Summer is coming to an end, but that doesn’t mean the binge-watching has to stop.
A number of original series and popular movies are hitting Netflix, Hulu, and Amazon Prime in September. New offerings on Netflix include the mega-hit “Black Panther,” along with the streaming giants’ new show “Maniac” with Emma Stone and Jonah Hill. Meanwhile, Amazon Prime is debuting “Forever,” which stars “Saturday Night Live” alums Fred Armisen and Maya Rudolph. Over on Hulu, Sarah Silverman’s “I Love You, America” will drop its second season.
And if you want to get ahead on a horror movie marathon before Halloween, there are also plenty of scary flicks that will be added throughout the month. “The Texas Chainsaw Massacre: The Beginning” is coming to Netflix, while both Amazon and Hulu will carry “The Amityville Horror” and “Jigsaw.”
Check out the full list of titles coming to Netflix, Hulu, and...
A number of original series and popular movies are hitting Netflix, Hulu, and Amazon Prime in September. New offerings on Netflix include the mega-hit “Black Panther,” along with the streaming giants’ new show “Maniac” with Emma Stone and Jonah Hill. Meanwhile, Amazon Prime is debuting “Forever,” which stars “Saturday Night Live” alums Fred Armisen and Maya Rudolph. Over on Hulu, Sarah Silverman’s “I Love You, America” will drop its second season.
And if you want to get ahead on a horror movie marathon before Halloween, there are also plenty of scary flicks that will be added throughout the month. “The Texas Chainsaw Massacre: The Beginning” is coming to Netflix, while both Amazon and Hulu will carry “The Amityville Horror” and “Jigsaw.”
Check out the full list of titles coming to Netflix, Hulu, and...
- 8/30/2018
- by Rachel Yang
- Variety Film + TV
Exclusive: The Icarus Line, the infamous La-based punk rock band fronted by Joe Cardamone, are heading to the silver screen after Dark Star Pictures picked up semi-biopic The Icarus Line Must Die.
The film, a dark dramatic narrative set against the backdrop of the current La underground music scene, will be released theatrically in June 2018 with a July home entertainment release in the U.S.
It tells the story of Cardamone as he navigates his way through the ups and downs of the modern music landscape with a new album and a major label deal in sight, while trying to keep his band, his relationship and his life from falling apart.
The Icarus Line were notorious during the early 2000s, touring and tearing up the world with their brand of Birthday Party-style chaos. Picking fights with bands like the Strokes – Cardamone, a member of the Buddyhead collective once spray-painted ‘Sellouts...
The film, a dark dramatic narrative set against the backdrop of the current La underground music scene, will be released theatrically in June 2018 with a July home entertainment release in the U.S.
It tells the story of Cardamone as he navigates his way through the ups and downs of the modern music landscape with a new album and a major label deal in sight, while trying to keep his band, his relationship and his life from falling apart.
The Icarus Line were notorious during the early 2000s, touring and tearing up the world with their brand of Birthday Party-style chaos. Picking fights with bands like the Strokes – Cardamone, a member of the Buddyhead collective once spray-painted ‘Sellouts...
- 4/27/2018
- by Peter White
- Deadline Film + TV
My Own Private HellThe titles for the 47th International Film Festival Rotterdam are being announced in anticipation of the event running January 24 - February 4, 2018. We will update the program as new films are revealed.SIGNATURESInsect (Jan Švankmajer)Asino (Anatoly Vasiliev)Lek and the Dogs (Andrew Kötting)The Bottomless Bag (Rustam Khamdamov)Mrs. Fang (Wang Bing)Readers (James Benning)The Wandering Soap Opera (Valeria Sarmiento, Raúl Ruiz)Lover for a Day (Philippe Garrel)Bright FUTUREThe Flower Shop (Ruben Desiere)Look Up (Fulvio Risoleo)My Friend the Polish Girl (Ewa Banaszkiewicz)Rabot (Christina Vandekerckhove)Respeto (Alberto Monteras II)The Return (Malene Choi Jensen)Windspiel (Peyman Ghalambor)All You Can Eat Buddha (Ian Lagarde)Azougue Nazareth (Tiago Melo)My Own Private Hell (Guto Parente)Ordinary Time (Susana Nobre)3/4 (Ilian Metev)Cocote (Nelson Carlo De Los Santos Arias)Drift (Helena Wittmann)The Wild Boys (Bertrand Mandico)Gutland (Govinda Van Maele)The Watchman (Alejandro Andújar...
- 12/15/2017
- MUBI
Winners of the 2017 Whistler Film Festival were announced at the Awards Celebration this morning on the final day of the 17th annual Festival. Ian Lagarde’s first feature All You Can Eat Buddha and Jason and Carlos Sanchez’s A Worthy Companion tied for the $15,000 cash prize presented by the Directors Guild of Canada, British Columbia and the $15,000 post-production prize sponsored by Encore Vancouver in the 14th edition of the coveted Borsos Competition for Best Canadian Feature Film. The jury states “each in their own way convey unique visions and creative storytelling the jury believes have made and will make powerful contributions to the world of cinema.”A Worthy Companion
A Worthy Companion takes a fresh and new perspective that explores the complexity and humanity within the predator, victim relationship. This film questions how we perpetuate manipulative power dynamics between adult and child through the inner struggle of our female protagonists.
A Worthy Companion takes a fresh and new perspective that explores the complexity and humanity within the predator, victim relationship. This film questions how we perpetuate manipulative power dynamics between adult and child through the inner struggle of our female protagonists.
- 12/5/2017
- by Sydney Levine
- Sydney's Buzz
A Worthy Companion, starring Westworld's Evan Rachel Wood, dominated prize-giving at the Whistler Film Festival on Sunday.
The lesbian-obsession thriller, which marks the feature-length debut of Montreal-based photographers Carlos and Jason Sanchez, sees Wood playing a troubled woman who forges a dangerously close bond with a teenage girl. A Worthy Companion earned the actress the best performance prize at the fest, and the movie came away with the best cinematography award and shared the top Borsos competition prize with Ian Lagarde's All You Can Eat Buddha. The pic bowed at the Toronto International Film Festival in September.
In...
The lesbian-obsession thriller, which marks the feature-length debut of Montreal-based photographers Carlos and Jason Sanchez, sees Wood playing a troubled woman who forges a dangerously close bond with a teenage girl. A Worthy Companion earned the actress the best performance prize at the fest, and the movie came away with the best cinematography award and shared the top Borsos competition prize with Ian Lagarde's All You Can Eat Buddha. The pic bowed at the Toronto International Film Festival in September.
In...
- 12/3/2017
- by Etan Vlessing
- The Hollywood Reporter - Movie News
The French-Canadian film All You Can Eat Buddha (All You Can Eat Bouddha), shot in Cuba, will do nothing to dispel the notion that there’s something slightly outlandish about all-inclusive holiday resorts. Quite the contrary, as the film morphs from something oddball but nonetheless semi-realistic into a disquietingly strange tale featuring a talking octopus and a revolution that might be at once political and intestinal.
This unclassifiable debut from Montreal-based filmmaker Ian Lagarde, who worked as a cinematographer on visually delightful features such as Denis Cote’s Vick and Flo Saw a Bear and Ryan McKenna’s Sabali, seduces here too with ...
This unclassifiable debut from Montreal-based filmmaker Ian Lagarde, who worked as a cinematographer on visually delightful features such as Denis Cote’s Vick and Flo Saw a Bear and Ryan McKenna’s Sabali, seduces here too with ...
- 9/18/2017
- The Hollywood Reporter - Movie News
The French-Canadian film All You Can Eat Buddha (All You Can Eat Bouddha), shot in Cuba, will do nothing to dispel the notion that there’s something slightly outlandish about all-inclusive holiday resorts. Quite the contrary, as the film morphs from something oddball but nonetheless semi-realistic into a disquietingly strange tale featuring a talking octopus and a revolution that might be at once political and intestinal.
This unclassifiable debut from Montreal-based filmmaker Ian Lagarde, who worked as a cinematographer on visually delightful features such as Denis Cote’s Vick and Flo Saw a Bear and Ryan McKenna’s Sabali, seduces here too with ...
This unclassifiable debut from Montreal-based filmmaker Ian Lagarde, who worked as a cinematographer on visually delightful features such as Denis Cote’s Vick and Flo Saw a Bear and Ryan McKenna’s Sabali, seduces here too with ...
- 9/18/2017
- The Hollywood Reporter - Film + TV
The French-Canadian film All You Can Eat Buddha (All You Can Eat Bouddha), shot in Cuba, will do nothing to dispel the notion that there’s something slightly outlandish about all-inclusive holiday resorts. Quite the contrary, as the film morphs from something oddball but nonetheless semi-realistic into a disquietingly strange tale featuring a talking octopus and a revolution that might be at once political and intestinal.
This unclassifiable debut from Montreal-based filmmaker Ian Lagarde, who worked as a cinematographer on visually delightful features such as Denis Cote’s Vick and Flo Saw a Bear and Ryan McKenna’s Sabali, seduces here too with...
This unclassifiable debut from Montreal-based filmmaker Ian Lagarde, who worked as a cinematographer on visually delightful features such as Denis Cote’s Vick and Flo Saw a Bear and Ryan McKenna’s Sabali, seduces here too with...
- 9/18/2017
- by Boyd van Hoeij
- The Hollywood Reporter - Movie News
Festival brass unveil Rising Stars, Telefilm Canada Pitch This! finallists, and more.
Mary Harron, Kim Nguyen (both pictured above), Ingrid Veninger, and Denis Côté are among the familiar names in the 26-strong Canadian Features slate that Toronto International Film Festival programmers unveiled on Wednesday.
The selection comprises the highest number of feature directorial debutants and films from Western Canada in recent years. More than 30% of the titles are by first-time feature directors.
Festival brass also announced Short Cuts, Tiff Cinematheque, Rising Stars, Telefilm Canada Pitch This! finallists, and the recipient of the 2017 Len Blum Residency.
The 42nd Toronto International Film Festival runs from September 7-17.
Canadian Features
“It is exciting to see a new wave of Canadian first-time feature directors play with genres and take risks,” Tiff senior programmer Steve Gravestock said. “This year’s line-up has a truly international feel to it, too, with a number of features shot all over the globe — something that also...
Mary Harron, Kim Nguyen (both pictured above), Ingrid Veninger, and Denis Côté are among the familiar names in the 26-strong Canadian Features slate that Toronto International Film Festival programmers unveiled on Wednesday.
The selection comprises the highest number of feature directorial debutants and films from Western Canada in recent years. More than 30% of the titles are by first-time feature directors.
Festival brass also announced Short Cuts, Tiff Cinematheque, Rising Stars, Telefilm Canada Pitch This! finallists, and the recipient of the 2017 Len Blum Residency.
The 42nd Toronto International Film Festival runs from September 7-17.
Canadian Features
“It is exciting to see a new wave of Canadian first-time feature directors play with genres and take risks,” Tiff senior programmer Steve Gravestock said. “This year’s line-up has a truly international feel to it, too, with a number of features shot all over the globe — something that also...
- 8/9/2017
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
At this year’s Toronto International Film Festival, the annual event will pay tribute to its home country with a number of options that span the past, present, and future of Canadian creativity. Per usual, the fest has unveiled a slew of titles that will make up its Canadian feature slate — 26 in all — with an eye towards advancing not only established Canadian filmmakers, but rising stars as well.
This year’s Canadian lineup boasts one of the highest numbers of feature directorial debuts ever, as well as one of the highest numbers of films from Western Canada in recent years. Over 30% of the titles have a first-time feature director, while seven out of nine are Tiff alumni.
Read More:tiff’s Platform Selection: How the Festival’s Buzziest Slate is Pivoting After Launching ‘Moonlight’
“It is exciting to see a new wave of Canadian first-time feature directors play with genres and take risks,...
This year’s Canadian lineup boasts one of the highest numbers of feature directorial debuts ever, as well as one of the highest numbers of films from Western Canada in recent years. Over 30% of the titles have a first-time feature director, while seven out of nine are Tiff alumni.
Read More:tiff’s Platform Selection: How the Festival’s Buzziest Slate is Pivoting After Launching ‘Moonlight’
“It is exciting to see a new wave of Canadian first-time feature directors play with genres and take risks,...
- 8/9/2017
- by Kate Erbland
- Indiewire
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