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8/10
Funny and intelligent
10 December 2001
Izzard was both hysterical and insightful in his humor. He definitely represents his own little niche in the comedic world.

It's a pity more Americans won't see this stand-up routine due to its PAL-only availability.
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Lost Highway (1997)
3/10
Almost pretentious enough to be French
10 December 2001
What was with this plot-less, melodramatic film?

I watched this film with 2 other friends, all three of us being in to exotic / alternative / independent films. But when it was over, not one of us could shed the slightest bit of light on what this film was driving at. Near as we could figure, there was some kind of Faustian deal-with-the-devil / punishment-for-sins deal going on. But that was the closest thing to a coherent synopsis anyone could muster.

Yes, some of the camera and lighting work was good, but you don't make a film just to show good camera work. That's like cooking a meal that tastes awful just to showcase the silverware.

Overall, I felt the film was overdone and self-aggrandizing. It's point (if it had one) was too obscure for it to be effective as art, and the plot was too disjointed to work as entertainment. It just exists for artsy types to feel deep.
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8/10
Excellent animation and exciting plot, but some things get lost in translation.
6 October 2000
In the future, most people have cybernetic implants and everybody connects directly to the net through neural interfaces. Now, an unknown hacker called the Puppet Master has found a way to break the firewall and hack the human mind.

Strengths: One of the few pieces of Anime to come out of Japan that doesn't involve ninjas or space-monsters. Crisp, detailed drawing of a quality rarely seen in animation (I've watched the scene of the heroine riding the ferry in the rain a dozen times, and I swear each raindrop is unique). It's good sci-fi and great action.

Weaknesses: There's this running theme about identity in the movie, which has potential to make it a deeper story than an action flick. However, like much anime, you can't help but feel much was lost in the translation. The combination of the characters talking really fast (a by-product, I assume, of trying to express concepts that take more words in English than Japanese) and somewhat literal translations of complex ideas makes me really wish I spoke Japanese to get the full effect.

Still, a strong and fun piece of animation. One to own if you are into the genre.
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Birdy (1984)
9/10
Dark comedy about friendship and escapism
6 October 2000
Warning: Spoilers
It's interesting to read the comments about this film and see how many different perspectives can be pulled from it. It does lend itself to a number of interpretations, most of which say more bout the viewer than the film :).

"Birdy" (Matthew Modine) is a kid obsessed with birds. With the help of a childhood friend (Nicholas Cage) we trace his life from a lower-class urban childhood to the military asylum he inhabits today, looking for the root cause of his trauma.

***Minor spoilers ahead***

To me, Birdy was about simple people trying to cope with a large, and often cruel, world. There is the recurring theme of authority figures pushing them into roles they don't want. Their parents, the police, the dog-catcher/butcher, and finally the army, all trying to use or control them in some way. Each finds a way to escape the pressures, Cage by immersing himself in typical boyish pursuits like weightlifting and girls, and Modine in his fantasies of flight (a typical metaphor for freedom). For Modine, the inability to fit into the pre-defined roles becomes so overwhelming that the lines between fantasy and reality blur.

In the end, they find that the only real way they've coped so far is to draw strength from each other, to say "screw the world" and grab a few precious moments of shared insanity and freedom (liberating the dogs, attempting to fly using man-made wings and a bicycle, and, of course, the final scene).

All in all, a touching and funny movie who's message is sometimes lost on people. I can't guarantee you'll love it, but I did.

If nothing else, I thought the film was worth watching for the last 30 seconds ("....what?..."). Enjoy :).
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9/10
It's not the destination that counts, it's the journey there.
5 October 2000
A blue-collar joe seeking to fulfil a dead man's last wish finds himself sucked into a spiritual journey and questioning his own life.

This is a film that lends itself to being misunderstood. Previous comments have listed it as "rambling", and I can see where it might appear that way. Just remember the name of the film. It's not about the quest to bury ashes. It's about personal enlightenment and breaking away from a static, nowhere life.

Rich characters and counter-cultural icons litter this film. Definitely a find if you're a fan of movies like "Alice's Restaurant" and "Fritz the Cat".
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7/10
Not true Thompson, but a fun film.
5 October 2000
Whether you like this film or not will depend heavily on how big of a Hunter S. Thompson fan you are.

On the plus side, this film is wickedly funny. Bill Murray (an actor who has been both great and terrible in his career) does a phenomenal job as the acid-drenched reporter, bringing chaos into the lives of the rigid and pretentious. The plot is peppered with "respectable" places being dragged into mayhem, and "respectable" folks trying (unsuccessfully) to cope behind plastic smiles.

It even ventures into some higher themes, such as innocent kids being jailed by a heartless criminal system, and Thompson's own struggles between being a practical reporter and a fun-loving idealist (notice how Lazlo repeatedly re-surfaces just when Thompson starts to take on "real" jobs).

It's biggest fault, however, was that it failed to achieve any of the higher accomplishments of HST's writings. What makes Thompson such a powerful writer (to me, anyway) is the way he'll often turn on a dime and deliver stunningly sober dialogs on the human animal and where he's gone wrong. Nestled in the midst of the wine, women, and song are soliloquies that drive home a more positive message, and none of those made it into this film (in fact, no significant chunks of actual text from HST's books appeared at all). It's like they shaved off the surface 50% of Thompson's work and discarded the rest.

Compare this to Fear and Loathing, which was darker and more counter-cultural, and contained whole narrations excerpted from the novel. The latter perhaps has less appeal to the average viewer, but I'd think more to a Thompson fan.

All-in-all, this film is a light-hearted romp into anarchy, and worth watching. But if you've never actually READ Thompson, do so, as this movie doesn't accurately represent him.
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Blade (1998)
7/10
Not exactly art, but a fun guy-flick.
26 July 1999
20-minute long fight scenes with people's heads exploding and guys disintegrating. Who needs plot and dialog? The movie opens very well and keeps you interested throughout.

If you're looking for anything deep, this is not the place.
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7/10
Lousy sci-fi, but fantastic comedy.
26 July 1999
Now, you're looking at me and thinking, "What the heck is wrong with you! That movie was the stupidest thing I've ever seen!" And you're right. The plot is terrible and the sci-fi element weak as water. To confess, the first time I saw this movie, I LOATHED it. However, the trick to appreciating this flick is seeing it with the right eyes. It was marketed as a sci-fi vehicle, and that's all wrong! It's a cheese-ridden comedy of characters, and a great one!

Sit back, relax, skip the first 10 minutes, and watch it again. You will not regret it.

Fans of MST3K and Death Race 2000 should definitely appreciate this. Ruby Rod will be a cult icon some day, take my word for it.
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Dark City (1998)
1/10
Glossy FX try to compensate for a lack of creativity
26 July 1999
Warning: Spoilers
I try to remain positive, to see the good in everything, and simply move on. But this film almost had me storming into the box office to demand my money back. There was no interesting dialogue. no characters developed beyond giving them a name and a quirky way of speaking, and the sci-fi element was only explored in it's most shallow form.

WARNING!!! The text below may contain minor spoilers!!!

WARNING!!!

WARNING!!!

My biggest beef with this film was the entire concept of Tuning. The villains had this power to bend reality, to literally make ANYTHING happen, yet every time they used their powers, they did so with a remarkable lack of creativity. They threw fireballs or daggers at one another. I mean, if you had god-like powers over reality, I think you and six of your friends could subdue a human on foot. Turn his legs to stone, have a cage drop on his head, turn the floor to glue, anything. Instead they just kept throwing things with their mind. BORING!

All this wouldn't have been so bad, had there been something plot-wise to compensate. The action dragged on painfully slowly, the characters were all one-line descriptions of people, and the overall concept was full of holes. The movie even ends on an unresolved note.

Basically, this movie tried to be what The Matrix actually was, but failed miserably.
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Freeway (1996)
8/10
Never underestimate a white-trash girl with a gun.
26 July 1999
This movie starts slow, so you might be tempted to shut it off in the first 10 minutes if you lack the virtue of patience. Once Vanessa meets Keifer Sutherland's character, the movie kicks into gear and stays there.

Not for the faint of heart.
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9/10
A funny flick that might just help you look differently at life...
26 July 1999
Rich characters and counter-cultural icons litter this film about a favor-for-a-friend-turned-spiritual-quest. Definitely a find if you're a fan of movies like "Alice's Restaurant" and "Easy Rider".
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8/10
Excellent characters and dialogue
26 July 1999
This film is rich with quirky characters, all squeezed uncomfortably into an Irish Soul band with eyes on stardom. The question is whether their manager can hold this house of cards together long enough to get them signed.

All in all, a warm, funny film.
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7/10
Not your standard comedy. Surreal, surreal, surreal.
26 July 1999
Anyone who knows Tom Stoppard knows what to expect. The movie is simultaneously dark and funny, and tends to keep you just a hair off-balance throughout.
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7/10
Pure, unadulterated cheese!
26 July 1999
This is not a film you watch for it's own sake. This is a cheese-fest, suitable for sitting around with 10 of your closest friends, shouting commentary and throwing popcorn at the screen. It wallows in it's own silliness. MST3K fans should own this flick.
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Fritz the Cat (1972)
10/10
Fantastic animation and hilarious dialogue
26 July 1999
Technically speaking, this movie should not have been made. Robert Crumb did not approve of it. But frankly, this movie took the Fritz character far beyond anything in ZAP magazine (IMHO).

Firstly, the animation is superb and diverse. A variety of styles was used, each appropriate to the mood of the scene.

Secondly, the characterization was great. Fritz's travels bring him in contact with every woodpecker and lunatic imaginable. And the ensuing conversations are...well...let's leave it at "unique". Fans of movies like Roadside Prophets, Slacker, and Highway 61 should definitely appreciate this film.

Not a film for kids. Contains nudity, drugs, and about everything else you can think of.
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10/10
One of the most spiritual uplifting tales of all time.
26 July 1999
Harold is a rich kid who sees no value in the shallow lives of the people he knows. He has turned to visiting funerals for fun. Then he meets Maude, a crazy old broad who just might have a mountain of wisdom hidden under that veil of senility.

If you're a mainstream type, you won't like this film. That's your loss. There's a lot to learn here.
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Putney Swope (1969)
8/10
One very strange piece of cinema.
26 July 1999
A twist of fate puts a black man at the head of an old-school, white-bred advertising firm. And he intends to make a few changes...

One very strange piece of cinema. You'll either love it or hate it. Either way, you've never seen anything like it.
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