The Sub (2017) Poster

(2017)

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8/10
I enjoyed it
sbob32216 September 2019
For the quality and story it had to tell the timing seemed about right. Though its humor was a little dry and its horror was what I would expect from a goosebumps. Actually after writing that this feels like a goosebumps episode except it follows a "adult" mainly.
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9/10
This is what independent film making is all about
jgulnick7 June 2021
Thoroughly enjoyed the movie and getting to learn about the process and production through supporting the endeavor. This short film contained humor, horror, good acting, and cost effective production value. The story line is pretty straight forward and yet uncovers the hidden truth about schools while pretending to be a horcom film (or is that horhum?). Don't let anyone tell you otherwise, this is a documentary!
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Solid comedy/horror but doesn't nail either, even if it has a certain charm
bob the moo1 July 2017
I stumbled upon this kickstarter-funded movie and gave it the time thanks to a good start. It seems to mix comedy and horror, and sees a substitute teacher taking over a class where something is not quite right, in a school where the staff also seem to be up to something. As Mae Zalinski tries to just get through her day as a teacher, she gets drawn into a much darker world.

The idea is quite nice, and the film has a decent smile on its face throughout. It is never quite as funny as it needs to be, but at least is amusing. On the other side the horror doesn't quite work either; it is not quite creepy enough, and in the end the budget restrictions on the special effects do show. Working against it was the memory of the short film Fool's Day, which is not quite the same but has a horror set in a classroom and does it much better on all fronts. That said, The Sub does have much to be charmed by if you do not expect too much. It has solid production values, it has good pace, and the performances are pretty good from Jarman, Jenkins, and Stepanek; in particular I would happily watch more interactions between Jenkins and Jarman, and sort of wondered if the film would have been better if it let the confrontation of the end play out, giving our two heroines more dialogue in that space.

It has its limits then, and lacks a lot of polish and refinement, but The sub is still broadly enjoyable for what it does.
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