jaysonpajaronvistal Reviews

The Idea of You (2024)

"The Idea of You": Another Addition to the Romcom Genre That Doesn't Break Any New Ground

[6/10 · 8 May 2024]

"The Idea of You" is Anne Hathaway's comeback to the romantic-comedy genre that has been highly anticipated by her fans. The movie revolves around Solène, a woman who has to accompany her daughter to the Coachella Music Festival after her ex-partner cancels at the last minute. It is at this festival that she meets Hayes, a young man, and they hit it off right away. The two embark on a whirlwind romance, but their relationship becomes complicated by Hayes' celebrity status and the challenges that come with being in the public eye. The film explores themes of love, age, and celebrity in the modern world, providing a contemporary take on the May-December romance. The premise promises to be both alluring and controversial, as it delves into the complexities of relationships between people of different ages and backgrounds.

Anne's portrayal as Solène just proves that she can give us range and versatility as an actress. She brings charm and authenticity to her character which could have been easily marked as cliche. The chemistry between Anne and Nicholas Galitzine, who plays Hayes, is surprisingly effective, given the challenging dynamics of their characters' age difference. Anne's undeniable talent and onscreen appeal make the concept of May-December romance not only plausible but also deeply sensitive and engaging. In a society that judges and scrutinizes women for their romantic choices, especially with their age, Hathaway's Solène stands as a figure of both vulnerability and strength. Galitzine also delivers a captivating nuanced performance that holds its own against Hathaway's strong screen presence. Their chemistry is not just a testament to their talent but also to the careful casting choices that acknowledge the importance of genuine interaction and rapport. This is what makes the movie effective, due to the movie's casting choices as one of its strengths.

One of the movie's strengths is its willingness to acknowledge and touch on some complex societal issues. The film does not shy away from addressing the double standard that is faced by older women in the dating scene. The amount of relentless pressure of social media attention, and the multifaceted challenges of motherhood are some of the elements that the movie is trying to deliver---these elements add layers of depth to the narrative and go beyond its simple romance and the realm of social commentary. The movie also heavily discussed the theme of ageism, showcasing the harsh amount of scrutiny, judgment, and criticism that mature women face when they step outside of societal expectations for their age, especially in the dating scene. These alone are a poignant reflection of the real-world experiences of many women of color and age, and the movie handles them with such integrity that is sensitive and insightful for viewers, providing a platform for a dialogue on these subjects.

The book and movie take inspiration from the world of fan fiction, particularly the craze surrounding pop icons like Harry Styles. Hayes Campbell, played by Galitzine, is the main character who is a famous heartthrob in a boy band with a large teenage following, reminiscent of the One Direction phenomenon. Although this might add a layer to the movie's relatability for the fans of the genre, however, the movie also comes across as overly derivative and cheesy. The movie's pacing is also where it falters, with its attempt to establish Hayes as the quintessential heartthrob, the narrative sometimes loses its momentum, leading to some moments to feel sluggish and unnecessarily drawn out. Due to the movie's sluggishness as it detracts from the viewer's engagement and investment in the character's journey and romance but once it finds its footing, it's where the movie shines. While "The Idea of You" aims to offer a fresh take on the rom-com genre, it sadly, ultimately falls back on the familiar tropes and predictable plot points. Considering that this genre has been well-trodden since the early 80s to late 00s, audiences are expecting innovative and surprising storytelling, which is something that this movie struggles to deliver. In comparison to the iconic classics like "Notting Hill" and "The Rebound," unfortunately, "The Idea of You" doesn't quite measure up to these predecessors but rather settles for being mediocre and predictable.

In conclusion, while "The Idea of You" is clever and charismatic, thanks to Hathaway and Galitzine, it struggles to find its identity in a genre that is overcrowded. The film's exploration of societal themes and the interplay between age and love is commendable, yet it doesn't quite live up to break any new ground or offer compelling and new storytelling on the romcom formula. To be fair, it's an average film that may provide a pleasant diversion for viewers looking to unwind and spend time with their family and loved ones, but it's unlikely to be remembered as a standout addition to romantic comedy genres. While the performances and chemistry are solid and effective, and the message and theme are relevant, in the end, "The Idea of You" is another comfortable, if not overly ambitious, addition to the romantic comedy landscape.

Monkey Man (2024)

"Monkey Man": A Movie Inspired by "John Wick" That Infuses Cultural Elements

[7/10 · 1 May 2024]

"Monkey Man," a film that marks the directorial debut of Dev Patel, is a testament to the actor's determination to transcend the boundaries of his acting career and take control of his artistic vision. Known for his captivating performances in films such as "Slumdog Millionaire," "The Green Knight," and "Lion," Patel steps into the realm of action cinema with a clear vision: to carve a space for himself in a genre that often overlooks actors of South Asian descent in Hollywood. This film is a testament to his determination and creative spirit, showcasing his willingness to take risks and challenge industry norms.

Patel's directorial debut is a kinetic whirlwind that thrusts the audience into a tumultuous world of revenge, corruption, and cultural commentary. His portrayal of the film's protagonist, coupled with frenetic yet meticulously crafted action sequences, positions "Monkey Man" as a noteworthy entry into the action genre. It is evident from the moment the film starts that Patel has meticulously honed his vision, delivering a narrative that is both gripping and visually arresting. Patel's foray into directing is marked by a distinct stylistic flair, evident in the chaotic and ambitious action set pieces that dominate the film. The intense physicality of the sequences is matched by a narrative pace that hardly allows the viewer a moment's respite. This is a calculated move on Patel's part, immersing his audience in the relentless world he has created. His ability to command a movie from behind the camera is undeniable, and the action is choreographed to match the urgency of the story's revenge-driven plot.

For a first-time director, Patel demonstrates a remarkable ability to handle complex action set pieces. The camera work is initially jarring-shaky and disorienting-mirroring the chaos of the protagonist's journey. However, as the film progresses, one begins to appreciate the deliberate nature of these choices. The camera becomes an active participant in the action, creating a sense of urgency that propels the story forward. The frenzied camera movements and rapid cuts serve to amplify the adrenaline rush of the narrative, inviting viewers to experience the chaos firsthand. As one acclimates to the film's rhythm, the cinematic technique becomes an asset rather than a hindrance, enhancing the overall viewing experience. This approach may not be to everyone's taste, but it serves as a powerful tool in conveying the protagonist's tumultuous emotional state.

The movie's storyline is nothing new, an underdog seeking revenge for his mother and fighting against a very corrupt government. However, the film's aesthetic is what makes the movie stand out--it's gritty and unapologetically visceral. It revels in its in-your-face brutality, with blood-soaked sequences that are both a testament to Patel's commitment to the genre and a nod to the audience's expectation for high-octane thrills. The relentless pacing and aggressive cinematography are reminiscent of the raw energy found in the early works of directors like Quentin Tarantino and Guy Ritchie. The movie stands apart from traditional Bollywood flicks. The absence of song-and-dance routines is a stark departure from the conventions of Indian cinema, yet the action sequences themselves possess a rhythmic quality that is almost musical in its execution. Patel choreographs these moments with a keen eye for movement and tempo, infusing each punch and kick with a narrative beat. Patel does not shy away from the darker aspects of his tale, ensuring that viewers are fully immersed in the film's unforgiving world. The decision by Jordan Peele and his production team to transition "Monkey Man" from a Netflix release to a theatrical experience speaks volumes about the film's cinematic quality. The immersive nature of the action and the visual spectacle it presents are undoubtedly more impactful on the big screen, where the film's scope and ambition can be fully appreciated.

The thematic elements of "Monkey Man" are rich and multifaceted, exploring vengeance, societal decay, and the clash between traditional values and modernity. Patel's character is driven by a deeply personal motive-avenging his mother-which adds a layer of emotional complexity to the otherwise straightforward revenge plot. This personal vendetta recalls the John Wick series, where the protagonist is similarly propelled by a profound loss. The use of unconventional weapons, such as heels and fireworks, adds flair to the combat and pays homage to the inventive fight choreography seen in films like "John Wick." While the parallels to "John Wick" are clear, particularly in the creative use of unconventional weapons, "Monkey Man" stands on its own by infusing its narrative with cultural specificity and personal stakes. The decision to infuse the film with Indian culture adds a layer of depth and emotional weight that elevates the narrative. The cultural elements are not simply window dressing; they are woven into the fabric of the story, enriching the characters and their motivations. This cultural integration is arguably one of the film's wisest and most impactful choices, creating a unique blend of action and heritage that resonates with audiences.

Despite its many strengths, "Monkey Man" is not without its flaws. The film occasionally falters in its dramatic execution, resulting in moments that feel overwrought or contrived. Patel's ambition to create a poignant emotional narrative sometimes leads to heavy-handed scenes that disrupt the film's tight pacing. The ending, in particular, aims for a cathartic resolution but doesn't quite land the emotional impact it strives for. While the conclusion is satisfying on a surface level, it lacks the depth needed to forge a lasting connection with the audience.

In conclusion, "Monkey Man" is a bold declaration of Dev Patel's multifaceted talent and his ability to take charge of his artistic trajectory. The film is an adrenaline-fueled ride that showcases Patel's skill both in front of and behind the camera. Its integration of Indian culture adds a unique and meaningful layer to the action-packed narrative. Despite some tonal missteps and a conclusion that doesn't fully hit the emotional mark, the film's raw intensity and inventive action sequences make it a thrilling watch, even as it navigates the pitfalls of dramatic storytelling. Patel's debut may not be perfect, but it is a statement of intent-an assertion that he is not content to wait for opportunities but is determined to create them for himself. "Monkey Man" is a promising start to what could be an exciting new chapter in Patel's already impressive career.

Baby Reindeer (2024)

An emotional and harrowing experience

[9/10 · 23 April 2024]

In the array of shows on Netflix, "Baby Reindeer" stands out as a miniseries that's hard to pin down. It goes beyond being a stalker-based series; it delves into the intricacies of trauma, isolation, and the impact of abuse on a person's mind.

Throughout its duration, "Baby Reindeer" presents unsettling moments and discomfort, which surprisingly turns out to be the show's strengths. The show boldly ventures into the realm of psychological drama, tearing apart the facade of comfort TV to expose the side of human suffering. This miniseries is an experience that pushes viewers to confront their limits when it comes to their own thresholds for discomfort and empathy.

Right from the start, "Baby Reindeer" throws viewers into Donny's world portrayed by the real-life Donny---Richard Gadd.

The first episode introduces Donny in all his complexity laying the groundwork for what seems like a story of decisions and questionable actions at first glance. However as the series progresses layers of Donny's character are gradually unveiled, revealing a grappling with a profound deep-seated trauma. The show doesn't shy away, from immersing its audience in an exploration of its character. The narrative structure, which is both immediate and relentless, refuses to coddle its viewers, instead opting for a raw portrayal of its characters. This approach creates an impact; it's alienating yet strangely captivating, immersing viewers in a world where characters feel both authentic and flawed. The brilliance of the show shines through its exploration of trauma and its lasting effects.

As the series unfolds, the protagonist, initially portrayed as someone testing our patience with their choices, gradually reveals layers of his complexity. What once irked viewers now sparks curiosity as each episode delves deeper into the characters' psyche unveiling past traumas that shape their actions. By the 4th episode, Donny's hidden pain resurfaces, shedding light on his puzzling decisions. The show sensitively navigates the aftermath of abuse, depicting the burden of guilt and shame that the survivors experienced. Donny's vulnerability becomes palpable forcing audiences to confront how abuse can distort one's self-identity. What starts as subtle tension erupts into an exploration of the protagonist's struggles. The way trauma is shown in the story is subtle and integrated naturally becoming a part of the character's journey.

Richard Gadd's performance as Donny is truly remarkable. He skillfully combines heartbreak and humor bringing a depth to the character that stays with you even after the movie ends. It's quite remarkable to see someone relive their trauma like Richard Gadd did; it was his experience and his bravery, in sharing and retelling it is admirable. Gadd's nuanced acting ensures that there's a touch of humanity shining through in Donny's questionable moments. His ability to bring lightness into situations speaks volumes about resilience even when faced with immense pain. On the other hand, Jessica Gunning steals the spotlight with her portrayal of Martha. Playing a stalker and compulsive liar, Martha evokes a mix of emotions from the audience. Gunning delivers a performance that triggers both sympathy and frustration towards Martha. Her character's unsettling presence serves as a poignant reminder of the complexities of mental illness and obsession. Martha's character is designed to get under your skin and Gunning pulls this off with such precision.

The last two episodes of the show are truly outstanding, as the narrative threads that have been carefully laid out come together in a poignant and cathartic climax. The audience's understanding of Donny's choices and the slow reveal of his deep-seated trauma culminate in a realization of the gravity of his situation. His hesitation to report Martha, a choice that may have seemed unjustifiable before, is put to light leaving viewers with a sense of understanding of his predicament. The final two episodes provide a glimpse into each character's motivations and the enduring impacts of Donny's trauma. When Donny's vulnerabilities are exposed, it creates a gut-wrenching moment that compels viewers to face the extent of his suffering.

At its heart, "Baby Reindeer" contemplates the repercussions of loneliness and abuse and through Donny's journey, the show delves into the isolation that often accompanies trauma. It goes beyond stalking; it delves into the wounds that persist long after physical injuries have healed. Watching "Baby Reindeer" is an experience, to say the least.

It's a show that might make you cringe, feel uncomfortable, and even experience secondhand embarrassment, however, beneath its exterior, it delves into the emotional and harrowing exploration of human thoughts and emotions. This miniseries moves beyond the stalker storyline to focus on the effects of abuse and the isolating impact of solitude. The show's strength lies in how it handles topics with care and doesn't shy away from portraying the darker sides of its themes. What sets the show apart is the unflinching commitment to exposing social realities. The show holds up a mirror to society's often simplistic understanding of trauma and its aftermath. It challenges the notion that strength is an antidote to pain, instead presenting a more nuanced view of the human condition-one filled with layers of guilt, shame, and vulnerability.

In summary, "Baby Reindeer" is an addition to Netflix's collection of thought-provoking dramas. It demands attention not for its daring storytelling but for the conversations it ignites about the invisible struggles many people endure. It leaves an indelible mark on viewers, serving as a powerful reminder of the complexities of trauma and the resilience required to confront it. This series goes beyond entertaining; it teaches, empathizes, and raises the bar for storytelling. Its portrayal of trauma, isolation, and the impact of abuse is honest and intense. Richard Gadd and Jessica Gunning deliver performances that bring their characters to life. If you're willing to confront the uncomfortable and delve into the depths of human emotion, "Baby Reindeer" is a journey worth taking.

Late Night with the Devil (2023)

"Late Night with the Devil" is a masterfully crafted horror movie that blends with dark comedy perfectly.

[8/10 · 22 April 2024]

"Late Night with the Devil" is a masterfully crafted horror movie that blends with dark comedy perfectly. Directed by Cameron and Collin Cairnes, the movie transports audiences to a time when late-night talk shows were the most anticipated program for many Americans before they slumber, even today this has since then become iconic in the cultural memory. The movie stars David Dastmalchian as Jack Delroy, a charismatic and charming TV show host, who once reigned this nocturnal roost with his show "Night Owls." However, after the sudden tragic death of his wife, Madeleine, his career and personal life started to spiral and plummeted to death. In his last effort to salvage his show and career, Delroy held a Halloween special on October 31st, 1977, that he thought would stun the nation and revive his career. Unbeknownst to him, this unfortunate event will do more damage to his life than revive his show and career.

The brilliance of the movie lies in its perfect execution of its elements, blending horror and dark comedy within its storytelling through mockumentary. This approach gives the film an authenticity that is effective and palpable. The recreation of a '70s late-night show is realized with such precision that allows the viewers to have an immersive experience, with its attention to detail from lighting and camera angles to the inclusion of break bumpers, gives an illusion to the audiences that they are indeed watching a broadcast show and it's behind the scene. The use of black-and-white cinematography as a distinction from the live show and its behind-the-scenes is a narrative masterstroke as this allows us to peel back the curtain on the character's true selves, especially for Jack Delroy. This element adds a layer of depth to his character and the totality of the story. It is in these candid moments that the audience can truly connect with Jack Delroy, whose grief and desperation become visible during the commercial breaks. These black-and-white scenes contradict the characters' polished facade when the cameras are rolling, creating a tension that is both unsettling and compelling.

David Dastmalchian's performance is a masterclass in duality as he captures the essence of a man at the end of his rope. His transition from a charismatic and charming talk show host to a broken and desperate widow is both terrifying and spectacular. The nuanced acting elevates the film as it allows the audience to discover the full spectrum of Delroy's emotional journey and his intentions for his actions.

The film uses a 4:3 aspect ratio that adds ingenuity as it enhances the claustrophobic feel as the horror unfolds right before the eyes of the audience. These elements allow the movie to create constrained visual traps, making the viewers as unwilling participants as the show descends into madness. The movie starts with a 5-minute voiceover which is a pivotal introduction as it provides the historical context necessary to understand what's at stake for Delroy and his need to survive his show. This narrative device cleverly avoids heavy-handed exposition, instead offering a quick and enough background that helps the audience to grasp the sacrifices and efforts Delroy has made for his show, this also gives appetite to the viewers as the movie progresses.

One of the highlights of the movie is its gradual and slow build-up, which allows for insightful character development and ambiguity. The introduction of characters adds a layer to its narrative, coupled with the presence of a skeptic man who challenges supernatural believers, creating a dynamic relationship between the characters and the story itself. The addition of this character cleverly plays the audience's own skepticism, blurring the line between reality and illusion. This results in an uneasy feeling that lingers with the viewers long after the credit rolls as the audience is left alone with the question as to whether the situation is real or not. This is a testament to the writers' power to enhance the narrative by creating an atmosphere of horror that does not rely upon cheap jumpscares.

Despite its strength, the movie is met with massive criticism due to its brief usage of an AI-generated image as the breakbumps. Ethically, the implications of AI in art are worthy of debate, considering that we're in the midst of a strike, but this minor component in the movie should not overshadow its overall quality and accomplishments. Given that the movie only has a $2 million budget, the use of AI may not be necessary, but it's disappointing to see that this small aspect has become a focal point for some viewers to detract from the film's artistry and storytelling. The ability of "Late Night with the Devil" to create an immersive, authentic '70s atmosphere, to build tension without cheap scares, and to captivate an audience with its dark humor and horror should be at the forefront of discussions. In the end, "Late Night with the Devil" should be celebrated for what it is: a creative, atmospheric journey into a bygone era, conjured with a contemporary twist.

In conclusion, "Late Night with the Devil" is a horror film that stands out for its commitment to atmosphere and psychological horror. It is a film that should be recognized for its clever direction; smart execution and element choices; exceptional performances; and as a cinematic horror experience. If you long for a horror movie that is thoughtful and character-driven storytelling, this film is a must-watch. It is a rare gem that proves horror can be as much about what is suggested and felt as what is seen, and it deserves to be evaluated on its own considerable merits. "Late Night with the Devil" emerges as a special kind of horror masterpiece, one that understands that the most profound scares are often those that are hinted at and linger in the heart, rather than those simply seen with the eyes. It's a film that should be valued for the unique and substantial impact it brings to the table.

Civil War (2024)

Alex Garland's 'Civil War': A Harrowing Dive into America's Dystopian Abyss

[9/10 · 15 April 2024]

The renowned filmmaker, Alex Garland, showcasing his signature style of thought-provoking and unsettling films is back as director with "Civil War." The film presents a disturbing vision of an America ravaged by internal conflicts. Set against an imagined dystopian society, Garland's narrative throws the spectator into the heart of a country on the verge, we follow military journalists on their dangerous path towards Washington D. C., where they aim to document the unrest brewing in rebel-faction territories before it's too late for democracy's symbolic heart- the White House.

Throughout its two-hour duration," Civil War" never lets up as it maintains constant tension throughout. In typical fashion, AlexGarland creates an intellectually stimulating narrative that doesn't compromise visceral impact. The audience experiences every moment alongside these courageous photojournalists determined to capture firsthand events happening within the battleground transformation of American landscapes - imparting raw truths without embellishments about this nation starkly divided against itself. As a result, photojournalism is the ideal medium for this tale; dirty and with no effort to whitewash what is happening in a country at war with itself.

Garland's body of work often evokes a disquieting sense of reflection in viewers, and "Civil War" is no exception. The film boasts formidable craftsmanship, demonstrated through its methodical writing and conscientiously formulated story arc. Yet this same level of excellence renders the movie profoundly unnerving. The atrocities conveyed on screen are enacted with such realism that they carry an unmistakable weight of truth; watching it again feels nearly as daunting as confronting the harrowing subject matter itself. A centerpiece within the narrative is Kristen Dunst's portrayal of a photojournalist - her performance strikes one particularly as brilliant storytelling. In contrast to protagonists who typically follow strong ethical guidelines or embody heroic ideals, Dunst's character remains steadfastly objective throughout: documenting occurrences without ideological bias or personal affections at play. This detachment allows the audience to engage with the film's portrayal of war as a series of moments and images, rather than through a more traditional, and perhaps less challenging, character-driven storyline.

Dunst's exceptional performance showcases her adaptability and dedication to her art. Her character exhibits tough stoicism, developed as a coping mechanism after witnessing countless war atrocities. This emotional armor serves as both protection and a storytelling tool, providing insight into the psyche of someone exposed to unspeakable horrors. The photos she captures convey universal themes of tragedy and despair that linger with viewers long after the movie ends. One of the best moments of her character is when she finally shows us her vulnerability when she breaks down during the most intense war. Moments like these allow audiences to understand that despite her strong and stoic facade, once that barrier is down, there is nothing you can do but be vulnerable.

Spaeny offers an equally impactful portrayal, bringing raw emotionality that complements Dunst's intensity while adding another layer of heartrending depth to the film overall. Their combined efforts drive forward this narrative by exploring elements of humanity amidst utter desolation - offering hope in even the darkest moments. Garland courageously portrays violent scenes to emphasize the cruel world of the film. The pivotal role played by Jesse Plemons is highlighted in one of its most horrendous and unforgettable sequences, exhibiting an uncompromising depiction of horror and bloodshed that reinforces the movie's dedication to portraying conflicts realistically.

One of the horrors that the movie presents is when they reach a community that seems to live a normal life. When they were asked why they seemed to be not caring about what's going on outside their communities, their response utters horror as a viewer. This demonstrates that during times of war, being neutral is not a viable option as it can inadvertently aid those who commit harmful acts or perpetuate injustice. Despite its strengths, the film "Civil War" faces minor narrative difficulties. Specifically, one character undergoes a surprising and sudden change in their development that disrupts the established trajectory of their story. If you've watched the movie, you'll know who this character is. This unexpected shift may seem out of place to some viewers who have become emotionally invested in this character's journey. Additionally, it's understandable that some audiences may find this movie to be apolitical due to a lack of insights and judgment from the characters we follow.

Moreover, Garland's movie not only presents a stimulating experience for the viewers but also urges them to confront intricate issues such as ethical concerns regarding war photography, unbiased journalism in areas of conflict, and mental disturbance due to witnessing human suffering. The film's austere visuals coupled with the protagonist silently portraying the harsh reality of warfare allow room for contemplating on observer's responsibilities during critical times. Such moral predicaments are by no means easily resolved, requiring an unsettling degree of involvement that may perturb some audiences.

"Civil War" continues Garland's examination of the darker facets of human nature and the ramifications that come with societal collapse within the broader context of their body of work. It unflinchingly portrays how civilization can crumble into chaos, demonstrating its frailty without any apologies. Through the lens of the photojournalist, Garland captures not only the physical destruction wrought by war but also the emotional and psychological devastation that often goes unseen.

"Civil War" is an expertly crafted narrative that reinvents the war movie genre. Rather than glorifying battle and simplifying conflicts to good versus evil, it presents a nuanced and unsettling depiction of warfare. This thought-provoking work secures Alex Garland's standing as a filmmaker unafraid to tackle uncomfortable truths about our society today. However, this film may not appeal to all viewers who prefer conventional heroes or redeeming story arcs; instead "Civil War" offers an uncompromising exploration of human nature that challenges and disturbs its audience while also leaving them deeply affected by its message long after viewing it.

Kung Fu Panda 4 (2024)

A Less Fun Addition To The Beloved Series

[6/10 · 1 April 2024]

DreamWorks Animation's latest release, "Kung Fu Panda 4", continues the beloved story of Po - the endearing panda who became a Dragon Warrior. Fans around the world have been eagerly waiting for this animated installment; however, adding more films to an existing franchise always comes with risks such as losing originality and screaming for innovation, which is very important when it comes to adding new entry to the beloved franchise. The Kung Fu Panda series is considered an exceptional example of animation excellence due to its seamless blend of humor, and action-packed scenes filled with heartwarming moments- successfully captivating audiences from young kids to adults.

Unfortunately, in 'Kung Fu Panda 4' there's a noticeable fatigue that may leave fans disappointed - ideas just don't seem fresh anymore when compared to its predecessor, although some charm still remains within parts thereof. However, the differences in writing and direction are palpable and sadly, it's very unfortunate for a movie that many of us have been waiting for.

It's difficult to ignore that the narrative and character development in "Kung Fu Panda 4" appear stagnant and rather pedestrian. The once lively exchanges between adored characters have lost their charm, making it challenging for viewers to stay invested. Although the premise remains true to its root, the plot feels repetitive without introducing anything fresh or imaginative. Consequently rendering a sense of repetitiveness like watching Po's story replayed instead of progressing further. This movie falters with pacing difficulty within the first half and an absence of engaging subplots resulting in struggling progression.

The screenplay is serviceable but doesn't quite spark the same level of imagination as its predecessors. It seems like the writers relied too heavily on a formulaic plot structure that ultimately failed to engage viewers fully. Nonetheless, there are some standout moments in the film when they explore themes surrounding adaptation and growth. One aspect that's always shone through in previous "Kung Fu Panda" films was their lively ensemble cast - each character brimming with individual charm and eccentricities. However, this time around we find less depth in characterization overall; while certain scenes still capture our attention at times, there just isn't enough chemistry between voice actors and their respective roles to leave us truly invested along every step of Po's journey for instance or any other protagonist featured throughout Kung-Fu-panda 4 series..

It appears that the narrative structure of "Kung Fu Panda 4" has a formulaic quality, giving the impression that the screenplay ticks boxes instead of delivering an engaging story. Unfortunately, this inflexibility eliminates any organic progression in character development and plot trajectory which we've grown accustomed to in past installments. Displeasingly, while trying to win over new fans with younger generations as its target audience, it overlooks loyal followers who have matured since its initial release back in 2008. It's unfortunate for the latter audiences because storytelling and character arcs appear mediocre at best; they failed where once they excelled hence losing their ability to engage audiences like previously achieved by their predecessors - particularly disappointing when comparing both first/second halves of the movie given how slow things become chronologically. "Kung Fu Panda 4" fails to match its predecessors in terms of the clever humor woven into its conversations, as well as the complexity and depth that come from the carefully constructed layers seen in earlier installments.

While the narrative of "Kung Fu Panda 4" may not have the same impact and grandeur as its previous installments, the voice performances remained the highlight of the movie. Jack Black once again brings his exceptional talent to the role of Po, and Awkwafina's vibrant and engaging portrayal adds a new layer of interest to the story. The film regains its momentum when Po discovers himself amidst an old tavern community where Zhen brings new life to it all. This breath of fresh air elevates the movie beyond its formulaic plot making us reminisce why we were so enamored by the franchise in its inception: through heartwarming interactions within this community adding depth only genuine affection can provide.

DreamWorks Animation has once again demonstrated their exceptional artistry in "Kung Fu Panda 4". Audiences are transported into a beautifully rendered ancient China with rich and vivid backdrops that leave viewers captivated. The exhilarating action scenes elevate the senses, particularly noteworthy is Po's encounter with an impressive stingray thanks to its fluid animation which showcases the franchise's ability to deliver top-tier visual narratives. Despite these breathtaking moments, some pacing issues hinder it from reaching its full potential as they slightly take away from the overall impact of this masterpiece's spectacle on screen.

In all its glory, the movie delivers a story about accepting change and embracing a new way of living - and in this case, it's a new way of being a hero. This theme resonates with audiences of all ages, from kids who are mostly experiencing changes in transitioning from childhood to teenage life and adult audiences who are facing new adversaries of life. This is where I think the movie shines and finds its footing, offering another poignant message that is both timely and relevant for everyone. Just as we witness Po steers and sail through the challenges of this new chapter, the audiences are reminded of how important it is for us to be resilient and adaptable in this ever-changing world. The introduction of the new character, Zhen voiced by Awkwafina, helps to underscore the message of "embracing change," providing a fresh take on the value of this theme. The movie has successfully relayed the message throughout the narrative and serves as a stark reminder that change is inevitable and we have to accept the fact that all we can do is just to live through it, a lesson that holds true outside the movie theater.

Despite its flaws, "Kung Fu Panda 4" is still a family-friendly movie that can provide a pleasant viewing experience for all ages. While it may not have the same impact and level of entertainment compared to the first or second film, which I think is the best in its series, it's a safe continuation for those who have followed Po's adventures since 2008. It's similar to finding an extra dumpling in your bamboo steamer - not necessary, but a small, delightful surprise. In conclusion, "Kung Fu Panda 4" may have its evident flaws and mishaps, but it still offers a worthwhile viewing experience for new and old fans of the series. While the storytelling and characterization may feel lackluster at times, the film's stunning animation and meaningful themes help to elevate making it a rather mediocre and not an extraordinary experience. It may not be the standout chapter fans were hoping for, but it's a gentle reminder that, like Po, we must all learn to embrace the changes life throws our way while holding dear the memories of the past.

Road House (2024)

A Thrilling Ride Through Nostalgia and Action!

[6/10 · 27 March 2024]

Filmmakers face a delicate balancing act between paying tribute to the original source material and introducing fresh elements when remaking cult classics. The forthcoming 2024 version of "Road House," which was once criticized but later praised for its action-packed storyline, is no exception, as it attempts to honor its infamous predecessor from 1989 under director Doug Liman's guidance. By reviving the energy of the '80s classic, this new iteration brings back fond memories while embracing contemporary innovations onscreen in Road House (2024).

Upon its initial release, "Road House" received criticism for its convoluted plot and exaggerated characters. The movie's purpose seemed unclear, leaving audiences uncertain about the overall vision of the film. Nevertheless, as time has passed, a dedicated fan base has emerged who appreciate what makes this action-packed flick unique-its oddity combined with the fearlessness captured on screen. Patrick Swayze's portrayal of Dalton inspired many; he was known to be philosophical yet able to fight his way out of any situation thrown at him without hesitation, making "Dalton" iconic in playing heroic roles like no other bouncer before or after that could match up! Even though criticized upon first release, Liman is now directed towards modern cinema enthusiasts striving hard not to forget original RoadHouse roots while alluding to neo-nostalgic culture-an intricate balance yet achieved partially throughout the 2024 version, successfully showcasing neon aesthetics paired with synth-backed tunes rooting deeper unison among viewers, feeling one united journey. At times, it's successful, giving us glimpses of the neon-soaked, synth-backed era where a lone hero could stand against the tide. Other times, the film feels lost in translation, unsure how to wield its nostalgic weaponry without falling into the pit of pastiche.

Jake Gyllenhaal stars as the new Dalton in a film that delivers on its promise of high-octane action. Gyllenhaal's dedication to his role is evident, with his remarkable physical transformation leaving an impression. Whereas Swayze brought grace to the brawls, Gyllenhaal brings raw and visceral energy, bringing credibility to each fight scene. The updated Dalton is no longer just a pacifist bartender; he now embodies unstoppable power and captivates viewers through Gyllenhall's performance alone. Compared to Patrick Swayze's original portrayal, Jake raises expectations by delivering a vigorous physical presence that sets the bar higher for future performers.

Liman skillfully takes us on a journey through 80s and 90s action cinema, immersing fans in an unrivaled world of barroom brawls where true heroes are born. The film pays tribute to its predecessor with high-energy sequences that will transport you back in time to the genre's heyday. Gyllenhaal shines as he unleashes powerful punches packed with raw emotion throughout each heart-pumping scene. This movie indulges in its over-the-top action-a respectful nod to its roots; elaborate choreography lands satisfyingly loud blows, making every brawl feel like it could stand alone as an epic fight sequence itself. "Road House" boldly stands up against modern films by bringing audiences cinematic thrills from when courageously audacious stories outshined everything else imaginable during the golden age of action movies. There is no missing this spectacular display.

However, the latter half of the film loses its grip, particularly with the introduction of Conor McGregor's character. Although intended to be a compelling antagonist, his performance seems contrived and occasionally borders on caricature. His unclear motivations suggest that he is included in an attempt to capitalize on his off-screen personality rather than as part of the story itself. At times, it appears as though McGregor is unaware even about being filmed; this almost causes self-parodying performances. Nonetheless, there are some remarkable moments throughout the movie where Gyllenhaal duels with McGregor energetically combining aggressiveness and fervor, exposing their raw emotions while keeping audiences glued to their chairs due to sheer grandeur-it could make any viewer exhilarated.

However, as the film progresses and increasingly relies on CGI, it detracts from the impact of these scenes. This causes viewers to become disengaged from what they're watching and instead feel like they are observing something artificial. While impressive in their own right, these visual effects overshadow the practical stunts and choreography that give "Road House" its authentic flair. In turn, this creates a disconnect between audience members, serving as a constant reminder that we are simply watching actors portray characters within an orchestrated production rather than being fully immersed in this cinematic universe. Nonetheless," Road House" (2024) presents itself as a nostalgic journey for those willing to accept its flaws. Liman's reverence for the original work shines through throughout the opening opportunities, where he pays homage while infusing his unique style onto the film's center stage. Additionally,Gyllenhaal receives praise for their magnetic performance, which serves not only as anchors but also elevates beyond mere imitation into contemporary homages' realm, transforming nostalgia into timely remembrance.

To summarize, "Road House" 2024 is a film of contradictions. It proudly embraces its origins, while Liman's reverence for the source material shines through his efforts to preserve it. Those who appreciate the movie's audacity and overlook some weaknesses will enjoy a thrilling ride back in time when brawls were entertainment and heroes were valiant, tough guys. However, even with all its pomp, flaws are still evident; poor acting performances and unsuitable CGI shots may diminish viewers' satisfaction upon closer examination of the filmmaking process.

Reflecting on the legacy of both the 1989 classic and its contemporary counterpart, it is evident that "Road House" still holds immense cultural significance. Whether one has been a devoted admirer of the original or is just beginning to delve into this narrative about an individual bouncer who takes on society alone, there's something undeniably gripping in this tale. Despite its flawed nature, the 2024 film pays tribute to a time when audacious action and grandiose characters were prevalent, serving as a poignant reminder that sometimes all we need is someone willing to stand up tall and fight back hard with style for what they believe in while looking great doing so-our very own hero.

Immaculate (2024)

A Fresh Take on Horror with Sydney Sweeney's Spellbinding Performance!

[7/10 · 23 March 2024]

With a unique perspective, "Immaculate" fearlessly enters the horror genre by breathing new life into themes that have become predictable and overdone. Horror films are often filled with stories of possessed babies, exorcisms, or malicious nuns - all rooted in Catholicism's dramatic tapestry. However, "Immaculate" elevates this familiar narrative through expertly crafted suspense and an innovative approach to storytelling that sets it apart from other movies in the same category. Despite using traditional religious elements as inspiration for its storyline, the film manages to create a fresh experience for viewers. Throughout "Immaculate", audiences can expect thrilling moments infused with renewed energy which makes us atypical than any others we've seen before.

While many horror films rely on cheap jumpscares and excessive violence, "Immaculate" sets itself apart with its expertly crafted suspense sequences. Rather than relying on predictable tactics to frighten viewers, the film gradually builds tension throughout its runtime, leaving audiences constantly guessing and unsettled. The filmmakers' careful layering of fear creates a deliberate pace that culminates in a terrifying climax that leaves a deep impression. By structuring their scares so meticulously, they ensure that the audience remains gripped by unease long after watching it all unfold on screen.

One of the most striking features that sets "Immaculate" apart is its unapologetic use of gore, which feels integral to the story rather than gratuitous. In addition to psychological terror, there's a surprising amount of visceral bloodshed that will make your skin crawl and leave you feeling uneasy long after viewing. The filmmakers have crafted these moments with precision so they resonate deeply within viewers' minds as compelling examples of both shocking intensity and expert artistic execution. Far from being senselessly violent or over-the-top gruesome for effect, this graphic imagery serves an important purpose in adding depth and complexity to darker themes woven throughout the film's narrative structure - highlighting just how impactful calculated pieces like these can be when used thoughtfully on screen.

"Immaculate," beyond its horrifying elements, showcases impressive technical expertise. The editing and cinematography are exceptional; the scenes transition seamlessly from one to another with a haunting yet captivating feel. Furthermore, every frame is meticulously arranged to contribute towards creating an eerie atmosphere that pervades throughout the film's narrative. Each shot serves a purpose and flows smoothly with predatory grace as they heighten unease in viewers' minds while stitching together moments rhythmically into a hypnotic disquieting experience. In essence, it speaks volumes about how dedicated "Immaculate" is to craftsmanship - ensuring not just narrating horror experiences but showing them absolutely beautifully if disturbingly so!

Sydney Sweeney's captivating performance lies at the core of "Immaculate." She convincingly portrays a devout, innocent woman with palpable conviction. With finesse and depth, she takes her character on an emotional journey from naivety to terror. Through subtle gestures and nuanced expressions that convey complex emotions skillfully, Sweeney elevates every scene she appears in; her talent brings authenticity to the role so effortlessly. Spectacularly showcasing Sydney Sweeney's acting prowess is a lengthy take in which we observe raw emotion brimming over: it demands attention while concurrently drawing admiration for being bold yet unflinching. Her almost otherworldly presence commands our respect as well - cementing herself firmly as someone not easily ignored within horror genre circles. Notably laudatory are instances like when early scenes reveal hints of repressed anger brewing beneath what would have been religious modesty- before this culminates explosively into fruition during Immaculate's final act. The restraint exhibited by Sydney here successfully depicts just how restrained anguish can manifest itself through facial expressions alone - demonstrating remarkable skills conveying complicated inner turmoil without resorting to words and instead telling tales via breathtaking performances worthy enough to provide tour de force status preferences eldritch fans could savor thereafter one watches such pivotal renditions!

"Immaculate," despite its strengths, falters in the third act as the film's subtle and subdued approach gives way to a heavy-handed narrative. The reveal lacks finesse and certain plot points are unnecessarily explained which takes away from the mystery. Even with masterful subtlety throughout most of it leaves more overt than necessary dialogues causing disappointment for viewers who were hoping to see artful build-up horror. Furthermore, while gore is effective in building tension, some audiences may find it too intense limiting its appeal among broader audiences. The horror film "Immaculate" serves as a stellar example of the potential for excellence within its genre. Amidst countless unoriginal movies, this one shines with innovation and deserves recognition from devotees of horror. Its masterful build-up of tension, unexpected graphic scenes, and exceptional acting make it indispensable viewing material.

Although imperfect in certain aspects, it surpasses others by presenting an enthralling experience that invigorates commonly used themes in Catholic folklore. Sydney Sweeney's impressive portrayal embodies the gravitas pivotal to carrying out the entire production; her performance promises tremendous future developments in terror-inducing films. Without a doubt," Immaculate" is not your typical run-of-the-mill movie but sets itself up as extraordinary among scary thrillers- setting new standards for forthcoming filmmakers working towards developing fresh takes upon classic tropes often found under religious beliefs or rituals resulting in uneasiness - making it more than just another decent option for cinephiles enamored with blood-curdling stories about things we can't seem to fathom ever happening around us!

Upgraded (2024)

A Heartfelt Nostalgic Rom-Com Revival.

[7/10 · 19 March 2024]

Amidst a current climate where romantic comedies have seemingly lost their charm, often laden with cliches and uninspired plotlines, "Upgraded" revitalizes the genre as an enjoyable yet familiar tribute. Though not unconventional in its approach, it effectively delivers through heartfelt performances and execution that cannot be ignored. The movie does not revolutionize traditional romcoms but rather breathes new life into age-old formulas by exploring modern-day love stories while addressing the career goals of today's society - balancing nostalgia with contemporary relevance for classic fans of the genre to savor.

Compared to Netflix's recent offerings which left much to be desired among fans of the once-celebrated rom-com era, "Upgraded" is a welcome change. Prime Video has stepped in and revived the charm of romantic comedies from the early 2000s with a movie that feels genuine and brimming with love for its roots. The film at its core explores themes like self-discovery, resilience, and transformational power of love as we see how modern relationships face obstacles while trying to find their way towards personal growth. Though it may seem familiar on paper, nuanced character dynamics coupled with authentic emotions elevate this movie beyond clichés or predictability- especially when focusing on our lead actress who portrays navigating complex issues unique to modern womanhood brilliantly. In fact," Upgraded" boldly tackles empowerment topics along themes highlighting women supporting each other; however overt attention given toward romance sidelines more important ideas during several parts throughout the narrative

The remarkable ensemble cast is a standout feature of the film, showcasing an impressive array of skills on screen. Camilla Mendes and Archie Renaux have captivating chemistry that effortlessly adds charm and affection to the movie, resulting in delightful entertainment throughout. The supporting actors such as Marisa Tomei and Lena Olin bring depth and personality to their roles which significantly enhance the appeal of the overall storyline. By working together cohesively with genuine warmth towards each other's characters, they reinforce key themes about love, friendship, and growth making it compelling for audiences alike. Despite relying on some standard genre tropes typically seen in romantic comedies today,"Upgraded" excels at bringing authenticity into these overplayed concepts through heartfelt performances sure enough stands out from films that saturate current markets under this category.

Although it's not a groundbreaking work of art, "Upgraded" achieves the task of evoking nostalgic sentiments associated with traditional romantic comedies through its novel take on modern romance. While it doesn't attempt to redefine or revolutionize this genre, that wasn't necessary for its success. The movie tells an endearing tale and perfectly captures the ambiance reminiscent of rom-coms from the 90s and early 2000s era; despite lacking cinematic excellence yet managed to keep me smiling throughout due to how heartwarming it was in all its simplicity. Predictability is no longer synonymous with disaster in rom-com flicks as proven by "Upgraded." Its storyline flows along well without any significant twists which make you wonder until every moment but still delightfully ends up where one would expect - creditable direction delivered top-notch performances that provided entertainment at plenty!

However, "Upgraded" missed the opportunity to soar by failing to bring fresh material into its conventional romance. Though effective and engaging overall, this aspect proved lackluster - a regrettable shortcoming considering the film's success in exploring themes of friendship and personal growth. If only the romantic elements had received equal attention with innovative ideas like those featured elsewhere in the movie, "Upgraded" could have transcended from merely enjoyable to outstanding within its genre. Additionally, with genuine storytelling and heartfelt performances that strike an emotional chord for all ages; "Upgraded," despite not fulfilling its full potential romantically still manages a charmingly heartwarming comedic tale about love & self-discovery deserving inclusion among timeless rom-com classics.

To sum up, "Upgraded" provides a warm and inviting escape for those craving the nostalgia of traditional romantic comedies. It serves as a delightful homage to the genre's glory days, reminding us that familiarity can often be just what we need in cinema - when presented with sincerity and an endearing touch. While it doesn't offer revolutionary ideas or changed formulas on how rom-com should be done, "Upgraded" is still enjoyable enough to keep you engaged throughout its journey - one that many viewers will surely relish experiencing.

Damsel (2024)

Millie's performance as Elodie in 2024 "Damsel" is rather annoying and grating.

[4/10 · 9 March 2024]

Directed by Juan Carlos Fresnadillo, "Damsel," the 2024 fantasy adventure, is a movie that's difficult to pin down, both in terms of genre and quality. It's one of those films that, despite its ambitions and a sizable budget, seems to fail in execution, leaving audiences scratching their heads as to what exactly they've watched. Audiences are invited on a captivating journey filled with a talking dragon, regal families, and the sonic enchantment of Hans Zimmer. Yet, it leaves audiences to be in distress and unamazed rather than in awe and astonishment.

First of all, let's address the dragon in the room-literally. Yes, "Damsel" includes a dragon that speaks. Now, in the world of fantasy, dragons that talk aren't necessarily a deal-breaker. However, in this film, the decision feels as if the creators threw darts at a board of fantasy tropes while blindfolded. The dragon's dialogue does become more coherent as the plot progresses, but its initial introduction is jarring and unfortunately funny, leaving viewers to wonder if the film is intentionally leaning into absurdity or if it's a misstep. Moreover, the CGI used to bring this dragon to life is, sadly, not up to par. The CGI rendering in "Damsel" still grapples with occasional disparities, as certain scenes suffer from a noticeable lack of visual refinement. Despite the technological advancement right now, the portrayal of a talking dragon reminiscent of early video game graphics, remains an uninteresting choice. The creature's design is less 'majestic' and more of like a 'lackluster Komodo dragon'. It's unfortunate because the dragon is pivotal to the story, yet it lacks the visual appeal one expects from such a mythical creature.

Millie's performance as Elodie is annoying and grating. While she brings her face card to the role, her tendency to default to shouting is a choice that quickly wears thin. The overreliance on shouting to convey urgency or distress becomes annoying over time. That's not to say she doesn't have her moments, however, her portrayal could have been more effective. The movie feels heavy-handed and unnecessarily verbose. The dialogue succumbs to overexplaining the situation, undercutting the film's visual storytelling and downplaying the audience. Instead of allowing the audience to engage with the film's world, the dialogue spoon-feeds information, stripping away any sense of discovery or wonder. This tendency to over-explain is perhaps most obnoxious when Elodie spells out her observations, literally. In a particularly on-the-nose moment, she points out "crystals" and a "bird" to an extent that feels unnecessary. Even her uttering the letter "V" as she sees the name "Victoria" written on the stone is very unnecessary. It's as if the film doesn't trust its audience to understand the plot or the setting without a constant explanation. This choice not only disturbs the overall pacing but also negates the potential impact of the visuals and the performances.

The film's narrative is a patchwork of concepts that appear intriguing on paper but are poorly woven together on screen."Damsel" seems to struggle to find its identity, unable to find a consistent tone. Is it a children's movie? A dark fantasy for adults? It tries to be both and ends up serving neither well on both demographics. The darker elements feel out of place in a movie that also includes scenes clearly meant to be whimsical and lighthearted. This tonal disconnection results in a confusing experience. The strategy to be ambiguous, at times, results in a narrative that lacks a defined direction. The dialogue's shortcomings are a significant factor contributing to the film's crisis. It's a script that can't seem to decide whether it's aiming for the simplicity required for a young audience or the sophistication that might appeal to adults. The result is a mishmash that's unlikely to fully satisfy both audiences.

The musical score, crafted by the renowned Hans Zimmer, introduces a symphony that struggles to integrate with the film's overall ambiance and atmosphere. The composition occasionally borders on obtrusive, disrupting viewer immersion rather than enhancing it. It's a rare misstep for Zimmer, and one can't help but wonder what drew him to this project. Overall, the movie's threads come loose in nearly every aspect. The CGI fails to dazzle, the dragon's dialogue and design are distasteful, Millie's performance is marred by an over-reliance on shouting, and the narrative is a jumble of confusing elements. Even Hans Zimmer's score, which one would expect to be a redeeming feature, ends up feeling out of place.

Lastly, the ending of "Damsel" is as predictable as it is cliché. Without spoiling too much, the film's conclusion leans heavily into the 'Mighty One' trope, even cheekily nodding to the "Game of Thrones" series by making the main character "the mother of a dragon" or in this case, "sister of a dragon." It's an ending that could have used a twist or a more original resolution. Instead, it opts for a safe, familiar wrap-up that leaves no lasting impression. In conclusion, "Damsel" is an odd film that never quite finds its footing. It's a mishmash of ideas that could have been something special had they been executed with more care and cohesion. In the end, the movie is an uneven ride, occasionally entertaining but mostly perplexing. It's a fantasy film that's unfortunately more forgettable than fantastic.

Perfect Days (2023)

Perfect Days (2023): Unveiling the Beauty of Everyday Life.

[9/10 · 5 March 2024]

A unique cinematic experience, "Perfect Days" stays with you long after the last credits have rolled. It's essentially a slice-of-life movie that expertly conveys the essence of who we are and subtly encourages viewers to cherish the seemingly unremarkable moments that make up our everyday lives. It was a real and moving story that flowed so naturally on screen that had me totally engrossed. This is the kind of movie that kind of whispers to your soul, making you think twice about how you view life and how you live it. "Perfect Days" is more than just a film; it's a transcendent cinematic journey that leaves an indelible mark on the viewer's consciousness. Unlike conventional movies, it's a unique cinematic experience that extends far beyond the boundaries of the screen.

Wim Wenders is a master of minimalism when it comes to storytelling. He presents a realistic picture of life's intricacies with minimal conversation, which could have been a disadvantage. Instead, he lets the images and subtle moments speak for themselves, amplifying the movie's message through silence. The film develops naturally, reflecting the protagonist's everyday routine and calm life. The movie conveys its deep truths via the prism of this character's modest existence. In my opinion, the movie is nearly flawless because of its simplicity. The story makes its points subtly and effectively rather than shouting them from the rooftops, which amplifies their impact. He made excellent use of the magic that exists in the silence.

The performance of Koji Yakusho is simply amazing. Koji has always been one of the greatest performers of our generation, but he is sadly underappreciated. He has established himself as one of Japan's top actors with his roles in Cure (1997) and Under the Open Sky (2020). With "Perfect Days," he excelled; in less than ten lines of speech, he used genuine expression to give his character life. His performance is very touching, honest, and unvarnished. Given that his character rarely speaks, it is a credit to his skill that he is able to portray such a wide range of emotions and stories. His character's journey serves as a mirror for the viewer, causing them to consider the significance of seemingly insignificant things in life as well as their potentially profound effects.

The audience is carefully taken through the protagonist's life as the story progresses, revealing the facets of his past and the motivations for his profound appreciation for the commonplace, such as driving to work while listening to music, snapping pictures of the scenery, and just going about his daily business. It serves as a moving reminder of how quickly time passes and how important it is to treasure these small, everyday moments. I was moved by this insight and began to think back on all the times I had taken the small things for granted. The movie turns into a moving examination of mortality, inspiring us to consider how fleeting life is.

Though "Perfect Days" is calm and light-hearted, its heartfelt message has the ability to cut through the hearts of its viewers. The movie asks us to examine ourselves and consider how much of our own life we have ignored in the chase of things we think are important but are actually insignificant. The film's affection and carefree attitude heighten the impact of its emotional blows. It seamlessly invites us to laugh, cry, and ponder our own lives. The director's adept balance of sincerity and subtlety turns what could have been a melancholic reflection into a life-affirming experience.

After watching "Perfect Days," I was overwhelmed with emotion. Tears streamed down my face as I sat there, attempting to process the multitude of feelings the film stirred within me. It's a movie that doesn't just tell a story-it encourages you to live better, to appreciate more, and to love the life you have. As someone who has seen countless films, I can say that "Perfect Days" is a cinematic gem that deserves to be treasured and remembered. It's a reminder that sometimes the most profound insights come from the quietest voices, and it has forever changed the way I view the world around me.

Dune: Part Two (2024)

"Dune: Part Two" - A Cinematic Odyssey of Love, Revenge, and Cosmic Destiny"

[10/10 · 1 March 2024]

"Dune: Part Two" invites audiences into a mesmerizing narrative universe, mixing the stories of love, revenge, and fate of the main protagonist, Paul Atreides. The film emerged not just as a sequel but as an immersive cinematic experience, marrying the incredible visual and deep narrative. The opening scenes alone show the grandeur element of the movie where the vastness of the desert is captured in wide shots and breathtaking cinematography.

The combination of the talented Denis Villeneuve as the director and Greig Fraser as the cinematographer becomes apparent and results in a visual masterpiece. The imagery is not just a backdrop but a character in its own right, shaping the emotional landscape of the film. One standout scene unfolds when Paul Atreides, played by the exceptional Timotthe Chalamet, confronts the ruins of his ancestral home. That scene alone serves as a poignant visual metaphor for the shattered remains of the legacy that his family built for decades. Chalamet has proven himself to be an actor with depth and serious talent that transcends across the big screen. Chalamet masterfully navigates his character's journey from vulnerability to a determination to reclaim what was lost, setting the tone for the overarching themes of resilience and revenge.

The narration of religion becomes palpable in a pivotal scene where Paul grapples with prophetic visions. The sequence masterfully blends visual effects with Hans Zimmer's haunting and captivating score which creates an atmosphere that is fueled with mysticism. The film effectively balances organized religion with an exploration of mystical elements embedded in Frank Herbert's material. One of the film's most visually arresting moments occurs during a Fremen sandworm hunt. The usage of CGI effects is a testament to the film's commitment to pushing the boundaries of visual storytelling. As the movie progresses and the characters navigate through the desert terrain, each frame not only showcases the film's technical achievement but also propels the narrative forward, underscoring the symbiotic relationship between spectacle and powerful storytelling.

One of the highlights of the movie is Rebecca Ferguson's portrayal of Lady Jessica which contributes a layer of complexity to the story. In one particular scene where she imparts wisdom to Paul, Ferguson infuses the character with such maternal gravity that adds layers and depth to their relationship. Her nuanced performance coupled with the rich character development, anchor the film in emotional authenticity. Javier Bardem and Dave Bautista also deliver a memorable performance as Stilgar and Rabban, respectively. In a scene where Stilgar confronts Paul about his intentions with the Fremen, Bardem's commanding presence underscores the tension between the native inhabitants and the newcomers. Bautista's Rabban, a brutal enforcer, exudes menace, creating a palpable sense of threat that permeates the narrative.

Austin Butler, Florence Pugh, Josh Brolin, and Charlotte Rampling, contributed to the film's complex story. With their performances that are convincing and commanding, some scenes featuring their characters added layers to the story which resulted in a web of relationships that enriches the narrative.

The richness of the movie's theme extends to a sequence that explores the balance of romance and broader narrative. As Paul and Chani, played wonderfully by Zendaya, unfold and navigate through their relationship, explore the film's complexities of love amidst a backdrop of political intrigue and impending war. The romance, initially presented as the focal, seamlessly marries with the overarching themes of religion and fate.

The culmination of these narrative threads is evident in climactic battle scenes that pit Fremen against formidable adversaries. The scene choreography of the action sequences, accompanied by the film's impeccable visuals, results in a visceral and intense cinematic experience. The stakes are high, and the film successfully maintains tension without sacrificing its commitment to visual grandeur. The combination of visuals and storytelling is perhaps the most evident in a scene where Paul faces a moral dilemma. The interplay of light and shadow, coupled with Zimmer's evocative score, added the emotional weight of the moment. The film's ability to balance spectacle with substance underscores its place not only as a visual feast but also as a powerhouse in storytelling.

As the film progresses, the story embraces the philosophical underpinnings of Herbert's source material. In a scene where Paul contemplates his role as a potential messiah, the film delves into questions of destiny, free will, and the consequences of wielding immense power. This exploration adds intellectual depth to the narrative, inviting audiences to ponder the implications of Paul's journey. The film's final act also delivers a direct resolution that is both satisfying and open-ended. As Paul fights with the consequences of his choices, the movie leaves room for contemplation. In a scene where Paul confronts the complexities of leadership, Timothee Chalamet's performance captures the weight of his character's innate responsibility.

In conclusion, "Dune: Part Two" transcends the confines of traditional sequels, standing as a testament to the potential of cinema as an art form. The marriage of breathtaking visuals, masterful storytelling, and nuanced performances creates a cinematic experience that resonates on multiple levels. The film's exploration of love, revenge, religion, and destiny unfolds within a visual landscape that is as captivating as it is thought-provoking. Denis Villeneuve's magnum opus, "Dune: Part Two" sets a new standard for cinematic excellence, leaving an enduring legacy in the annals of film history.

Poor Things (2023)

"Poor Things" - A Triumph of the Bizarre and Beautiful.

[8/10 · 28 February 2024]

"'Poor Things' weaves an extraordinary tapestry of the macabre and the whimsical, with Emma Stone delivering a performance that is nothing short of astounding. As Bella Baxter, Stone wholly embodies the reborn character, demonstrating an astonishing range that spans from childlike innocence to a profound understanding of the complexities of human emotion.

Yorgos Lanthimos' direction is nothing short of masterful. Known for his distinctive style that merges the surreal with the satirical, Lanthimos outdoes himself in 'Poor Things.' His direction deftly balances elements of absurdity with societal commentary, never heavy-handed, but instead lacing the narrative with humor that both entertains and provokes thought. His clever manipulation of tone ensures that the film's messages resonate without undermining the film's entertainment value.

With stellar performances, visionary direction, and a narrative that is as entertaining as it is insightful, 'Poor Things' has secured its place in cinematic history as a wildly successful, beautifully bizarre masterpiece.

The Zone of Interest (2023)

"Zone of Interest" effectively captures the essence of Hannah Arendt's concept of the "Banality of Evil," creating an atmosphere that is both disturbing and thought-provoking.

[8/10 · 24 February 2024]

"Zone of Interest" undertakes a chilling examination of the Holocaust, using the lack of empathy as a key focus to construct a compelling horror story that explores the idea of the "Banality of Evil." Directed by Glazer, the film distinguishes itself through its unique narrative approach, pushing against stereotypical storytelling. The lack of empathy becomes the true antagonist, creating an atmosphere that is both disturbing and thought-provoking.

The movie cleverly portrays the lives of seemingly "ordinary" people, creating an illusion of eavesdropping on their existence while simultaneously highlighting the brutal and horrifying nature of their complicity in horrendous acts. This juxtaposition creates a discomforting tension that permeates the entire film.

Unlike other Holocaust films, "Zone of Interest" refrains from explicit exposition, relying instead on subtle elements like sound design and terrifying dialogues to convey the horror of the events. The decision to withhold explicit visuals adds to the film's effectiveness, allowing the audience's imagination to fill in the blanks and intensify the emotional impact.

A standout feature is the film's exceptional sound design, which masterfully balances heaviness with subtlety. The terrifying acts are conveyed through sound, heightening the impact without relying on graphic visuals. This careful use of audio elements contributes significantly to the overall atmosphere of horror.

The film's strength lies in its ability to evoke a sense of horror not through overt violence, but through the emotional detachment and indifference exhibited by its characters. It highlights the dangers of indifference and the repercussions of being an accomplice, providing a powerful and stirring reflection through film.

The movie's only drawback is that it may not appeal to everyone due to its slow and occasionally dragging execution. This approach might hinder some viewers from fully comprehending or understanding the film. However, it's understandable given this deliberate pacing. For those with a passion for storytelling, "Zone of Interest" has the potential to captivate and engage.

In conclusion, "Zone of Interest" serves as a stark reminder of the consequences of apathy and complicity, making it a thought-provoking and emotionally resonant cinematic experience.

Madame Web (2024)

Madame Web disappointingly descends into a chaotic jumble. The film traps its audience in a maze of underdeveloped plots and irritatingly foolish storytelling decisions.

[2/10 · 19 February 2024]

Madame Web, in its recent attempt to spin its intricate web onto the big screen, falls victim to a tangled mess of underdeveloped plots and perplexing storytelling decisions, leaving audiences ensnared in a chaotic narrative.

As the movie goes on, it falls apart, feeling like it wasn't well thought out, disorganized, and lacking a clear vision. The interesting idea it started with turns into a confusing mess, disappointing the audience.

Dakota Johnson does her best as Madame Web, bringing energy to the film, but the poorly written script undermines her efforts. The script's trashy and absurd decisions make it hard to enjoy the movie even with good performances.

Despite the hints at Spider-Man Easter eggs, the execution falls short, leaving viewers wanting more substance and connection. The performances overall are mediocre, not doing much to improve the disjointed nature of the film.

One big problem with the movie is the many choices that just don't make sense. These decisions add to the confusion and frustration, making viewers question the coherence of the story and characters. It's clear that Madame Web is more about making money than delivering a good movie experience. The studio is to blame for the film's issues, as its focus on financial success hampers the potential for a cohesive and engaging story.

In conclusion, Madame Web disappoints with weak plots, average performances, and a sense of confusion that ruins its potential. Dakota Johnson's energetic performance is a highlight, but it's not enough to save the film from its poorly executed and unsatisfying nature.

Argylle (2024)

The film's charm starts to unravel as it succumbs to the weight of its own convolutions and an indulgent runtime that overstays its welcome.

[4/10 · 18 February 2024]

Argylle is a new spy movie that tries to stand out by being fun and full of action from the start. Sadly, it gets too complicated and drags on longer than it should, which spoils the fun. The movie kicks off with a lot of excitement, showing us the main character, Argylle, who's cool and confident, getting through tricky situations and risky moves with ease. But as the story gets more complex, the movie begins to lose steam.

What starts as an enjoyable spy flick starts to feel like hard work as the plot gets too twisted and confusing. The humor and the cool action that we liked at first don't hit the same when the story gets more and more mixed up. Even the big action parts start to feel like too much, especially a car chase in the middle of the movie that just keeps going and going. It's these parts where the movie feels stuffed and could have used some cutting down to keep the excitement alive.

One of the biggest problems with Argylle is that it thinks viewers will be okay with a story that doesn't make much sense. The twists in the movie, instead of making it better, often seem fake and leave us wondering what's going on. Characters make decisions that defy logic, and the plot twists, which are presumably intended to shock and awe, instead evoke a sense of bewilderment at their sheer randomness.

On top of that, the movie tries to be funny, but sometimes the jokes don't match the dangerous situations the characters are in. This makes it hard to tell if the movie is trying to make fun of spy movies or if it's trying to be a serious spy movie itself. In the end, when the movie should be wrapping things up neatly, it just makes things more muddled. The big final battle, which should have been the best part, falls flat because the movie already went overboard with too many other scenes, leaving us more tired than excited.

To sum it up, Argylle could have been a cool new spy movie, but it's let down because it didn't cut out the unnecessary parts and didn't stay focused. It would have been much better if it was shorter and got to the point more. As it is, Argylle shows that sometimes, keeping things simple is the best way to go.

Anyone But You (2023)

"Anyone But You" is a throwback to the romantic comedies of yore, delivering on the expected fronts of romance and comedy.

[6/10 · 12 February 2024]

"Anyone But You" is a movie that should, on paper, hit all the right notes for rom-com enthusiasts, especially those who don't mind a dose of raunchiness with their romance. With slick direction from Will Gluck, who knows a thing or two about the genre, the film is a passably fizzy diversion that may not dazzle with its story but captivates with its charm.

The film is akin to a light and fluffy dessert of a romantic comedy, which could either be a delightful treat or an eye-rolling miss, heavily dependent on one's predisposition towards the genre. The most cynical viewers might dismiss it as a hackneyed offering, finding little to no substance beneath its glossy exterior. However, those approaching the movie with an open heart and an affinity for such love stories are likely to revel in its familiar warmth.

Will Gluck's direction infuses the story with certain predictability, but the film remains engaging thanks to the eye candy provided by both the good-looking leads and the picturesque locations. Sydney Sweeney and Glen Powell are magnetic in their roles, elevating the material they're given. However, their charismatic performances can only do so much to disguise the averageness of the script they were handed.

"Anyone But You" is a throwback to the romantic comedies of yore, delivering on the expected fronts of romance and comedy. Its strength lies in its ability to provide what fans desire from such films, even if the journey there is one we've all taken before. Despite its shortcomings, fans of the genre, including myself, can find a lot to appreciate in "Anyone But You." Still, the predictability and lackluster script are hard to ignore for anyone looking for innovation or depth in their cinematic experiences.

The film doesn't aspire to the heights of Shakespearean comedy, nor does it reach the cleverness of modern classics like "10 Things I Hate About You." It is comfortable in its skin, even if that skin is a patchwork of clichés we've seen stitched together many times before.

In a nutshell, "Anyone But You" is one of the most cliché, predictable rom-com of the year. It doesn't dare to step outside the box, but for those who find solace in the familiar beats of the genre, it serves as a comforting, if unadventurous, watch.

American Fiction (2023)

"American Fiction," a film that cleverly straddles the line between humor and heartache, delivers a biting satire on the Black experience in America.

[7/10 · 10 February 2024]

"American Fiction" delivers plenty of laughs while also providing a thoughtful look at the Black experience and the inner workings of a family that excels in many ways. The movie humorously probes the intense pressures Black artists endure as they strive for achievement and acknowledgment. It presents a dual-layered narrative, serving as both a pointed critique of society and an intimate examination of complex familial relationships.

At various points, the film provokes loud laughter through its clever writing and witty exchanges, offering scenes that keep the audience entertained. Take, for instance, a dinner scene where what starts as a family gathering quickly turns into a reveal of every family issue, blending humor with insight into the movie's underlying messages.

However, there are moments in "American Fiction" where the plot takes unexpected turns, leaving viewers puzzled about the direction of the story. The film slowly builds up to its central satirical message but then seems to soften, with the story meandering and the satire losing some of its initial edge.

Jeffrey Wright shines as Monk, balancing humor with an emotional portrayal of a man torn between his professional goals and his family responsibilities. It's a standout, empathetic performance. Sterling K. Brown does well too, but his role lacks the complexity that could have made it stand out, which makes his Oscar nomination feel somewhat unearned, especially when considering what Charles Melton might have brought to the table in his own role in "May-December."

A major satirical point in the movie is its critique of how Black lives are portrayed in the media. Monk's ongoing internal conflict, trying to match his own intricate life with the oversimplified and clichéd versions seen in popular culture, is emphasized throughout the film. The satire is particularly clear when Monk fails to recognize the similarities between his life and the flat depictions he decries on screen. A key scene that illustrates this is when Monk watches an over-the-top portrayal on TV and mourns the lack of genuine representation, which he believes diminishes the fullness of the Black experience.

While "American Fiction" has justly received a Best Picture nomination for its creativity and scope, it seems unlikely to eclipse the other nominees. The film makes its point, but it does so softly, rather than with the impact it might have had. In the end, "American Fiction" is a movie that entertains, provokes thought, and may leave you wishing it had kept up the energy with which it started. It's a film with memorable highlights and an important message, even if it's not expected to lead this year's award season.

All of Us Strangers (2023)

In the realm of cinematic storytelling, few films manage to capture the poignancy of the human experience as deftly as "All of Us Strangers."

[8/10 · 26 January 2024]

The 2023 film "All of Us Strangers" delivers a compelling emotional experience to its audience. With a narrative that intricately examines the nuances of grief and love, the movie employs a distinctive fusion of fantasy elements while maintaining a core connection to authentic human feelings. Diverging from traditional supernatural narratives, this film presents a poignant story that deftly interlaces themes of love and loss at the same time.

The beginning was slow and I wasn't sure where it was all going, but after a while, as we got to know the characters better, the movie started to make more sense and got more interesting and emotional. Sometimes the movie felt a little silly or over-the-top. But the most honest and real parts of it really helped the story move along, even when some bits didn't seem that believable. While certain moments may veer towards sentimentality, they are few and easily forgiven, overshadowed by the film's many strengths.

Director Andrew Haigh deserves particular commendation for his exemplary guidance of the film. His direction immerses viewers in a visceral emotional experience that promises to challenge even the most stoic individuals. With a limited ensemble of four principal characters, the film manages to evoke a powerful emotional response that is nothing short of extraordinary.

The performance delivered by Andrew Scott stands out as exceptionally noteworthy. His portrayal is imbued with a level of subtlety and complexity that brilliantly captures an array of human experiences, including grief, isolation, trepidation, and most poignantly, love. His representation in this film could well be considered a tour de force of acting prowess.

Prospective viewers should be advised that "All of Us Strangers" is not a film that offers light-hearted entertainment. Its narrative is steeped in deep sorrow, yet director Andrew Haigh skillfully weaves a thread of optimism into the overarching sense of melancholy. The film has the capacity to deeply resonate with audiences, leaving an indelible mark on the viewer's psyche.

In conclusion, "All of Us Strangers" is a significant addition to the landscape of contemporary cinema. It is a film that does not shy away from the complexities of the human heart but instead embraces them, crafting a viewing experience that is as thought-provoking as it is moving.

Society of the Snow (2023)

The straightforwardness of "Society of the Snow" is what makes it shine among the other releases of the month.

[7/10 · 13 January 2024]

"Society of the Snow" is an emotionally charged film that combines technical prowess with a poignant narrative. The message of the movie is simple yet impactful, and it's delivered without losing its power amid the dramatic retelling.

One of the most intense parts of the movie is the crash scene. It's made so real and scary that it might make some people think twice about getting on a plane. This scene, with its heart-stopping tension and chilling visuals, sets the tone for the rest of the film, as it confronts the audience with the fragility of life. The casting of Spanish actors adds a layer of authenticity to the film, and their performances bring the characters to life. The actors do a great job of making us feel the intense emotions and struggles that the real people must have gone through.

Despite the well-known nature of the story, "Society of the Snow" approaches its retelling with an elegant simplicity. It doesn't try to be overly clever or ostentatious, which is a breath of fresh air, especially when compared to other January releases that often feel like they're just filling space in the movie calendar. The film avoids sensationalism, focusing instead on the stark reality of its characters' plight. The movie doesn't shy away from the darker parts of the story, including cannibalism.

One of the most challenging aspects of the story is its depiction of cannibalism. The film handles this delicate subject matter with grace, presenting it as a grim necessity rather than a gratuitous shock factor. In an evocative scene, the survivors huddled together against the merciless cold, make the harrowing decision to do the unthinkable. The characters' anguish is palpable as they weigh their hunger against their humanity. The director presents this moment with such empathy that the audience can't help but feel an understanding of the characters' desperate choices.

However, the film is not without its shortcomings. After the initial shock and emotional engagement, the pacing slows, and the narrative starts to feel drawn out. At 145 minutes, some parts drag on and lose the tight grip on the audience's attention that it had in the beginning. Because of this, what could have been a gripping tale throughout starts to feel predictable and ordinary.

Additionally, while the film aspires to be emotionally stirring throughout, some of the scenes intended to evoke deep feelings fall flat. Whether due to the sheer length of the movie or the repetition of certain emotional beats, these moments don't always deliver the intended impact.

In conclusion, "Society of the Snow" is a film that tells a difficult story with dignity and technical excellence. Its straightforward storytelling and potent themes resonate strongly, even if the film's length and pacing issues prevent it from being as consistently engaging as it could be. It's a movie that's worth watching for its performances and the respectful way it handles its subject matter, but it might leave some feeling like it overstays its welcome.

Maestro (2023)

Despite the stellar acting and the impeccable attention to detail in set and costume design, there's an underlying sense of wanting more from the story itself.

[7/10 · 11 January 2024]

"Maestro," directed by and starring Bradley Cooper, is a film that offers a look into the complex symphony that is the life and legacy of a musical genius, Leonard Bernstein. While the film presents itself as a grandiose tribute to talent and ambition, it is, at times, discordant in its execution.

Right from the start, it's clear that Cooper is deeply invested in the character he portrays. He delivers a performance that is both intense and nuanced, effectively portraying a character who is equally motivated by his deep affection for music and the struggles he wrestles with his demons. The movie kicks off with energy and enthusiasm, presenting the main character, the maestro, in his zone, energetically leading the orchestra in a way that lays the groundwork for a deep dive into the nature of his brilliance.

The visual storytelling in "Maestro" stands out remarkably. The transition from black and white to color is not just a visual spectacle but a narrative device, reflecting the protagonist's journey through periods of his life. The lush textures and dynamic lighting keep viewers engaged, even when the narrative hits occasional sour notes.

However, as the film moves forward, you can really see how much hard work went into making it. Cooper's direction grabs your attention, and you can tell he's not just trying to tell a story, but also working hard to make something truly great. The second part of the movie is where all his hard work really starts to show. The story comes together better and makes a stronger impression than the first part, which doesn't quite fit together as well.

Carey Mulligan's performance is a standout, bringing depth and humanity to every scene she graces. In a particularly memorable moment, her character confronts the maestro about the sacrifices she's made for his career, her raw emotion filling the room, leaving both the maestro and the audience captivated and breathless.

While Cooper's evolution as a director since "A Star Is Born" is clear, there's a lingering feeling that with "Maestro," he's chasing accolades as much as artistry. The raw authenticity that marked his directorial debut is sometimes overshadowed by a perceived desire to impress. The writing, while competent, lacks the depth and originality needed to elevate the film beyond the typical biopic formula.

As the credits roll, the sense of familiarity is inescapable. "Maestro" fits snugly into the mold of countless biopics before it, struggling to distinguish itself in a genre laden with similar tales of flawed brilliance. The film is decent, and its Oscar ambitions are evident, but it ultimately doesn't offer much beyond a well-trodden path of biographical storytelling.

In the end, "Maestro" is a movie that's filled with skill and hard work, but it's like a music piece that doesn't quite end properly-it leaves you wishing for a complete and satisfying finish that you don't really get. It is as if the narrative, much like a minimalist composition, leaves too much unsaid, too much unexplored, resulting in a feeling of barrenness.

Anatomy of a Fall (2023)

A courtroom drama that goes deeper as it went farther.

[8/10 · 4 January 2024]

"Anatomy of a Fall" is a brilliantly put-together film that smartly intertwines the meticulousness of a legal drama with the emotional complexities of family life. This isn't your typical courtroom thriller; it's a thoughtful and intimate look at the unraveling of a marriage under the spotlight of a legal battle. The tension in the film is palpable, particularly during the courtroom scenes where the dialogue is razor-sharp, cutting into the heart of the marital discord between the protagonists.

Throughout the film, viewers are presented with a complex puzzle. Rather than feeding the audience every answer, "Anatomy of a Fall" excels in its embrace of ambiguity. This approach is refreshing and thought-provoking, as it invites the audience to grapple with the same uncertainties and lack of closure that the characters face. The movie hooks you in with courtroom exchanges that are as intense as they are revealing. As the legal proceedings unfold, the dialogue chips away at the polished exterior of marriage to reveal the hidden cracks-resentment, unspoken pain, jealousy, and the burdens of comparison.

Sandra Hüller delivers a tour-de-force performance, with a portrayal that is both commanding and nuanced. Her ability to transition from a façade of strength to a state of emotional fracture is nothing short of remarkable, solidifying her status as a formidable talent and a potential Oscar contender. One standout scene that encapsulates this nuanced storytelling occurs when Sandra's character, in a moment of vulnerability, reflects on the concept of time and its impact on her marriage. The discussion seems casual at first but later reveals a profound scar in their relationship. It's a slow burn that rewards viewers with profound insights into the couple's relationship.

In dissecting the institution of marriage, the film is unflinching and insightful. It doesn't shy away from the uncomfortable truths or the complexities inherent in the compromises of married life. Instead, it dives deep, presenting these realities in a manner that resonates with an adult audience who can appreciate the emotional gravity of what's at stake. The cinematography in "Anatomy of a Fall" is cleverly deceptive. It presents itself as a neutral observer, offering what seems to be an objective point of view. However, visual storytelling is deeply subjective, drawing the audience into an emotional journey that is both personal and universal.

"Anatomy of a Fall" is a triumph of cinema, where every narrative beat, technical flourish, and creative decision coalesce into a seamless whole. It is a movie that not only entertains but also challenges its audience, leaving a lasting impression long after the credits roll.

The Holdovers (2023)

The Holdovers will join on my Christmas Film list together with Requiem for a Dream

[8/10 · 27 December 2023]

"The Holdovers" is a movie that makes you think and laugh, and feels like it's from an older, simpler time. It's full of great conversations and has an old-school style that pulls you in. The movie is good at giving you scenes that make you feel warm inside, make you laugh out loud, and even make you feel a bit emotional. Instead of using big, shocking moments in the story to keep things interesting, the movie focuses on showing us more about the characters' lives and how they change and learn from each other.

In a particularly poignant moment, we find the curmudgeonly yet endearing Paul (played by Paul Giamatti) in a late-night conversation with his counterpart, the effervescent and wise Mary (portrayed by Da'Vine Joy Randolph). As they decorate a forgotten corner of the school with Christmas ornaments, they exchange stories of past Christmases-Mary's filled with warmth and family, Paul's tinged with melancholic solitude. The scene is a delicate dance of humor and sorrow, as their laughter over shared jokes gives way to a silence that speaks volumes of their inner loneliness.

Alexander Payne's direction shines in "The Holdovers," a film that deftly balances the whimsical nature of a Christmas fable with the raw, coming-of-age storylines that unravel in increasingly strange, emotional, and profound ways. The movie doesn't shy away from the melancholy that often accompanies the holiday season, serving it up alongside a generous helping of dramatic comedy that captivates with its authentic reproduction of the 1970s.

Paul Giamatti delivers what could be considered his finest performance yet. He embodies his character with such nuance and understanding that it's impossible not to be drawn into the emotional depth of his journey. Equally impressive is Da'Vine Joy Randolph, whose portrayal of Mary is as captivating as Giamatti's, delivering a performance that stands toe-to-toe with her co-stars.

Despite its strengths, "The Holdovers" occasionally succumbs to the pitfalls of hallmark Christmas tropes, with certain scenes feeling overextended and character development sometimes crossing into the realm of the overwhelming. These moments can feel dragging, pulling the film into stretches that seem unnecessarily long and threaten to dilute the otherwise rich characterization.

Nevertheless, "The Holdovers" is a cinematic gift to those yearning for a dose of nostalgia. It has the power to pluck at the heartstrings, perfect for the holiday season. The script, penned by David Hemingson, offers up twists that inject a subtle edge while preserving the film's overarching warmth. The characters' journeys may start with seemingly predictable circumstances, but as the story unfolds, we are treated to unexpected developments that reveal the true complexity of these 'holdovers' from another era, each finding their own way through the Christmas season and life itself.

Saltburn (2023)

"Saltburn" is undeniably one of the most original films to grace the silver screen in years. The movie's aesthetics create an ambiance that's both alluring and unsettling.

[8/10 · 25 December 2023]

"Saltburn" (2023) is a captivating story that skillfully combines themes of wealth and longing. It reminds you of famous movies such as "The Talented Mr. Ripley" and "Call Me By Your Name" because of its mysterious charm and emotional depth. However, "Saltburn" stands apart by injecting a more grotesque and intriguing flavor to its narrative.

Visually, the film is an absolute feast for the eyes. Each scene is carefully put together, using colors that show both the luxury and the hidden rot of the rich world the characters live in. There's a special moment where the main character, played beautifully by Rosamund Pike, looks out at the rough sea. This scene is like a symbol for the secret chaos that's under her calm and controlled appearance.

Speaking of Pike, her performance is indeed noteworthy, capturing the essence of a woman who is both predator and prey in her social circle. Let's not overlook the phenomenon that is Jacob Elordi. His performance cements the idea that his mere presence on screen is enough to drive someone to the brink of madness. The film capitalizes on his appeal, using his character as both a catalyst for chaos and an object of the audience's fascination. However, it's Barry Keoghan who steals the show. His portrayal of the outsider is chillingly effective; there's a scene where he simply watches the other guests from across the room, and without a word, you sense his sinister intentions. Keoghan's mastery of duality-appearing both innocent and menacing-is a high point of the film.

The portrayal of the wealthy elite is as amusing as it is critical-a group of careless, affluent individuals whose ignorance and self-absorption provide darkly comedic moments. Their world is one of extravagance and folly, and watching their downfalls is a guilty pleasure that "Saltburn" indulges with glee. The film is not designed to cater to all tastes as it embraces a level of absurdity and grotesque that is bold and unapologetic.

The sexual tension is palpable, woven into scenes that some may find uncomfortable, yet for others, it's precisely these absurd and offensive scenes that make the film unforgettable. Yes, I am talking about the bathtub and the graveyard scenes.

In its essence, "Saltburn" might seem like an unpredictable journey, but as the credits roll, there's a sense of familiarity that settles in. It's a tale we've seen before-the allure of the elite, the outsider wanting in, the consequences of unchecked desire-but told in a way that feels entirely fresh.

In conclusion, "Saltburn" is a cinematic gem that balances beauty with horror, seduction with repulsion, and satire with sincerity. It's a richly layered film that will linger with you, long after the haunting melody of the final scene fades away.

Leave the World Behind (2023)

I guess no one told them that life was gonna be this way.

[4/10 · 18 December 2023]

"Leave The World Behind" (2023) might have been one of the year's most anticipated films, especially with a name like Obama attached to its production, but the film fails to deliver on multiple fronts. It's another dystopian end-of-the-world tale, but it feels half-baked, leaving audiences in the dark about what's truly happening and why.

The movie attempts to follow in the footsteps of its apocalyptic predecessors but falls short of the mark. The disappointment is visible, considering the buzz surrounding it-buzz that might have set expectations unreasonably high for a film that ultimately settles into mediocrity with a rather pedestrian storytelling.

From the start, there are glimmers of potential. The film begins with tension and an air of mystery, but it quickly loses its way. The storytelling feels sacrificed; camera work is shaky and the script makes poor use of the material at hand. For example, there's a scene where the characters are awkwardly introduced to a sense of looming disaster, but the dialogue is so contrived that it pulls you right out of the experience.

The cast, brimming with talent, ends up wandering through a maze of underdeveloped plot points and unbelievable character arcs. Instead of a gripping tale of survival and human nature, we're given a series of unlikeable characters spouting dialogue that ranges from pretentiously pseudo-intellectual to bafflingly simplistic. Take, for instance, a scene where Ethan Hawke's character jumps from discussing Mesoamerican mythology to lamenting his own uselessness-two statements that feel disconnected from each other and from the character himself.

As the movie progresses, it becomes clear that it's neither the sharp societal critique nor the profound commentary on human behavior that it tries to be. It mirrors the sense of calamity and chaos we know from the world around us, and yet, it manages to dilute these themes, watering them down to a point where any potential impact is lost. Even the hints of M. Night Shyamalan's influence do little to save the film; it's a hit-or-miss affair that, sadly, ends up being a miss.

"Leave The World Behind" might disguise as a smart, critical take on societal collapse, but in truth, it's a dumb film. The ending, in particular, is a source of frustration. It's abrupt and unsatisfying, leaving viewers with more questions than answers-a move that might work for some stories, but here it feels like a cop-out. It's as if the filmmakers decided to end on a note of ambiguity not to provoke thought but to hide the absence of a coherent conclusion. Well, it's what Director Sam Esmail is known for.

In the end, despite the talent involved and the relevance of its themes, "Leave The World Behind" is a film that leaves us feeling empty, as though we've been running in circles. It's a stark reminder that not all movies with high-profile backing and a capable cast can hit the mark, and sometimes, the result is just an incoherent and unrealized potential. I guess no one told them that life was gonna be this way--cue FRIENDS theme song. (ifykyk)