spoilers
As the series progresses, one has to question if someone is developing into a good "television detective" or not. Rollins seems to bring out that thought in my mind more frequently than not.

This is another Rollins focused episode, so of course it has to be another bad decision fiasco. It brings up her gambling problem introduced two seasons earlier. Now she's in GA, and through common "acquaintance" she meets the alleged victim of the episode who tells her she has been raped. The case becomes more convoluted as the episode progresses, hence I won't go into details about it. She's also seen sleeping with her sponsor.

As showcased in the episode "Deadly Ambition" of the fourteenth season, Rollins has the tendency to let her feelings get in the way of her perspective, this episode is not any better. She not only loses her sight as a detective but her muddled perspective also puts some strain in her relationship with the other detectives mostly Pino's Amaro. From the inception of their characters, I've been seeing similar patterns. While Amaro's very empathetic, he clearly has a better instinct as a cop as his "gut" feeling has helped in solving major cases previously, whereas Rollins' the exact opposite. She has shown to be a good detective, but she also lets her bias gets in the way of her work (Deadly Ambition, Double Strands). By the end of the episode, her own short sightedness results in some unfortunate effect on her (which is gonna seed some bad consequences for her in the future).

The episode also introduces Thomas Sadoski as Nate Davis, Rollins' bed mate and GA sponsor, who is also in AA. Ironically (or maybe intentionally), he also owns a bar. Interesting character, although I'd have liked to see more of him in future episodes, but I know he won't make any major appearances besides one more episode (I'm up to date with he current season, and am just viewing older seasons due to syndication).

The investigation is rather short as the episode is more "Order" focused. Barbra is still as ruthless as ever, but alas I miss both Cabot and Novak, whatever happened to them. The final testimony which cuts reasonable doubts is rather messily done in this episode and seemed perspective-dependent (in other words circumstantial). Nia Vardalos also makes a return as Minnona Efron, who brings up rather eccentric arguments. Anyway, an interesting episode with significant development made for Giddish's Rollins, which is gonna pave the way her character will walk in future episodes. 8/10
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