Not being a 'ShondaLand' addict—in fact, I can't remember watching one previous TGIT episode in its entirety—I didn't have preconceptions about what I was 'supposed to' feel about "The Catch". From the previous IMDb reviews, I see I am glaringly in the minority in my initial opinion about the show; I was already a fan of a few of the actors and loved the look and feel of the production. The previous reviews, however, have not convinced me to change a single idea I had about the show; in fact, I find the other reviews to be epistemologically flawed in their vagueness and unspecified assertions.
So as for me, I thoroughly enjoyed the first episode and plan to keep watching. Below are my first five reasons to watch.
1. Mireille Enos: Mireille Enos is a compelling actor. She may be typecast by some as the serious, unadorned detective in "The Killing", but in "The Catch" she is engagingly glammed up and beautiful, not with an 'I've-been-entitled-all-my-life' beauty but rather with an 'I'm smart and accomplished and insightful' beauty. Plus, she can sprint at an impressive speed after bad guys, showing that her outer strength can match the inner.
2. Alimi Ballard: Alimi Ballard has always been smart and sharp, as his scenes on "Numb3rs" and "CSI" have shown, but his frequent relegation to a law enforcement roles in dark suits has required a restraint he can thankfully shed in this role. From the first time we see him on the links rocking a preppy polo-shirt-and-plaid-pants golf outfit, we know something will be different. On "The Catch", he remains sharp and smart, but as the 'fixer' of the confidence team, he morphs into changing roles with emotive style and wit.
3. Mature Allure: It is great to see a show with a variety of actors over 35 (notwithstanding Rose Rollins' 20- something visage) who look great, dress great, speak articulately, and keep the story going. Much has been written about Peter Krause's casting and whether his age and recent role in Parenthood will affect audience perceptions. Not having watched "Parenthood" (or "Six Feet Under" or any of his roles, to be honest), he was a blank slate to me, and I was pleasantly surprised. My daughter remarked that the younger actor in the original pilot (still available online) is better eye candy, but Krause is a nuanced actor who conveys ambiguous intentions well. As a con man in his late 40s, it is more plausible that he has been around, seen more than he needed, and become reflective and conflicted about whether to stay in the game or pursue a connection with his latest smart, intriguing target. If his character were in his mid 30s with less knowledge, life experience and capital, would he really be ready to give up his best confidence-earning years to be with someone who could always put him in jail?
4. The Artwork of Maria Kreyn: I am not sure how widely recognized artist Maria Kreyn is, but after this pilot episode, I'm sure she will gain a much wider audience. Her painting 'Alone Together', featured in "The Catch", is hauntingly beautiful and provides a captivating metaphor for the show's narrative.
5. Open Spaces and Sunlight! Whenever I catch a few seconds of another TGIT/ShondaLand show, the scene is usually in an enclosed space such as a hospital room or dark office or someplace not particularly airy or (naturally) light. "The Catch", in contrast, is replete with outdoor settings, California sunshine, and floor-to-ceiling windows with luxurious day and nighttime views. This only added to my enjoyment of the show and desire to see more.
So as for me, I thoroughly enjoyed the first episode and plan to keep watching. Below are my first five reasons to watch.
1. Mireille Enos: Mireille Enos is a compelling actor. She may be typecast by some as the serious, unadorned detective in "The Killing", but in "The Catch" she is engagingly glammed up and beautiful, not with an 'I've-been-entitled-all-my-life' beauty but rather with an 'I'm smart and accomplished and insightful' beauty. Plus, she can sprint at an impressive speed after bad guys, showing that her outer strength can match the inner.
2. Alimi Ballard: Alimi Ballard has always been smart and sharp, as his scenes on "Numb3rs" and "CSI" have shown, but his frequent relegation to a law enforcement roles in dark suits has required a restraint he can thankfully shed in this role. From the first time we see him on the links rocking a preppy polo-shirt-and-plaid-pants golf outfit, we know something will be different. On "The Catch", he remains sharp and smart, but as the 'fixer' of the confidence team, he morphs into changing roles with emotive style and wit.
3. Mature Allure: It is great to see a show with a variety of actors over 35 (notwithstanding Rose Rollins' 20- something visage) who look great, dress great, speak articulately, and keep the story going. Much has been written about Peter Krause's casting and whether his age and recent role in Parenthood will affect audience perceptions. Not having watched "Parenthood" (or "Six Feet Under" or any of his roles, to be honest), he was a blank slate to me, and I was pleasantly surprised. My daughter remarked that the younger actor in the original pilot (still available online) is better eye candy, but Krause is a nuanced actor who conveys ambiguous intentions well. As a con man in his late 40s, it is more plausible that he has been around, seen more than he needed, and become reflective and conflicted about whether to stay in the game or pursue a connection with his latest smart, intriguing target. If his character were in his mid 30s with less knowledge, life experience and capital, would he really be ready to give up his best confidence-earning years to be with someone who could always put him in jail?
4. The Artwork of Maria Kreyn: I am not sure how widely recognized artist Maria Kreyn is, but after this pilot episode, I'm sure she will gain a much wider audience. Her painting 'Alone Together', featured in "The Catch", is hauntingly beautiful and provides a captivating metaphor for the show's narrative.
5. Open Spaces and Sunlight! Whenever I catch a few seconds of another TGIT/ShondaLand show, the scene is usually in an enclosed space such as a hospital room or dark office or someplace not particularly airy or (naturally) light. "The Catch", in contrast, is replete with outdoor settings, California sunshine, and floor-to-ceiling windows with luxurious day and nighttime views. This only added to my enjoyment of the show and desire to see more.
