The Max prequel series “Dune: Prophecy” has added Jessica Barden in a recurring guest star role, Variety has learned exclusively.
The series was originally commissioned in 2019 under the title “Dune: The Sisterhood.” It is inspired by the novel “Sisterhood of Dune” written by Brian Herbert and Kevin J. Anderson. The official logline states, “From the expansive universe of ‘Dune,’ created by acclaimed author Frank Herbert, and 10,000 years before the ascension of Paul Atreides, ‘Dune: Prophecy’ follows two Harkonnen sisters as they combat forces that threaten the future of humankind, and establish the fabled sect that will become known as the Bene Gesserit.”
Barden will appear as the young Valya Harkonnen, with the elder version of the character being played by Emily Watson. The young Valya is described as “Ambitious, stubborn and forceful. Young Valya Harkonnen dreams of restoring her family’s noble status. When a tragedy shatters her plans for the future,...
The series was originally commissioned in 2019 under the title “Dune: The Sisterhood.” It is inspired by the novel “Sisterhood of Dune” written by Brian Herbert and Kevin J. Anderson. The official logline states, “From the expansive universe of ‘Dune,’ created by acclaimed author Frank Herbert, and 10,000 years before the ascension of Paul Atreides, ‘Dune: Prophecy’ follows two Harkonnen sisters as they combat forces that threaten the future of humankind, and establish the fabled sect that will become known as the Bene Gesserit.”
Barden will appear as the young Valya Harkonnen, with the elder version of the character being played by Emily Watson. The young Valya is described as “Ambitious, stubborn and forceful. Young Valya Harkonnen dreams of restoring her family’s noble status. When a tragedy shatters her plans for the future,...
- 5/15/2024
- by Joe Otterson
- Variety Film + TV
KiKi Layne, breakout of “If Beale Street Could Talk” and other indies, sings and performs in Nicole Riegel’s SXSW premiere “Dandelion” as a Cincinnati singer/songwriter in a downward spiral. IndieWire shares an exclusive first look at the film here ahead of its March 10 premiere in Austin at the 2024 SXSW Film & TV Festival. Riegel previously directed 2021’s “Holler,” a blue-collar drama starring Jessica Barden.
Here’s the SXSW synopsis for “Dandelion”: “Dandelion, a struggling Cincinnati singer-songwriter in a downward spiral, takes a last-ditch-effort gig at a motorcycle rally in South Dakota where she meets Casey, a guitarist who walked away from his dream long ago. As Dandelion joins Casey’s nomadic group of struggling musicians, the kindred spirits make music together and strike up a whirlwind romance. The experience moves Dandelion from a narrow view of success to a deeper appreciation of her artistic journey, and the discovery...
Here’s the SXSW synopsis for “Dandelion”: “Dandelion, a struggling Cincinnati singer-songwriter in a downward spiral, takes a last-ditch-effort gig at a motorcycle rally in South Dakota where she meets Casey, a guitarist who walked away from his dream long ago. As Dandelion joins Casey’s nomadic group of struggling musicians, the kindred spirits make music together and strike up a whirlwind romance. The experience moves Dandelion from a narrow view of success to a deeper appreciation of her artistic journey, and the discovery...
- 3/4/2024
- by Ryan Lattanzio
- Indiewire
Exclusive: T-Street filmmakers Rian Johnson and Ram Bergman have set Katie McNeill to become a producer at their independent studio. McNeill joins the film side of the company alongside producers Ben LeClair, Leopold Hughes and Nikos Karamigios.
McNeill joins T-Street on the heels of a big year for the company in both film and TV, where they produced the highly acclaimed films American Fiction and Fair Play, from first time writer/directors Cord Jefferson and Chloe Domont, respectively. American Fiction this week got five Oscar nominations including Best Picture. MRC/T-Street collaborated on the film, which was acquired by Orion and released by Amazon MGM.
Fair Play was acquired by Netflix in a bidding war at last year’s Sundance Film Festival launching the breakout writer/director Domont.
T-Street is gearing up to make the third installment of the Benoit Blanc franchise for Netflix later this year. The yet to...
McNeill joins T-Street on the heels of a big year for the company in both film and TV, where they produced the highly acclaimed films American Fiction and Fair Play, from first time writer/directors Cord Jefferson and Chloe Domont, respectively. American Fiction this week got five Oscar nominations including Best Picture. MRC/T-Street collaborated on the film, which was acquired by Orion and released by Amazon MGM.
Fair Play was acquired by Netflix in a bidding war at last year’s Sundance Film Festival launching the breakout writer/director Domont.
T-Street is gearing up to make the third installment of the Benoit Blanc franchise for Netflix later this year. The yet to...
- 1/25/2024
- by Mike Fleming Jr
- Deadline Film + TV
Selected for SXSW in 2020 but unfortunately that was the last minute canceled edition, Nicole Riegel‘s debut film Holler would technically land its world premiere at the 2020 Deauville American Film Festival. She quickly followed this up with a sophomore film that shot in October of 2022 shot in Cincinnati and South Dakota — the IFC Films folks re-teamed with the director and will distribute. A romantic drama, Dandelion is toplined by KiKi Layne who also has producer creds.
Gist: KiKi Layne plays a struggling, but determined Cincinnati singer-songwriter in a downward spiral. She reluctantly takes a last ditch effort gig at a motorcycle rally in South Dakota where she meets Casey, a guitarist who walked away from his dream long ago.…...
Gist: KiKi Layne plays a struggling, but determined Cincinnati singer-songwriter in a downward spiral. She reluctantly takes a last ditch effort gig at a motorcycle rally in South Dakota where she meets Casey, a guitarist who walked away from his dream long ago.…...
- 11/9/2023
- by Eric Lavallée
- IONCINEMA.com
When the Watson Twins sang for Jenny Lewis on her 2006 album Rabbit Fur Coat, they viewed it as simply doing a favor for a friend. Lewis was the Watsons’ neighbor in the Silver Lake neighborhood of L.A., and Chandra and Leigh Watson always liked an opportunity to jam.
Back in high school in Kentucky, the sisters could often be found at their friend’s Grateful Dead shop singing harmonies behind whoever had an acoustic guitar. To them, the Rilo Kiley bandleader’s project was no different.
“We thought Rilo...
Back in high school in Kentucky, the sisters could often be found at their friend’s Grateful Dead shop singing harmonies behind whoever had an acoustic guitar. To them, the Rilo Kiley bandleader’s project was no different.
“We thought Rilo...
- 9/19/2023
- by Joseph Hudak
- Rollingstone.com
Exclusive: Longtime IFC Films and Cinetic Media PR colleagues Laura Sok and Kate McEdwards are launching new PR and strategy firm, Track Shot.
Track Shot will be based in New York City and work across independent, foreign and genre films as well as distribution strategy. The duo brings more than two decades in the publicity and communications field as well as a deep knowledge of the distribution landscape. Sok and McEdwards have built and led hundreds of film campaigns during their careers working in-house and alongside major distributors on the agency side. Previously, they led PR efforts for IFC Films, IFC Midnight, Sundance Selects, IFC Films Unlimited (streaming service) and most recently Shudder and Rlje.
Their final campaign for IFC Films was Matt Johnson’s chart-topping BlackBerry. This year they also launched Kyle Edward Ball’s breakthrough feature Skinamarink for Shudder/IFC Films.
Among their many successful campaigns at IFC...
Track Shot will be based in New York City and work across independent, foreign and genre films as well as distribution strategy. The duo brings more than two decades in the publicity and communications field as well as a deep knowledge of the distribution landscape. Sok and McEdwards have built and led hundreds of film campaigns during their careers working in-house and alongside major distributors on the agency side. Previously, they led PR efforts for IFC Films, IFC Midnight, Sundance Selects, IFC Films Unlimited (streaming service) and most recently Shudder and Rlje.
Their final campaign for IFC Films was Matt Johnson’s chart-topping BlackBerry. This year they also launched Kyle Edward Ball’s breakthrough feature Skinamarink for Shudder/IFC Films.
Among their many successful campaigns at IFC...
- 6/13/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Exclusive: Deadline has learned that IFC Films’ longtime Head of PR Laura Sok will be departing the indie distribution company.
Sok has been Head of PR for the last five years in an overall seven-year career at IFC (she worked there from 2008-2010), and was first hired by Jonathan Sehring to run the department. She led public-relations efforts for IFC Films, IFC Midnight, Sundance Selects and streaming service IFC Films Unlimited. Last December, her oversight was expanded to include the labels Shudder and Rlje Films.
Sok led 20th anniversary efforts for IFC Films and was integral in constructing the 2020 drive-in release and promotion strategy during the pandemic. She also led publicity strategy and campaigns for all films during the most successful financial years in IFC Films history.
While Sok is one of many executives to recently leave IFC including distribution head Jasper Basch,...
Sok has been Head of PR for the last five years in an overall seven-year career at IFC (she worked there from 2008-2010), and was first hired by Jonathan Sehring to run the department. She led public-relations efforts for IFC Films, IFC Midnight, Sundance Selects and streaming service IFC Films Unlimited. Last December, her oversight was expanded to include the labels Shudder and Rlje Films.
Sok led 20th anniversary efforts for IFC Films and was integral in constructing the 2020 drive-in release and promotion strategy during the pandemic. She also led publicity strategy and campaigns for all films during the most successful financial years in IFC Films history.
While Sok is one of many executives to recently leave IFC including distribution head Jasper Basch,...
- 4/24/2023
- by Anthony D'Alessandro
- Deadline Film + TV
Actor Alex Wolff, who was last seen in Michael Sarnoski's critically acclaimed film "Pig," has found his next project. The actor will star in Oscar-winning filmmaker Aaron Schneider's "Untold" (via Deadline), a Holocaust survival drama based on the autobiography "I Escaped From Auschwitz" penned by Holocaust survivor Rudolf Vrba. The remarkable story is a firsthand account of Vrba's experiences as a registrar at Auschwitz-Birkenau, the largest German Nazi concentration camp and extermination center in German-occupied Poland, and documents the heroic tale of his escape. His memoir is supported by testimonies that illustrate the unbearable, vivid horror he experienced during his 21-month internment.
Alex Wolff will portray Vrba in the film with Schneider at the helm. The filmmaker's latest slew of projects includes the Oscar and British Academy-nominated "Greyhound," the Apple TV World War II drama starring Tom Hanks. Schneider won the Academy Award back in 2003 for "Two...
Alex Wolff will portray Vrba in the film with Schneider at the helm. The filmmaker's latest slew of projects includes the Oscar and British Academy-nominated "Greyhound," the Apple TV World War II drama starring Tom Hanks. Schneider won the Academy Award back in 2003 for "Two...
- 8/26/2022
- by Fatemeh Mirjalili
- Slash Film
Click here to read the full article.
Hulu has snagged rights to author Sheila Heti’s forthcoming book — one that’s written in alphabetical order.
The streamer has optioned The Alphabetical Diaries, in which Heti took a decade’s worth of diary entries and rearranged the sentences in alphabetical order, to develop as a series. After cutting “thousands of sentences” the exercise took on something more like a novel, she explained in the introduction to a series of New York Times columns that presented an abridged form of the work. The book is slated to be published in 2023 by Fsg in the United States, Fitzcarraldo Editions in the U.K. and Knopf Canada.
Hunting Lane, the production company behind HBO’s I Know This Much Is True and feature films Holler, Captain Fantastic and Blue Valentine, is behind the project. The company’s Jamie Patricof and Katie McNeill are producing.
Hulu has snagged rights to author Sheila Heti’s forthcoming book — one that’s written in alphabetical order.
The streamer has optioned The Alphabetical Diaries, in which Heti took a decade’s worth of diary entries and rearranged the sentences in alphabetical order, to develop as a series. After cutting “thousands of sentences” the exercise took on something more like a novel, she explained in the introduction to a series of New York Times columns that presented an abridged form of the work. The book is slated to be published in 2023 by Fsg in the United States, Fitzcarraldo Editions in the U.K. and Knopf Canada.
Hunting Lane, the production company behind HBO’s I Know This Much Is True and feature films Holler, Captain Fantastic and Blue Valentine, is behind the project. The company’s Jamie Patricof and Katie McNeill are producing.
- 8/3/2022
- by Rick Porter
- The Hollywood Reporter - Movie News
The 37th Annual Independent Spirit Awards took place on Sunday, returning to an in-person format following last year’s virtual ceremony. Many of the biggest names in the independent film community made the trek out to the beach in Santa Monica with the hopes of taking home the most coveted prizes in indie film. While the Spirit Awards typically take place the week before the Oscars, this year’s unique Covid-influenced awards season calendar meant that they were held nearly a month in advance. Hollywood couple Nick Offerman and Megan Mullally served as emcees of the proceedings.
This year’s class of nominees draws from films largely shut out from the Oscars, with indie hits like Oscar nominee “The Lost Daughter,” “C’mon C’mon,” and “Zola” racking up the most nominations. “The Lost Daughter” cleaned up, with three wins for Netflix including Best Feature and Best Director Maggie Gyllenhaal. Oscar no-show...
This year’s class of nominees draws from films largely shut out from the Oscars, with indie hits like Oscar nominee “The Lost Daughter,” “C’mon C’mon,” and “Zola” racking up the most nominations. “The Lost Daughter” cleaned up, with three wins for Netflix including Best Feature and Best Director Maggie Gyllenhaal. Oscar no-show...
- 3/7/2022
- by Christian Zilko and Ryan Lattanzio
- Indiewire
Who were the big winners at the 37th Independent Spirit Awards, presented on Sunday, March 6, at the Santa Monica Pier in Santa Monica, California? Scroll down for the complete list of results in all categories, updated throughout the ceremony as the awards were handed out.
SEE2022 Oscars guild awards scorecard: ‘King Richard’ reigns over SAG and Ace Eddies to grab early lead
These awards are unique in that they are limited to American films made for under $20 million; films made outside the United States are eligible for Best International Feature. And the awards are decided in two stages. In the first round, committees of film professionals, experts, and critics choose the nominees. In the second round, the entire Film Independent membership gets to vote for the winners. Members include industry insiders, but also anyone in the general public who wish to pay yearly dues starting at $95 per year.
The Oscars...
SEE2022 Oscars guild awards scorecard: ‘King Richard’ reigns over SAG and Ace Eddies to grab early lead
These awards are unique in that they are limited to American films made for under $20 million; films made outside the United States are eligible for Best International Feature. And the awards are decided in two stages. In the first round, committees of film professionals, experts, and critics choose the nominees. In the second round, the entire Film Independent membership gets to vote for the winners. Members include industry insiders, but also anyone in the general public who wish to pay yearly dues starting at $95 per year.
The Oscars...
- 3/7/2022
- by Daniel Montgomery
- Gold Derby
Three awards ceremonies are taking place the weekend of March 5. On Saturday, a double dose of the Art Directors Guild (Adg) and American Cinema Editors Awards (Ace Eddies), and on Sunday, the Film Independent Spirit Awards, airing on IFC.
Paying special attention to Adg and Ace Eddies since there’s Oscar crossover, we’re expecting a couple of surprises at both. On the Adg side, “Dune” and “Nightmare Alley” should reign triumphant, but “Don’t Look Up” may overcome fellow Netflix property “The Lost Daughter.”
At Ace Eddies, there’s a possible upset on the drama side in the favor of “King Richard’s” Pamela Martin, besting Joe Walker for “Dune.” On the other hand, “Tick, Tick … Boom!” is expected to sneak past “Licorice Pizza.”
What’s most interesting is that there is very little to no presence of the presumed Oscar frontrunners this weekend, including Jane Campion’s “The Power of the Dog,...
Paying special attention to Adg and Ace Eddies since there’s Oscar crossover, we’re expecting a couple of surprises at both. On the Adg side, “Dune” and “Nightmare Alley” should reign triumphant, but “Don’t Look Up” may overcome fellow Netflix property “The Lost Daughter.”
At Ace Eddies, there’s a possible upset on the drama side in the favor of “King Richard’s” Pamela Martin, besting Joe Walker for “Dune.” On the other hand, “Tick, Tick … Boom!” is expected to sneak past “Licorice Pizza.”
What’s most interesting is that there is very little to no presence of the presumed Oscar frontrunners this weekend, including Jane Campion’s “The Power of the Dog,...
- 3/5/2022
- by Clayton Davis
- Variety Film + TV
Exclusive: 7 Days, the romantic comedy from The Resident co-creator Roshan Sethi that stars Geraldine Viswanathan and Karan Soni, now has a release date and a trailer. Cinedigm, which acquired the pic in November after its premiere at the 2021 Tribeca Film Festival, will release it wide in theaters March 25.
The news comes as the rom-com is up for an Independent Spirit Award this weekend for Best First Feature.
Soni (Deadpool) and Viswanathan star in the film, which was co-written by Sethi and Soni, partners in real life. The plot revolves around a pair of Indian-American twentysomethings who find themselves bonding in unusual circumstances following a dud date set arranged by their conservative parents.
Zenobia Shroff, Aparna Nancherla, Gita Reddy and Mark Duplass also star. Liz Cardenas and Mel Eslyn are producers, with Jay and Mark Duplass, Soni, Sethi and Viswanathan executive producing. Maddie Buis is co-producer.
Check out the trailer above.
The news comes as the rom-com is up for an Independent Spirit Award this weekend for Best First Feature.
Soni (Deadpool) and Viswanathan star in the film, which was co-written by Sethi and Soni, partners in real life. The plot revolves around a pair of Indian-American twentysomethings who find themselves bonding in unusual circumstances following a dud date set arranged by their conservative parents.
Zenobia Shroff, Aparna Nancherla, Gita Reddy and Mark Duplass also star. Liz Cardenas and Mel Eslyn are producers, with Jay and Mark Duplass, Soni, Sethi and Viswanathan executive producing. Maddie Buis is co-producer.
Check out the trailer above.
- 3/4/2022
- by Patrick Hipes
- Deadline Film + TV
Almost 2,000 Gold Derby readers have made their Indie Spirit predictions in advance of Sunday’s ceremony. Scroll down to see our official odds in all 13 movie categories based on those combined predictions. Our projected winners are highlighted in gold.
SEEOscars 2022: 20 movie reunions we would love to see happen on the ceremony, including ‘The Godfather,’ ‘Titanic,’ ‘Harry Potter’ and more
The Indie Spirit Awards winners are voted on by members of Film Independent. Membership is open to any movie fans who pay $95 in yearly dues, which often leads to the highest-profile Oscar contenders winning top prizes against less widely publicized films. But this year Film Independent snubbed many of the Oscar front-runners; this is only the second time in the last 13 years that there are no Best Picture Oscar nominees among the Spirit contenders for Best Feature.
The black comedy “Zola” led the nominations with seven including Best Feature, Best...
SEEOscars 2022: 20 movie reunions we would love to see happen on the ceremony, including ‘The Godfather,’ ‘Titanic,’ ‘Harry Potter’ and more
The Indie Spirit Awards winners are voted on by members of Film Independent. Membership is open to any movie fans who pay $95 in yearly dues, which often leads to the highest-profile Oscar contenders winning top prizes against less widely publicized films. But this year Film Independent snubbed many of the Oscar front-runners; this is only the second time in the last 13 years that there are no Best Picture Oscar nominees among the Spirit contenders for Best Feature.
The black comedy “Zola” led the nominations with seven including Best Feature, Best...
- 3/4/2022
- by Daniel Montgomery
- Gold Derby
“Zola,” a darkly comic look at a part-time stripper’s Florida trip gone horribly wrong, topped nominations for the 37th Film Independent Spirit Awards, picking up a leading seven nods.
But the film, which is based on a Twitter thread that went viral, faces fierce competition in the best feature category. It’s up against “The Novice,” a twisty thriller that scored five nominations, as well as “The Lost Daughter,” an adaptation of Elena Ferrante’s novel of the same name, which scored four nominations. Rounding out the feature film race are “A Chiara,” an Italian-language family drama, and “C’mon C’mon,” a warm-hearted look at an uncle’s relationship with his young nephew.
The nominations were announced Tuesday by Beanie Feldstein, Regina Hall and Naomi Watts. Returning in-person in 2022 after going virtual due to Covid in 2021, the awards highlight and celebrate movies that are, for the most part, produced and...
But the film, which is based on a Twitter thread that went viral, faces fierce competition in the best feature category. It’s up against “The Novice,” a twisty thriller that scored five nominations, as well as “The Lost Daughter,” an adaptation of Elena Ferrante’s novel of the same name, which scored four nominations. Rounding out the feature film race are “A Chiara,” an Italian-language family drama, and “C’mon C’mon,” a warm-hearted look at an uncle’s relationship with his young nephew.
The nominations were announced Tuesday by Beanie Feldstein, Regina Hall and Naomi Watts. Returning in-person in 2022 after going virtual due to Covid in 2021, the awards highlight and celebrate movies that are, for the most part, produced and...
- 12/14/2021
- by Brent Lang and Jazz Tangcay
- Variety Film + TV
Big news for Paul Thomas Anderson’s awards campaign as his film “Licorice Pizza” was named the best picture of the year by the National Board of Review. The MGM and United Artists Releasing movie also picked up prizes for directing, and shared the breakthrough performance award for newcomers Alana Haim and Cooper Hoffman.
Another newcomer having a great day is Latina Rachel Zegler, who won best actress for her turn in Steven Spielberg’s “West Side Story.” She is just the second Latina to ever win the category since Fernanda Montenegro in “Central Station” (1998).
Will Smith has kicked off his awards race in a big way by being named best actor for “King Richard,” while his co-star Aunjanue Ellis nabbed supporting actress.
Veteran actor Ciaran Hinds picked up what’s sure to be the first of many prizes of the season for his performance in Kenneth Branagh’s “Belfast.
Another newcomer having a great day is Latina Rachel Zegler, who won best actress for her turn in Steven Spielberg’s “West Side Story.” She is just the second Latina to ever win the category since Fernanda Montenegro in “Central Station” (1998).
Will Smith has kicked off his awards race in a big way by being named best actor for “King Richard,” while his co-star Aunjanue Ellis nabbed supporting actress.
Veteran actor Ciaran Hinds picked up what’s sure to be the first of many prizes of the season for his performance in Kenneth Branagh’s “Belfast.
- 12/2/2021
- by Clayton Davis
- Variety Film + TV
The Gotham Awards will announce nominations tomorrow and expected to lead the charge, primarily due to the changes in the number of nominees allowed in new categories, are Maggie Gyllenhaal’s directorial debut “The Lost Daughter” from Netflix and Fran Kranz’s “Mass” from Bleecker Street.
The Gotham Film & Media Institute, which oversees the Gotham Awards, announced in August that awards for acting would no longer be defined by gender.
Last year’s Gotham for best picture went to “Nomadland,” which went on to win the Oscar for best picture. In a Gotham Awards first, the entire feature category was comprised of women directors. The tea leaves don’t necessarily point to another historic showing, but one film feels for sure, and that’s Gyllenhaal’s adaptation of the Elena Ferrante novel of the same name.
The best picture frontrunner “Belfast” from Kenneth Branagh skirts the line of being eligible for international features,...
The Gotham Film & Media Institute, which oversees the Gotham Awards, announced in August that awards for acting would no longer be defined by gender.
Last year’s Gotham for best picture went to “Nomadland,” which went on to win the Oscar for best picture. In a Gotham Awards first, the entire feature category was comprised of women directors. The tea leaves don’t necessarily point to another historic showing, but one film feels for sure, and that’s Gyllenhaal’s adaptation of the Elena Ferrante novel of the same name.
The best picture frontrunner “Belfast” from Kenneth Branagh skirts the line of being eligible for international features,...
- 10/20/2021
- by Clayton Davis
- Variety Film + TV
Amy Ray has a thing for birds. On her 2018 country album Holler, she had two songs about sparrows and dueted with Brandi Carlile on “Bird in the Hand” on Ray’s Lung of Love LP. In the new song “Chuck Will’s Widow,” the singer, songwriter and one-half of Indigo Girls draws inspiration from the bird of the same name, a nightjar cousin of the whippoorwill.
“You can sing when you should be sleeping/because that’s when the world is your weepin’,” Ray sings in the country ballad, as...
“You can sing when you should be sleeping/because that’s when the world is your weepin’,” Ray sings in the country ballad, as...
- 7/30/2021
- by Joseph Hudak
- Rollingstone.com
A “Brady Bunch” and “RuPaul’s Drag Race” crossover, “Dragging the Classics: The Brady Bunch,” premieres Wednesday on Paramount+. And according to the O.G. “Brady Bunch” stars who took part, fans are in for “a real hoot and holler” of an episode.
The special, made in celebration of Pride Month, reunites the original cast of “The Brady Bunch” alongside queens from the Emmy-winning competition series “RuPaul’s Drag Race.” Together, they recreated the classic episode “Will the Real Jan Brady Please Stand Up?” complete with a remixed “Brady Bunch” theme song and RuPaul playing a wig attendant.
“I have all sorts of memories from this episode and show and [this special] just seemed like a really fun, new take on it,” Eve Plumb, who played Jan Brady on the beloved family sitcom, told TheWrap. “It ended up being a real hoot and holler.”
Plumb even got the chance to step out of Jan...
The special, made in celebration of Pride Month, reunites the original cast of “The Brady Bunch” alongside queens from the Emmy-winning competition series “RuPaul’s Drag Race.” Together, they recreated the classic episode “Will the Real Jan Brady Please Stand Up?” complete with a remixed “Brady Bunch” theme song and RuPaul playing a wig attendant.
“I have all sorts of memories from this episode and show and [this special] just seemed like a really fun, new take on it,” Eve Plumb, who played Jan Brady on the beloved family sitcom, told TheWrap. “It ended up being a real hoot and holler.”
Plumb even got the chance to step out of Jan...
- 6/30/2021
- by Aarohi Sheth
- The Wrap
Chicago – Patrick McDonald of HollywoodChicago.com audio film review on the new film “Holler,” an IFC Films new release about a brother and sister trying to survive in a dying factory town. In select theaters and through Video On Demand beginning June 11th, 2021.
Rating: 3.5/5.0
Holler involves a family anchored by a brother named Blaze (Gus Halper) and a sister named Ruth (Jessica Barden). They live in a Southern Ohio town that is slowly dying, with no jobs and no future. Ruth is a math whiz, so much so that Blaze convinces her to apply to college, and she’s accepted. But Ruth is also conflicted about leaving, having begun a new job with Blaze collecting scrap metal – often stolen from from local shutdown factories – and not wanting to abandon her mother (Pamela Adlon), who is doing time in drug rehab. Will Ruth stay or will she go now?
“Holler” is...
Rating: 3.5/5.0
Holler involves a family anchored by a brother named Blaze (Gus Halper) and a sister named Ruth (Jessica Barden). They live in a Southern Ohio town that is slowly dying, with no jobs and no future. Ruth is a math whiz, so much so that Blaze convinces her to apply to college, and she’s accepted. But Ruth is also conflicted about leaving, having begun a new job with Blaze collecting scrap metal – often stolen from from local shutdown factories – and not wanting to abandon her mother (Pamela Adlon), who is doing time in drug rehab. Will Ruth stay or will she go now?
“Holler” is...
- 6/11/2021
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Jessica Barden began her professional career at a young age, shooting an episode of “My Parents Are Aliens” when she was only 7. At the time, she was just having fun. “I was just a showoff, I wasn’t good at acting in any way,” the British actor reveals. It wasn’t until she was 17 and had a role in Stephen Frears’ 2010 film “Tamara Drewe” that she knew she was hooked. “He’s a director for actors, through and through. I don’t know a single person that has worked for him that didn’t have the best time with him,’ she notes. “He didn’t speak to me like I was a child. He spoke to me like I was an adult, he asked me what I thought about the scenes as we were shooting. And I realized I wanted to do this for the rest of my life.”
Perhaps...
Perhaps...
- 6/10/2021
- by Jenelle Riley
- Variety Film + TV
After four weekends of horror films topping the box office -- a highly unusual occurrence in general and even more so in the summer -- we are moving into some lighter territory with this weekend’s two new wide releases. In The Heights and Peter Rabbit 2: The Runaway are both opening and hoping to pull in viewers looking for sunny, feel-good experiences as we continue to recover from the pandemic. We still have two weeks to go until we get a proper blockbuster release when F9 makes its stateside debut, but this weekend’s cheery offerings will hopefully continue to draw more moviegoers back to the theaters.
In The Heights looks to take the top spot this weekend as it finally hits theaters nearly a year after its originally scheduled date. Lin-Manuel Miranda and Quiara Alegría Hudes’ groundbreaking Broadway hit is given the big screen treatment by director Jon M. Chu,...
In The Heights looks to take the top spot this weekend as it finally hits theaters nearly a year after its originally scheduled date. Lin-Manuel Miranda and Quiara Alegría Hudes’ groundbreaking Broadway hit is given the big screen treatment by director Jon M. Chu,...
- 6/10/2021
- by Sam Mendelsohn <mail@boxofficemojo.com>
- Box Office Mojo
The year 2020 should have kicked off a banner one for young actress Jessica Barden: At the SXSW Film Festival, she was set to surface in Nicole Riegel’s affecting blue collar drama “Holler” and the very different, though similarly well-made “Pink Skies Ahead.” Both movies feature Barden in leading roles that show off her big-time rage. The physical festival was canceled due to the pandemic, and both films were eventually pushed to 2021. Now, audiences can finally appreciate that Barden is doing excellent work and exhibiting a rare depth for her age.
Written and directed by first-time feature filmmaker Riegel (and inspired by her own coming-of-age in the Ohio Rust Belt and her earlier short film of the same name), “Holler” sets the “End of the F**king World” star as something of a Riegel surrogate: high school senior Ruth, sassy and brassy, smart and driven, and trapped by the...
Written and directed by first-time feature filmmaker Riegel (and inspired by her own coming-of-age in the Ohio Rust Belt and her earlier short film of the same name), “Holler” sets the “End of the F**king World” star as something of a Riegel surrogate: high school senior Ruth, sassy and brassy, smart and driven, and trapped by the...
- 6/9/2021
- by Kate Erbland
- Indiewire
“In the Heights,” the big-screen adaptation of Lin-Manuel Miranda’s Broadway musical, is poised to light up the U.S. box office.
Debuting this weekend in 3,400 U.S. cinemas, the Warner Bros. film is expecting to generate around $20 million. However, tracking has indicated the final tally could range between $16 million and $30 million in its first four days of release. “In the Heights” is getting a jump on the weekend by opening in theaters and on HBO Max on Thursday.
After a devastating year for movie theaters, attendance is starting to pick up and cinema owners are beginning to regain their mojo. In the last few weeks, “A Quiet Place Part II” and “The Conjuring: The Devil Made Me Do It” have notched notable ticket sales — a trend that Hollywood is hoping will continue throughout the summer with “F9,” “Black Widow” and other would-be blockbusters.
One reason that ticket sales for...
Debuting this weekend in 3,400 U.S. cinemas, the Warner Bros. film is expecting to generate around $20 million. However, tracking has indicated the final tally could range between $16 million and $30 million in its first four days of release. “In the Heights” is getting a jump on the weekend by opening in theaters and on HBO Max on Thursday.
After a devastating year for movie theaters, attendance is starting to pick up and cinema owners are beginning to regain their mojo. In the last few weeks, “A Quiet Place Part II” and “The Conjuring: The Devil Made Me Do It” have notched notable ticket sales — a trend that Hollywood is hoping will continue throughout the summer with “F9,” “Black Widow” and other would-be blockbusters.
One reason that ticket sales for...
- 6/9/2021
- by Rebecca Rubin
- Variety Film + TV
What would you do to escape your small town in hopes of a better future? For the young woman at the center of “Holler,” she’s willing to do things that aren’t necessarily legal to ensure she can pay for college and leave her Southern Ohio town.
Read More: ‘Holler’: Jessica Barden Shines In A Drama About Scavenging The American Dream [Review]
With “Holler” arriving in theaters next month, we are thrilled to give our readers a chance to see an exclusive clip from the new drama.
Continue reading ‘Holler’ Exclusive Clip: Jessica Barden Barely Scrapes By In New Indie Drama at The Playlist.
Read More: ‘Holler’: Jessica Barden Shines In A Drama About Scavenging The American Dream [Review]
With “Holler” arriving in theaters next month, we are thrilled to give our readers a chance to see an exclusive clip from the new drama.
Continue reading ‘Holler’ Exclusive Clip: Jessica Barden Barely Scrapes By In New Indie Drama at The Playlist.
- 5/21/2021
- by Charles Barfield
- The Playlist
Edgar Wright, John Krasinski, Emma Stone, Ryan Reynolds, Rebecca Hall, Neill Blomkamp introduce footage.
Studio and indie distributor brass took part in theatrical showcase ‘The Big Screen Is Back’ on Wednesday (May 19) as they teased upcoming releases for summer and beyond to invited press at AMC Century City in Los Angeles.
Arnold Schwarzenegger took to the stage and chanted “We are back! We are back!” at the event, organised by National Association Of Theatre Owners, Motion Picture Association, exhibitors, distributors, and CAA head of motion picture marketing Megan Crawford.
J.J. Abrams, Maggie Q and Jason Blum also turned up in...
Studio and indie distributor brass took part in theatrical showcase ‘The Big Screen Is Back’ on Wednesday (May 19) as they teased upcoming releases for summer and beyond to invited press at AMC Century City in Los Angeles.
Arnold Schwarzenegger took to the stage and chanted “We are back! We are back!” at the event, organised by National Association Of Theatre Owners, Motion Picture Association, exhibitors, distributors, and CAA head of motion picture marketing Megan Crawford.
J.J. Abrams, Maggie Q and Jason Blum also turned up in...
- 5/19/2021
- by Jeremy Kay
- ScreenDaily
John Krasinski, Emma Stone, Ryan Reynolds, Rebecca Hall, J.J. Abrams, Neill Blomkamp introduce footage.
Studio brass took part in theatrical showcase ‘The Big Screen Is Back’ on Wednesday (May 19) as they teased upcoming releases for summer and beyond to invited press at AMC Century City in Los Angeles.
Stars and filmmakers including J.J. Abrams and Maggie Q, who both turned up in person, and recorded messages from John Krasinski, Emma Stone, Ryan Reynolds and Rebecca Hall introduced footage.
Abrams spoke of his love for cinema-going, teed up footage of a longtime cinema employee, and signed off by saying, “I...
Studio brass took part in theatrical showcase ‘The Big Screen Is Back’ on Wednesday (May 19) as they teased upcoming releases for summer and beyond to invited press at AMC Century City in Los Angeles.
Stars and filmmakers including J.J. Abrams and Maggie Q, who both turned up in person, and recorded messages from John Krasinski, Emma Stone, Ryan Reynolds and Rebecca Hall introduced footage.
Abrams spoke of his love for cinema-going, teed up footage of a longtime cinema employee, and signed off by saying, “I...
- 5/19/2021
- by Jeremy Kay
- ScreenDaily
Holler Trailer — Nicole Riegel‘s Holler (2021) movie trailer has been released by IFC Films. The Holler trailer stars Pamela Adlon, Jessica Barden, Austin Amelio, Becky Ann Baker, Gus Halper, Grace Kaiser, Joe Hemsley, Larry Jones, and Trevor Evans. Crew Nicole Riegel wrote the screenplay for Holler. Gene Back created the music for the [...]
Continue reading: Holler Trailer: Jessica Barden is Torn Between a New Life & Her South Ohio Family in Nicole Riegel’s 2021 Movie...
Continue reading: Holler Trailer: Jessica Barden is Torn Between a New Life & Her South Ohio Family in Nicole Riegel’s 2021 Movie...
- 5/11/2021
- by Rollo Tomasi
- Film-Book
Everyone loves sloths, right? The things that make them strange (their slow movements and their unique looks) are the same things that make people think they’re so damn adorable. But what would you think if a sloth talked to you and told you to do something with your life? Well, that’s the kind of kick in the butt that happens in “Songs for a Sloth.”
Read More: ‘Holler’ Trailer: Jessica Barden Struggles To Make Ends Meet In Forgotten America
With “Songs for a Sloth” getting released next month, we’re happy to give our readers an exclusive look at the trailer for the new film from director Bradley Hasse.
Continue reading ‘Songs For A Sloth’ Exclusive Trailer: Bradley Hasse’s Comedy Stars Jack McBrayer As A Motivational Sloth at The Playlist.
Read More: ‘Holler’ Trailer: Jessica Barden Struggles To Make Ends Meet In Forgotten America
With “Songs for a Sloth” getting released next month, we’re happy to give our readers an exclusive look at the trailer for the new film from director Bradley Hasse.
Continue reading ‘Songs For A Sloth’ Exclusive Trailer: Bradley Hasse’s Comedy Stars Jack McBrayer As A Motivational Sloth at The Playlist.
- 5/7/2021
- by Charles Barfield
- The Playlist
With Pink Skies Ahead and Holler, Jessica Barden explored two very different perspectives on what it’s like to come of age in America.
Written and directed by Kelly Oxford, the former dramedy centers on Winona, a young writer struggling with an anxiety disorder that drops out of school, and is left to figure out how to move forward in her life.
Holler, from writer-director Nicole Riegel, follows Ruth, a young woman who joins a dangerous and illegal scrap metal crew with her brother, to pay for her education, so that she can one day get out of her small, working-class Ohio town.
While the indies are dissimilar on the surface, in terms of tone and subject matter, they actually have more in common than is immediately apparent.
Both were the first features from up-and-coming female filmmakers. And both allowed Barden—best known...
Written and directed by Kelly Oxford, the former dramedy centers on Winona, a young writer struggling with an anxiety disorder that drops out of school, and is left to figure out how to move forward in her life.
Holler, from writer-director Nicole Riegel, follows Ruth, a young woman who joins a dangerous and illegal scrap metal crew with her brother, to pay for her education, so that she can one day get out of her small, working-class Ohio town.
While the indies are dissimilar on the surface, in terms of tone and subject matter, they actually have more in common than is immediately apparent.
Both were the first features from up-and-coming female filmmakers. And both allowed Barden—best known...
- 5/6/2021
- by Matt Grobar
- Deadline Film + TV
The first trailer just dropped for Nicole Riegel’s Holler, a flinty, tremendously assured debut drama with a powerful lead performance by Jessica Barden. When I interviewed Riegel last fall when her film played in Toronto’s market, she spoke of its development and financing process, during which some financiers asked her if she could make the lead male. “I wanted to tell my story, and I only knew to tell that if it was about a young woman in a very harsh, muscular environment,” Riegel told me. “And then I wanted to tell about how hard it is for young women […]
The post Trailer Watch: Nicole Riegel’s Holler first appeared on Filmmaker Magazine.
The post Trailer Watch: Nicole Riegel’s Holler first appeared on Filmmaker Magazine.
- 5/5/2021
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
The first trailer just dropped for Nicole Riegel’s Holler, a flinty, tremendously assured debut drama with a powerful lead performance by Jessica Barden. When I interviewed Riegel last fall when her film played in Toronto’s market, she spoke of its development and financing process, during which some financiers asked her if she could make the lead male. “I wanted to tell my story, and I only knew to tell that if it was about a young woman in a very harsh, muscular environment,” Riegel told me. “And then I wanted to tell about how hard it is for young women […]
The post Trailer Watch: Nicole Riegel’s Holler first appeared on Filmmaker Magazine.
The post Trailer Watch: Nicole Riegel’s Holler first appeared on Filmmaker Magazine.
- 5/5/2021
- by Scott Macaulay
- Filmmaker Magazine - Blog
Last year, we saw the film “Hillbilly Elegy” get roasted by critics for its depiction of poverty through the lens of white Americans. The film had a number of issues, including questionable politics, but it was clear that there’s a large group of people who don’t necessarily want a Trump-era film about how white people struggle. And on the surface, the new drama “Holler” looks like another one of those films.
Continue reading ‘Holler’ Trailer: Jessica Barden Struggles To Make Ends Meet In Forgotten America at The Playlist.
Continue reading ‘Holler’ Trailer: Jessica Barden Struggles To Make Ends Meet In Forgotten America at The Playlist.
- 5/5/2021
- by Charles Barfield
- The Playlist
"A drama about scavenging the American dream." IFC Films has debuted an official trailer for a small town drama titled Holler, marking the feature directorial debut of Ohio filmmaker Nicole Riegel, adapting her own short of the same name. This first premiered at the Deauville and Nashville Film Festivals last year, and will open in theaters this June. Alongside her older brother, Ruth joins a dangerous scrap metal crew in an industrial corner of Ohio in order to pay her way to college. Together, they spend one brutal winter working the scrap yards during the day and stealing valuable metal from the once thriving factories at night. She will have to decide which path she wants to take next in life. Jessica Barden stars, with Pamela Adlon, Austin Amelio, Becky Ann Baker, Grace Kaiser, and Gus Halper. This looks as good as promised, an authentic story about ...
- 5/5/2021
- by Alex Billington
- firstshowing.net
“We own the ways in which we’ve messed up. Where we’ve learned of problems, we’ve tried to course-correct,” co-founder says
Abigail Disney is admitting that the company culture at Level Forward, the aspirational film and theater company she co-founded, has been laden with “missteps” after former employees of color spoke out about internal dissent in the company.
Disney’s admission comes in response to an article published in The Hollywood Reporter on Wednesday that describes accounts from 15 current and former employees and business partners at Level Forward. Among the complaints are claims that staff of color were minimized, were not included in key meetings in the work place and that promises of equity in the company were not met compared to white employees.
“Yeah, we f—ed up,” Disney, the granddaughter of Walt Disney Company co-founder Roy Disney, told THR. “We’re due for this because we said things about ourselves.
Abigail Disney is admitting that the company culture at Level Forward, the aspirational film and theater company she co-founded, has been laden with “missteps” after former employees of color spoke out about internal dissent in the company.
Disney’s admission comes in response to an article published in The Hollywood Reporter on Wednesday that describes accounts from 15 current and former employees and business partners at Level Forward. Among the complaints are claims that staff of color were minimized, were not included in key meetings in the work place and that promises of equity in the company were not met compared to white employees.
“Yeah, we f—ed up,” Disney, the granddaughter of Walt Disney Company co-founder Roy Disney, told THR. “We’re due for this because we said things about ourselves.
- 4/21/2021
- by Brian Welk
- The Wrap
“The Queen’s Gambit” is being adapted as a musical for the theater stage, as the company Level Forward has acquired the rights to Walter Tevis’ book.
The acclaimed Netflix miniseries about the story of fictional chess prodigy Beth Harmon has become wildly popular.
But with no writer of director attached yet, Level Forward’s plans don’t appear to have the involvement of “The Queen’s Gambit” showrunners Scott Frank and Allan Scott or of star Anya Taylor-Joy
“It is a privilege for Level Forward to lead the charge of bringing The Queen’s Gambit to the stage through the beloved and enduring craft of musical theater,” Level Forward CEO Adrienne Becker and producer Julia Dunetz said in a statement. “Told through a brave and fresh point of view, audiences are already sharing in the friendship and fortitude of the story’s inspiring women who energize and sustain Beth Harmon’s journey and ultimate triumph.
The acclaimed Netflix miniseries about the story of fictional chess prodigy Beth Harmon has become wildly popular.
But with no writer of director attached yet, Level Forward’s plans don’t appear to have the involvement of “The Queen’s Gambit” showrunners Scott Frank and Allan Scott or of star Anya Taylor-Joy
“It is a privilege for Level Forward to lead the charge of bringing The Queen’s Gambit to the stage through the beloved and enduring craft of musical theater,” Level Forward CEO Adrienne Becker and producer Julia Dunetz said in a statement. “Told through a brave and fresh point of view, audiences are already sharing in the friendship and fortitude of the story’s inspiring women who energize and sustain Beth Harmon’s journey and ultimate triumph.
- 3/8/2021
- by Brian Welk
- The Wrap
IFC Films has acquired the North American rights to “Holler,” a coming-of-age drama starring Jessica Barden (“End of the F***ing World”) that premiered at the Toronto International Film Festival in 2020.
Nicole Riegel made her directorial debut on “Holler,” which also stars Gus Halper, Pamela Adlon, Becky Ann Baker and Austin Amelio and is executive produced by Paul Feig.
IFC Films plans to release “Holler” in June 2021. Here’s the synopsis:
Riegel also wrote the film, which centers on Barden as a young woman from a small Southern Ohio town where manufacturing and opportunities have tried up. After winning acceptance to college, she joins her older brother on a dangerous scrap metal crew seeking to pay her tuition. Together, they spend one brutal winter working the scrap yards during the day and stealing valuable metal from the aging factories at night.
The producers are Katie McNeill and Jamie Patricof of Hunting Lane Films,...
Nicole Riegel made her directorial debut on “Holler,” which also stars Gus Halper, Pamela Adlon, Becky Ann Baker and Austin Amelio and is executive produced by Paul Feig.
IFC Films plans to release “Holler” in June 2021. Here’s the synopsis:
Riegel also wrote the film, which centers on Barden as a young woman from a small Southern Ohio town where manufacturing and opportunities have tried up. After winning acceptance to college, she joins her older brother on a dangerous scrap metal crew seeking to pay her tuition. Together, they spend one brutal winter working the scrap yards during the day and stealing valuable metal from the aging factories at night.
The producers are Katie McNeill and Jamie Patricof of Hunting Lane Films,...
- 2/4/2021
- by Brian Welk
- The Wrap
IFC Films has acquired “Holler,” a drama about a woman who joins a dangerous scrap metal crew in order to pay for her college education.
The deal is for North American right. IFC will release the film in June 2021. “Holler” received critical claim both for Nicole Riegel’s work behind the camera and for the lead performance of Jessica Barden. Variety’s Peter Debruge praised the movie’s grit, writing, “‘Holler’ is honest, which is not always what people want from movies, but it isn’t your typical poverty porn. Riegel avoids the melodramatic gimmicks that tellers of such working-class stories love to pull, trusting that audiences understand that the only happy ending — the only hopeful ending — is one that sees Ruth on her way out of Jackson.”
Riegel wrote the screenplay for the movie and is making her directorial debut. Barden starred in “End of the F*cking World...
The deal is for North American right. IFC will release the film in June 2021. “Holler” received critical claim both for Nicole Riegel’s work behind the camera and for the lead performance of Jessica Barden. Variety’s Peter Debruge praised the movie’s grit, writing, “‘Holler’ is honest, which is not always what people want from movies, but it isn’t your typical poverty porn. Riegel avoids the melodramatic gimmicks that tellers of such working-class stories love to pull, trusting that audiences understand that the only happy ending — the only hopeful ending — is one that sees Ruth on her way out of Jackson.”
Riegel wrote the screenplay for the movie and is making her directorial debut. Barden starred in “End of the F*cking World...
- 2/4/2021
- by Brent Lang
- Variety Film + TV
The upcoming Netflix series “Pieces of Her” has added five to its cast, Variety has learned.
Jessica Barden, Omari Hardwick, Joe Dempsie, David Wenham, and Jacob Scipio have all been cast opposite previously announced stars Toni Collette and Bella Heathcoate.
The series is based on the best-selling book of the same name by Karin Slaughter. In a sleepy Georgia town, a random act of violence sets off an unexpected chain of events for 30-year-old Andy Oliver (Heathcoate) and her mother Laura (Collette). Desperate for answers, Andy embarks on a dangerous journey across America, drawing her towards the dark, hidden heart of her family.
Barden will star as Jane, a piano prodigy and the only daughter of a Getty-like billionaire. At first sheltered, she starts to break away from her controlling father as she begins to realize the depth of her hunger for love and freedom. Barden’s past credits...
Jessica Barden, Omari Hardwick, Joe Dempsie, David Wenham, and Jacob Scipio have all been cast opposite previously announced stars Toni Collette and Bella Heathcoate.
The series is based on the best-selling book of the same name by Karin Slaughter. In a sleepy Georgia town, a random act of violence sets off an unexpected chain of events for 30-year-old Andy Oliver (Heathcoate) and her mother Laura (Collette). Desperate for answers, Andy embarks on a dangerous journey across America, drawing her towards the dark, hidden heart of her family.
Barden will star as Jane, a piano prodigy and the only daughter of a Getty-like billionaire. At first sheltered, she starts to break away from her controlling father as she begins to realize the depth of her hunger for love and freedom. Barden’s past credits...
- 1/28/2021
- by Joe Otterson
- Variety Film + TV
Exclusive: Veteran film and television producer Christy Spitzer Thornton has been named Head of Film and TV, Development & Production at Rebelle Media, the female-run entertainment company founded by former CAA agent Laura Lewis. Thornton will work with Lewis to oversee the film and television slate and creative direction of the company.
Prior to her new post, Thornton served as the Head of Creative at Level Forward where she produced the Nicole Riegel-helmed upcoming film Holler starring Jessica Barden. She also executive produced Topside, written and directed by Celine Held and Logan George, and The Assistant, starring Julia Garner and written/directed by Kitty Green. Thornton oversaw the Shatterbox short film series partnership with Refinery29.
Rounding out the Rebelle team are Creative Executive Stephanie Noonan and Coordinator Rachel Clair.
“I’m beyond thrilled to join Laura, Stephanie, and the team at Rebelle Media in this progressive venture where we can...
Prior to her new post, Thornton served as the Head of Creative at Level Forward where she produced the Nicole Riegel-helmed upcoming film Holler starring Jessica Barden. She also executive produced Topside, written and directed by Celine Held and Logan George, and The Assistant, starring Julia Garner and written/directed by Kitty Green. Thornton oversaw the Shatterbox short film series partnership with Refinery29.
Rounding out the Rebelle team are Creative Executive Stephanie Noonan and Coordinator Rachel Clair.
“I’m beyond thrilled to join Laura, Stephanie, and the team at Rebelle Media in this progressive venture where we can...
- 10/27/2020
- by Amanda N'Duka
- Deadline Film + TV
Last March, Jamie Patricof, the producer of such films and television programs as I Know This Much Is True, Holler and Captain Fantastic, started a weekly Zoom lecture series called Lunch with Jamie in which names from the worlds of politics, science and other areas spoke and took questions from participants. Attended by 200 to 300 people a week, including such guests as Gwyneth Paltrow, Illumination CEO Chris Meledandri and Film Academy CEO Dawn Hudson, the series has drawn Kamala Harris, Bill Clinton, Cory Booker, Eric Holder and Mark Cuban as speakers.
Now in the run-up to the Nov. 3 election, Patricof has ...
Now in the run-up to the Nov. 3 election, Patricof has ...
- 10/21/2020
- The Hollywood Reporter - Film + TV
Last March, Jamie Patricof, the producer of such films and television programs as I Know This Much Is True, Holler and Captain Fantastic, started a weekly Zoom lecture series called Lunch with Jamie in which names from the worlds of politics, science and other areas spoke and took questions from participants. Attended by 200 to 300 people a week, including such guests as Gwyneth Paltrow, Illumination CEO Chris Meledandri and Film Academy CEO Dawn Hudson, the series has drawn Kamala Harris, Bill Clinton, Cory Booker, Eric Holder and Mark Cuban as speakers.
Now in the run-up to the Nov. 3 election, Patricof has ...
Now in the run-up to the Nov. 3 election, Patricof has ...
- 10/21/2020
- The Hollywood Reporter - Movie News
In first-time director Kelly Oxford’s snappy, super-saturated account of her personal battle with anxiety disorder, “Pink Skies Ahead,” the main character is named Winona, but it’s her best friend Stephanie who does all the shoplifting. It’s like a compulsion: Every time they go to the convenience store, Winona distracts the awkward, androgynous-looking clerk behind the counter while Stephanie roams the candy aisle, filling her pockets. Then they both buy Slurpees to cover their tracks.
This is behavior that would be right at home in high school — or a high school movie, like “Ghost World,” which might explain Winona’s Slurpee-blue dye job — when young people are testing the boundaries of what they can get away with and still largely oblivious to how their actions impact others. But Winona is a 20-year-old college dropout, embodied by “End of the F—ing World” star Jessica Barden, who’s a few years older still,...
This is behavior that would be right at home in high school — or a high school movie, like “Ghost World,” which might explain Winona’s Slurpee-blue dye job — when young people are testing the boundaries of what they can get away with and still largely oblivious to how their actions impact others. But Winona is a 20-year-old college dropout, embodied by “End of the F—ing World” star Jessica Barden, who’s a few years older still,...
- 10/19/2020
- by Peter Debruge
- Variety Film + TV
It's bleak out there. Even before a global pandemic sent the world into a period of great unrest, countries were suffering through a period massive change. Technology, automation, globalization, climate change, these things are all affecting the way we live and Nicole Riegel's feature film debut Holler unfolds to the backdrop of a number of these.
Jessica Barden, best known for her role in "The End of the F***ing World," stars as Ruth, a high school student who spends a large part of her day scavenging for scrap metal with her brother Blaze (Gus Halper). Their mother is in jail, a victim of opioid addiction, and the siblings have been doing what they can to stay afloat and even then, they're living well below the poverty line with barely a roof over their heads.
Homeless a...
Jessica Barden, best known for her role in "The End of the F***ing World," stars as Ruth, a high school student who spends a large part of her day scavenging for scrap metal with her brother Blaze (Gus Halper). Their mother is in jail, a victim of opioid addiction, and the siblings have been doing what they can to stay afloat and even then, they're living well below the poverty line with barely a roof over their heads.
Homeless a...
- 9/16/2020
- QuietEarth.us
“Holler” is not the first film to chronicle the human toll of the flight of industry from the American Rust Belt to China and other countries abroad, but it might be the most direct. “Holler” makes the subtext text by focusing on an Ohio group of scrappers, crews illegally stripping abandoned old factories and institutional buildings for raw metal that can be sold to Asian buyers. Writer-director Nicole Riegel uses this conceit, with expressive shots of breaking into haunted factories to rip copper from the walls, as an effective cinematic representation of the economic forces that have torn apart these communities.
Continue reading ‘Holler’: Jessica Barden Shines In A Drama About Scavenging The American Dream [Review] at The Playlist.
Continue reading ‘Holler’: Jessica Barden Shines In A Drama About Scavenging The American Dream [Review] at The Playlist.
- 9/11/2020
- by Joe Blessing
- The Playlist
Nicole Riegel makes her directorial debut with Holler, a familiar coming-of-age film about a young woman trying to find a way out of her hometown in Southern Ohio. Ruth (Jessica Barden of Netflix’s The End of the F***ing World) lives with her older brother Blaze (Gus Halper) as her drug-addicted mother Rhonda (Pamela Adlon) is stuck at the county jail until she agrees to go to rehab. Ruth works at a factory with her brother, under the watchful eye of Linda (Becky Ann Baker), who acts as her surrogate mother. What follows is a cut-and-dry story of tough situations and ...
- 9/11/2020
- The Hollywood Reporter - Film + TV
There’s a distracting practice in American cinema of casting actors who are already well into their 20s to play teens, although “Holler” contains one of the few examples in recent memory where an age difference of nearly a decade, while noticeable, works to the film’s advantage. Ruth, the resourceful Ohio high school student at the heart of writer-director Nicole Riegel’s open-wound debut, has been forced to grow up too soon. Life isn’t fair, and it shows on the face of British actor Jessica Barden (“The Lobster”), whose remarkable performance illuminates this unvarnished dive into tough, small-town survival … and escape.
A resilient spark plug in a box of rusted parts, Ruth represents a huge swath of the American public rarely seen on-screen: young people without iPhones and Instagram accounts, just struggling to get by. Her mother (Pamela Adlon) got hooked on painkillers after injuring her hand and...
A resilient spark plug in a box of rusted parts, Ruth represents a huge swath of the American public rarely seen on-screen: young people without iPhones and Instagram accounts, just struggling to get by. Her mother (Pamela Adlon) got hooked on painkillers after injuring her hand and...
- 9/9/2020
- by Peter Debruge
- Variety Film + TV
With its timely vision of Black American icons, awards buzz, and run at two of the fall’s three major festivals, Regina King’s “One Night in Miami” couldn’t have asked for a better sales environment in any other year. But in 2020, few in the business could get to Venice to watch the premiere, while TIFF’s largely virtual program means American industry members would be stuck screening King’s directorial debut at home. The in-theater excitement and cocktail chatter that have inspired so many late-night dealmaking sessions? Not Covid friendly.
“Everyone’s trying to be creative and find a situation whereby we’re not just sending out links (to online screeners) and hoping for the best,” said ICM Partners sales agent Oliver Wheeler.
Earlier this summer, ICM offered extended footage of the film to a cadre of buyers in a tight screening window, a pandemic-era (virtual) analogue to...
“Everyone’s trying to be creative and find a situation whereby we’re not just sending out links (to online screeners) and hoping for the best,” said ICM Partners sales agent Oliver Wheeler.
Earlier this summer, ICM offered extended footage of the film to a cadre of buyers in a tight screening window, a pandemic-era (virtual) analogue to...
- 9/9/2020
- by Chris Lindahl
- Indiewire
Industry registration closes on September 2.
Toronto International Film Festival (TIFF) organisers on Tuesday (September 1) announced a selection of 30 global acquisition titles outside the Official Selection.
TIFF Industry Selects titles hail from 29 countries and have been hand-picked by TIFF’s industry and festival programming teams and will screen to accredited users on the festival’s dedicated press and industry platform, TIFF Digital Cinema Pro. Industry registration closes on September 2.
2020 TIFF Industry Selects Titles:
A Good Man (France) Marie-Castille Mention-Schaar
After Love (UK) Aleem Khan
And Tomorrow The Entire World (Germany/France) Julia Von Heinz
Apples (Greece) Christos Nikou
Baby Done (New...
Toronto International Film Festival (TIFF) organisers on Tuesday (September 1) announced a selection of 30 global acquisition titles outside the Official Selection.
TIFF Industry Selects titles hail from 29 countries and have been hand-picked by TIFF’s industry and festival programming teams and will screen to accredited users on the festival’s dedicated press and industry platform, TIFF Digital Cinema Pro. Industry registration closes on September 2.
2020 TIFF Industry Selects Titles:
A Good Man (France) Marie-Castille Mention-Schaar
After Love (UK) Aleem Khan
And Tomorrow The Entire World (Germany/France) Julia Von Heinz
Apples (Greece) Christos Nikou
Baby Done (New...
- 9/1/2020
- by Jeremy Kay
- ScreenDaily
The Toronto Film Festival has unveiled around 30 indie movie titles that will screen as part of its inaugural TIFF Industry Selects sidebar during this year’s online-only film market.
The international titles looking to spark interest at TIFF among buyers and global festival programmers include Nicole Riegel’s Holler, a 2020 SXSW pick that stars Jessica Barden and is produced by Paul Feig; Curtis Vowell’s New Zealand comedy Baby Done, from Taika Waititi’s Piki Films; and Falling For Figaro, Ben Lewin’s romantic comedy that stars Joanna Lumley and Danielle Macdonald.
The market picks for Toronto’s Sept. 10-19 run are ...
The international titles looking to spark interest at TIFF among buyers and global festival programmers include Nicole Riegel’s Holler, a 2020 SXSW pick that stars Jessica Barden and is produced by Paul Feig; Curtis Vowell’s New Zealand comedy Baby Done, from Taika Waititi’s Piki Films; and Falling For Figaro, Ben Lewin’s romantic comedy that stars Joanna Lumley and Danielle Macdonald.
The market picks for Toronto’s Sept. 10-19 run are ...
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