Directed by
| Ben Bowie | ||
| Geoffrey Luck | ... | (as Geoff Luck) |
Produced by
| Jody Allen | ... | co-executive producer |
| Paul Allen | ... | co-executive producer (as Paul G. Allen) |
| Tom Barton-Humphreys | ... | associate producer |
| Kate Bradbury | ... | producer |
| Jannat Gargi | ... | coordinating producer |
| Sam Humphreys | ... | assistant producer |
| Emre Izat | ... | producer |
| Richard Slater-Jones | ... | field producer |
| Hilary Sparrow | ... | producer |
| Carole Tomko | ... | co-executive producer |
| Ellen Windemuth | ... | producer |
| David Wulzen | ... | associate producer |
Music by
| Nick Urata | ||
Cinematography by
| Lee Jackson | ||
Editing by
| Ben Harding | ||
| Geoffrey Luck | ||
Production Management
| Kim Nyhous | ... | production manager |
Sound Department
| Jonny Crew | ... | sound editor |
| Sebastian Dunn | ... | sound recordist |
| Kate Hopkins | ... | sound editor |
| Philip Jenkins | ... | foley mixer (as Phil Jenkins) |
| Ben Jones | ... | foley artist |
| Oliver Machin | ... | sound recordist |
| Owen Peters | ... | sound editor |
| Andrew Wilson | ... | re-recording mixer |
Camera and Electrical Department
| Navid Tansaz | ... | drone camera operator |
| Skip Margetts | ... | aerial director of photography (uncredited) |
Music Department
| Jason La Rocca | ... | music scoring mixer |
| Jon Ong | ... | composer: additional music |
| Christopher Reque | ... | Score mixing assistant |
Additional Crew
| Doug Coblens | ... | business & legal affairs |
| Matt Milios | ... | digital producer |
| Ted Richane | ... | director of engagement and impact |
