Change Your Image
rnhschillaci
Ratings
Most Recently Rated
Reviews
Wildlike (2014)
Soulful "Wildlike"
The big winner of the festival (15th Annual Phoenix Film Festival) was Frank Hall Green's "Wildlike". Winner of Best Acting Ensemble, Best Screenplay and Best Picture which pulled out all the stops in its breathtaking Alaskan beauty and subtle emotional impact. Ella Purnell plays Mackenzie, a troubled teen who is sent by her struggling mother to live with her uncle in Juneau, Alaska. Unfortunately, Uncle is on the creepy side and is not above manhandling his underage niece. First chance she gets, Mackenzie runs away and attempts to head back to Seattle.
We see MacKenzie making bad decisions, stumbling through awkward situations, and eventually meeting up with an older man who's wife passed away a year before. Bruce Greenwood delivers a gentle and earthy performance as Rene Bartlett, the man determined to travel alone through an area of Alaska that he and his wife were suppose to trek through. MacKenzie finally finds someone she can place trust in, but it is not an easy union.
Some may consider Rene to be the father figure that Mackenzie has been searching for, but he could easily be just a decent enough human being that Mackenzie needs in her life. Although, it's not an easy pairing since the man resists having so much emotional baggage even though he does care for her well-being. Their journey through the Alaskan wild and how they connect on so many emotional levels is a trip worth taking. Frank Hall Green somehow not only captures the intimacy of his two explorers, but also of the wilderness itself. Quiet moments are so nuanced that one cannot help reflect on the wonders of both human nature and nature itself.
Ella Purnell demonstrates a natural ability to convey strength and vulnerability all at once. She can be both spunky and timid, and we believe her every step of the way. The one thing I could not get over was her striking resemblance to actress Reese Witherspoon, and how both have now done films with wildlife settings around the same time period.
Green gives us an absorbing look into this troubled teen, the men in her life all the while providing something much more than just a travelogue. He incorporates the John Ford techniques, showing us how small we really are compared to everything going on around us, but then brings us back with an intimacy that keeps us well in touch with those we care about. "Wildlike" is a gorgeous film that touches our heart and soul.
This review is taken in part from my article, "Highlights from the Phoenix Film Festival" from The Movie Guys.
Angel of Nanjing (2015)
Horowitz and Ferendo Present an Angel
The winner at the 15th Annual Phoenix Film Festival for Best Documentary and the Dr. Sydney K Shapiro Humanitarian Award went to the incredible story of blue collar worker Chen Si who for 11 years has been preventing suicides from happening off the Yangtze River Bridge in Nanjing, China. Jordan Horowitz and Frank Ferendo bring this incredible tale of human kindness in an unsympathetic matter-of-fact light much like the subject of their film. Chen, having no formal education in psychology, continues to save lives and finds himself compelled to do so. He cannot understand why the phenomena of the suicide rate on the bridge went on as long as it had.
We see Chen go about his daily life as a good and dutiful husband, a manager for a transport company, and the famous Samaritan that he has become. But fame does not affect this man. Even with all the televised reports and news articles regarding his life saving efforts, Chen Si remains grounded and dedicated. He is genuinely concerned about the people he saves and goes as far as to keep in touch and help solve the problems that burden them.
It's an impossible task, but the man appears undaunted. Directors Horowitz and Ferendo chronicle the man's life, but have no answers as to what compels him. That's because Chen just finds it a natural act for him. He has immersed himself in saving lives and making them better, and cannot see any other way to live his life. What sets this human interest story above all others is not just the man's commitment, but the way his blue collar roots are captured.
The spiky black haired 42 year-old with the stained tobacco teeth and gruff exterior seems the most unlikely candidate for an angel. But for all intense purposes, the man is. We witness his handling of many attempted suicides and ones that hang by the bridge merely contemplating their end. Chen has several different approaches. He can be sympathetic, and he can be no-nonsense, acting as if he is furious for their ridiculous thoughts of killing themselves.
Jordan Horowitz and Frank Ferendo take to the run-down streets and neighborhoods, the now famous bridge, and the crowded city and bring the weight of the world that is carried on the shoulders of these people through an almost murky look. Yet, they manage to bring a smile to our face as well with Chen's subdued humor that can be infectious. They demonstrate beautifully how one smile, one kind word, and the simple act of caring can break through all the gray and save a life that was once perceived unworthy by its owner, providing that much needed ray of hope for a better future.
This review is taken from my article "Highlights from the 15th Annual Phoenix Film Festival" from The Movie Guys.
A Dog Named Gucci (2015)
Beautiful Testament to Man's Best Friend
"A Dog Named Gucci" left many in tears with its poignant story. But to the filmmaker's credit, it was far from manipulating. Director Gorman Bechard was also one that was more interested in an awareness campaign rather than taking the easy route of inflammatory cinema. The "Gucci Bill" changed the laws in Alabama turning animal cruelty into a felony, and starting a wondrous domino effect throughout the nation. Gucci was a ten week old puppy that was hung by its neck, beaten repeatedly and then set afire. Somehow this pup survived, and his savior and new owner, Doug James, fought not only for his life, but for all other animals in his state.
Where many could have focused on the cruelty and the perpetrator, Bechard chooses to highlight the fight against such viciousness, the happiness and companionship that blossoms, and the bureaucratic struggles to achieve what is right. It's a wonderful and beautiful testament to Gucci, his owner, and all other animals and the people that care for them. If all that was not enough, Bechard encourages us to stay through the entire credits delivering absorbing anecdotes, information on how to combat animal cruelty, and an absolutely compassionate song that makes one want to go out and purchase it immediately.
This review is taken in part from my article, "Highlights from the 15th Annual Phoenix Film Festival" at The Movie Guys.