Brian De Palma has become the directorial litmus test of cinephiles everywhere. To supporters, he stands as a startling visual genius with a penchant for set pieces and lurid subject matter. To naysayers, he remains a lowbrow imitator who spends his studio budgets chasing the ghosts of Alfred Hitchcock and Jean-Luc Godard. Great director or high class hack? Inconsistent misogynist or Master of the Macabre? Much like his fractured narratives, the answer is never an easy one to attain.
Both sides provide ample support for their case. De Palma’s resume is riddled with enough hollow imitations (Sisters [1973], Raising Cain [1992]) and bloated commercial flops (The Bonfire of the Vanities [1990], The Black Dahlia [2006]) to sink any director. But even in misfires such as these, an undeniable attention to detail remains.
The split screen cover-up of Sisters or the heartbreaking screen tests of The Black Dahlia are breathtaking in scope and execution,...
Both sides provide ample support for their case. De Palma’s resume is riddled with enough hollow imitations (Sisters [1973], Raising Cain [1992]) and bloated commercial flops (The Bonfire of the Vanities [1990], The Black Dahlia [2006]) to sink any director. But even in misfires such as these, an undeniable attention to detail remains.
The split screen cover-up of Sisters or the heartbreaking screen tests of The Black Dahlia are breathtaking in scope and execution,...
- 11/13/2015
- by Danilo Castro
- CinemaNerdz
Earlier this week, we gave you details on first wave of special experiences and events taking place at the 2015 Stanley Film Festival. We now have details on their impressive slate of features, short films, and additional special events, including screenings of The Final Girls, Deathgasm, Stung, The Invitation, and We Are Still Here.
We're teaming up with the festival for live coverage and special opportunities for Daily Dead readers, so be sure to check back all month for contests, features, and more.
"April 2, 2014 (Denver, Co) - The Stanley Film Festival (Sff) produced by the Denver Film Society (Dfs) and presented by Chiller, announced today its Closing Night film, Festival lineup and the 2015 Master of Horror. The Festival will close out with The Final Girls. The film, directed by Todd Strauss-Schulson, is the story of a young woman grieving the loss of her mother, a famous scream queen from the 1980s,...
We're teaming up with the festival for live coverage and special opportunities for Daily Dead readers, so be sure to check back all month for contests, features, and more.
"April 2, 2014 (Denver, Co) - The Stanley Film Festival (Sff) produced by the Denver Film Society (Dfs) and presented by Chiller, announced today its Closing Night film, Festival lineup and the 2015 Master of Horror. The Festival will close out with The Final Girls. The film, directed by Todd Strauss-Schulson, is the story of a young woman grieving the loss of her mother, a famous scream queen from the 1980s,...
- 4/2/2015
- by Jonathan James
- DailyDead
Gearing up for another year at Sheffield's Showroom Cinema, horror film festival Celluloid Screams has announced the full line-up of blood-soaked goodies it has in store for the weekend of October 24-26 – and boy, is it Astron-omically good!
Here it comes... straight from the press release to your eyeballs:
Opening Gala: The Editor (UK Premiere)
Director: Adam Brooks & Matthew Kennedy | Canada | 2014 | 1hr 42 mins
Kicking off Celluloid Screams 2014 in fine style, we proudly present the mind-boggling new opus from Canadian filmmaking collective Astron-6 – an affectionate tribute to the Italian giallo thrillers of the 1970s and 1980s.
Rey Ciso was once the greatest editor the world had ever seen, but after a horrific accident left him with four wooden fingers on his right hand, he’s had to resort to cutting low budget trash pictures. When the lead actors from the film he’s been editing turn up murdered at the studio,...
Here it comes... straight from the press release to your eyeballs:
Opening Gala: The Editor (UK Premiere)
Director: Adam Brooks & Matthew Kennedy | Canada | 2014 | 1hr 42 mins
Kicking off Celluloid Screams 2014 in fine style, we proudly present the mind-boggling new opus from Canadian filmmaking collective Astron-6 – an affectionate tribute to the Italian giallo thrillers of the 1970s and 1980s.
Rey Ciso was once the greatest editor the world had ever seen, but after a horrific accident left him with four wooden fingers on his right hand, he’s had to resort to cutting low budget trash pictures. When the lead actors from the film he’s been editing turn up murdered at the studio,...
- 9/10/2014
- by Gareth Jones
- DreadCentral.com
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