Ferreri is one of the most important filmmakers, of the greatful decade like 60 in italy. Like Fellini or Pasolini, the director turn the movie in a dreamly journey to the fears and fantasies of the audience. The initial trip, when Piccoli drive a car, and the transformation of guns in art objects are very disquieting. An subversive idea. But, the most amazing is the influence of an old newspaper (the title is: Dillinger is dead)in the attitude of the protagonist. Phoenomenon similar to Lynch's inexplicable possessions. The first step for being seduced by Ferreri´s images.
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