I first encountered Buster Keaton in "A Funny Thing Happened on the Way to the Forum." Reviewers made frequent reference to his status as a "silent film great", but I paid no mind. To me, silent films were Chaplin, and Chaplin leaves me cold. And thus, in my mind, silent film buffs were arty snots who feigned interest in quaint old things to show how sophisticated they were. Nobody, I thought, could really like that stuff.
But I joined Netflix, and their little recommendation system suggested "The General". The picture of Buster Keaton atop a locomotive promised some action. The guy had been funny in "Forum". I could stream it, effectively for free, as a bonus while awaiting my next DVD. What did I have to lose?
Aside from my preconceptions, that is.
Within fifteen seconds I totally forgot that I was watching one of those classic silent films. I was totally engrossed in letting Buster tell me a story. And as the film progressed, I moved from rapt interest to amusement to amazement to -- well, to something akin to falling in love. I would never see silent film -- or, of course, silent film buffs -- the same way again.
Keaton's Johnnie Gray is an earnest, conscientious, courteous little fellow who gets undeservedly emasculated: He's rejected by the Confederate army (because he's more valuable on the railroad), and by his girl and her family. And it is in Johnie's low moment that we first see how Keaton handles his films: a death-defying stunt, in which Buster rides the connecting rod of an antique narrow-gauge locomotive -- isn't played as a stunt. It's played as subtle, poignant humor, with Johnnie's beloved General comforting him by rocking him gently like a mother rocking her baby.
A year later, a sad and forsaken Johnnie still tends his train. His girl, Annabelle Lee, is about to board, heading off to tend to her wounded father. She still loves Johnnie -- else why would she go to the trouble of taunting him with her brother's war ribbons while pretending to ignore him? Johnnie, silent and subdued, watches with his haunted eyes.
But Union spies steal Johnny's beloved General -- with Annabelle Lee aboard. Johnnie takes off in pursuit, undaunted by any obstacle. He wins our admiration and sympathy not because he's asking for them; he's too busy recovering his train, his girl, and his honor. He wins us over because he's who he is: brave, resourceful, and dogged in pursuit of his goal.
The things he does in that pursuit take your breath away. Suffice it to say he gets hold of another train, and does things aboard as it speeds along, as nonchalantly as you might reach for a light switch. A moment that stands out for me -- neglected by other commentators -- finds Buster casually riding along on the cowcatcher, picking splinters out of his hands, until he notices an uncoupled boxcar hindering his progress. How he deals with the recalcitrant boxcar has to be seen to be appreciated. And there are countless such moments throughout this gem of a film.
As the chase transitions, with Union officers chasing Johnnie as he heads home with his prizes, we begin to see why Johnnie loves Annabelle Lee. She's out of her element, but proves brave and resourceful and eager to help, for all her foolish moments. She never apologizes to Johnnie for misjudging him, but he never asks her to. She simply recognizes him at last for who he was all along, and shares his joy when the Confederate Army does the same.
If you've never seen a silent film, or seen others but wondered what all the fuss is about, take a chance on Keaton. And you can't do better than "The General". You may find yourself becoming one of the inexplicable silent film buffs.
3 out of 4 found this helpful.
Was this review helpful? Sign in to vote.
Permalink
Tell Your Friends