77
Metascore
4 reviews · Provided by Metacritic.com
- 90The New YorkerRichard BrodyThe New YorkerRichard BrodyWith bold and canny camera work that yields an uproarious parody of Ingmar Bergman’s “The Seventh Seal,” White dynamites the formalist restraint of art films and the bonds of narrative logic to unleash the primal ecstasy of the cinema.
- 80Village VoiceAlan ScherstuhlVillage VoiceAlan ScherstuhlThomas White's lost-and-found avant-lulu Who's Crazy? pulses with the newly possible.
- 70The New York TimesGlenn KennyThe New York TimesGlenn KennyThe movie, shot mostly in crisp, sometimes smoky black and white, is far better, a quirky but purposeful grafting of Mack Sennett to the French New Wave. Yet it’s the soundtrack that has the staying power.
- 63Slant MagazineJames LattimerSlant MagazineJames LattimerThomas White's is a bizarre, undisciplined romp through snowbound Belgian vistas and '60s signifiers alike.