"Criminal Minds" Green Light (TV Episode 2017) Poster

(TV Series)

(2017)

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7/10
Green Light
bobcobb3014 July 2017
They kind of spoiled things for us when we saw Aubrey Plaza's name in the opening credits, but this was still an entertaining episode of the show. I am so beyond Reid being in prison so thankfully the show let go of that, even if it was only a few months too late.

Good episode and hopefully the finale delivers.
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9/10
Great episode
LoveIsAStateOfMind22 October 2017
Warning: Spoilers
Okay show you have definitely got my full attention now.

I definitely didn't see that twist at the end coming. So Scratch wasn't behind the team's misfortunes all season after all it was the odious Cat Adams who I find infinitely scarier by the way. And she masterminded it all from behind bars (how many times has the show had someone behind bars pulling the strings? I feel like it's quite a few!) working with Lindsey Vaughan.

I think TPTB did an okay job explaining Vaughan's presence mixed up in all of this. I am still not sure why she has it out for Reid but her daddy issues explains why she became a hitwoman and is working with Cat Adams.

Anyway, before the grand reveal of Cat Adams, Reid did actually make it out of prison, at least for a few hours. I have to take my hat off to the writers for the switcharoo they played with Reid stabbing himself, blaming it on Shaw to get into isolation, Shaw threatening to hunt him down, Reid having flashbacks to all his interactions with Shaw leading the viewers to believe it was all leading to a showdown with the dirty FBI Agent …… only to have JJ walk into the room and have a wonderful reunion with Reid. Glad to see that Alvez made sure that Shaw gets his just desserts.

I thought Garcia wanting to hand in her resignation was a little out of character. I would totally understand the moments of despair after everything everyone has been through but choosing that moment to essentially give up on Reid was not something I saw her doing.

At the other end of the spectrum I love Prentiss's leadership speech at the end where she really takes charge of the team, allowing them one minute of sadness and despair before getting them to focus on the task at hand. We've obviously seen her being the boss throughout the rest of the season but this episode is the first time she's really had the chance to step up and be a leader.

Now I just have to wait to see if the finale ends up being a Vaughan / Adams / Scratch trifecta or whether next season is going to be what I thought this season was about: Scratch Vs BAU.
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8/10
Biting nails here
TheLittleSongbird16 June 2017
In its prime (Seasons 1-5, with Season 4 to me being the best and most consistent season with a lot of classic episodes and even the weakest episodes being far from awful) 'Criminal Minds' was one of my favourite shows. From Season 6 it did become hit and miss, with the odd gem, but a lot of average episodes and some stinkers.

"Green Light" to me was the one of the best episodes (perhaps so far second best) of an inconsistent but better than anticipated Season 12. Almost as good as "Spencer", on the same level as "Elliot's Pond" and "Mirror Image" and much better than "True North", "Anti-Terror Squad" and "Taboo". "Green Light" may not be a classic 'Criminal Minds' episode, but is a long way from a stinker, very easy to see why as of now it's one of the higher rated episodes of the season.

Wouldn't have said no to more Rossi, who is somewhat underused here. More so of an issue was, to me, Reid's treatment in prison generally has been portrayed in a way that goes too far in the cruelty factor (this episode included), with the character of Wilkins somewhat of a cartoonish prison cliché too far, while one really feels sorry for Reid and roots for him how and what he's thinking has been explored a little too heavy-handedly that has indicated more unhappiness (not a good thing if your favourite 'Criminal Minds' character is Reid).

However, visually, the episode looks great as to be expected. Very well shot and lit and is overall stylish, gritty, classy and atmospheric, with at times a film noir look and feel. The music is moody in the haunting and melancholic sense and fits well, without either enhancing or distracting from it. The direction is alert, tense and accommodating.

All the acting is very good, especially from Paget Brewster and Matthew Gray Gubler. The team interaction is absolutely brilliant here, where one truly sees everybody's genuine concern for Reid and desire to help him through a seemingly helpless situation and how close they are as a team. Here Reid's importance to the team is acknowledged, especially by Prentiss and Garcia, and Prentiss' concern and pulls no punches approach in proving Reid's innocence confirms that bringing her back was one of the best decisions the show has made in a while. A hugely satisfying scene too was the scene between Alvez and Shaw, certainly the most satisfying Alvez moment all season and may possibly convert non-fans.

On top of that, the writing is thought-provoking and tautly structured. A lot happens in the story, the main revelation is a huge shock when the viewer was made to think otherwise in the previous episodes when the arc was covered and the twists and turns keep coming without putting one's brain into overload. It was great to have an initially promising but got heavily dragged out subplot put to bed and unanswered questions starting to get answered.

In conclusion, not a 'Criminal Minds' classic but a nail-biter. 8/10 Bethany Cox
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