The fact that this film didn't feature the Major was Oshii's greatest idea. How do you make a sequel to one of the most beautiful and metaphorical films ever created? By breaking that mold. This film isn't consumable in one viewing. The first viewing makes you wonder what you've missed. The second makes you believe you've missed nothing. And the third opens the door to the meaning behind the film.
I can't say enough about the blend of traditional animation and cg to create a confused and crowded futuristic world that is just too much for the senses - and that's the point. It is too much - so Batou comes back to that which is simple - the hound.
The soundtrack is another haunting, yet beautiful work by Kenji Kawai, the only composer that can match the pure talent of Yoko Kanno in Japan.
I recommend this film because it forces you to think. It's the perfect compliment to the first film. It's as much philosophical as the first was action. I've never seen anyone pull off extended scenes without dialogue in anime like Oshii - the visuals do all of the talking and then some. Simply poetic genius. 10 out of 10, and all without Motoko!
I can't say enough about the blend of traditional animation and cg to create a confused and crowded futuristic world that is just too much for the senses - and that's the point. It is too much - so Batou comes back to that which is simple - the hound.
The soundtrack is another haunting, yet beautiful work by Kenji Kawai, the only composer that can match the pure talent of Yoko Kanno in Japan.
I recommend this film because it forces you to think. It's the perfect compliment to the first film. It's as much philosophical as the first was action. I've never seen anyone pull off extended scenes without dialogue in anime like Oshii - the visuals do all of the talking and then some. Simply poetic genius. 10 out of 10, and all without Motoko!
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