ndrejaj1969 Reviews

Rooftops (1989)

Gets slightly better with time.

[5/10 · 11 March 2003]

I saw this in the theater when it opened in the spring of '89 because it received a fair deal of publicity at the time. The dance show CLUB MTV even did an hour special featuring the cast and dancers/capoierists with accompanying film clips and videos. I was intrigued, especially when I heard the great Robert Wise was at the helm. It was touted as an aware, updated version of West Side Story against the back-drop of the crack-ravaged streets of Lower Manhattan. In spite of an engageing cast, slick production (co-produced by Taylor Hackford and Howard Koch, photographed by Theo van de Sande, designed by Jeannine Oppewall, and scored by Michael Kamen and Dave Stewart) it turned out to be a poorly-scripted update of the rock and roll B-fliks of the 1950s featuring Alan Freed. Needless to say, it died a quick death at the box office. Well, time heals old (cinematic) wounds. Just like the old Freed films Rooftops can be seen as a something of a curio rooted in its time. Its got everythin a nostalgia freak wants: period music, fashions and slang. It is also a glimpse into the world of pre-gentrification Manhattan, a place/time as exhilirating as it was dangerous. Check out the exciting title sequence/foot chase set to Etta James'"Avenue D." Worth a viewing.

L.A. Takedown (1989 TV Movie)

In some ways superior to "Heat"

[7/10 · 11 March 2003]

I finally got a hold of a copy of this (deliberately?) forgotten made-for-TV film. A busted NBC pilot, it was remade by Michael Mann six years later with major studio backing and high-calibre star support. Gotta give Mann some credit,few filmmakers would have the gall to bother with such an effort. "Heat" is a scene-for-scene, frame-by-frame remake, so watching this was a lot of fun. LAT is sort of a scrappier kid brother version to the elegant, but soulless remake. Its far more frenzied/hyper. It has the look and feel of a William Friedkin film. (Mann has got the carreer Freidkin deserves) And it oozes with late 80s styles and fashion. The performances are fine, especially the two leads. At least they're more naturalistic and less self conscious than the DeNiro/Pacino team. Action wise, LAT holds out well to its bloated remake, including the bank shootout. This film even shows a little more concern for the "collateral damage" (i.e cops and civilians) than '95 version. Not a masterpiece, but a very good action flik with heart and moxie.

The Bedroom Window (1987)

Well Worth a Look

[7/10 · 3 March 2002]

Directed by future phenom Curtis (L.A. Confidential, Wonder Boys) Hanson, THE BEDROOM WINDOW is an elegant Hitchcock homage, and an example of good 1980s moviemaking. Its got a certain vibe, thanks to terrific cinematography by the great Gilbert Taylor, production design by Ron Foreman, and expert direction by Hanson. REAR WINDOW it ain't, but this jazzy film is still worth a look. Lighten up folks!

Shatter (1974)

Monte Hellman's "Lost" Flick.

[6/10 · 3 March 2002]

Long unavailable on home vid, this was just one of the many projects that cult maestro Monte Hellman ghost-directed. So when the good folks at Roan decided to release this on LD, I jumped at the chance to get a copy. At forty bucks, it was worth it. But I had to order off the Dollar Menu for the rest of the week.

It was a long-held belief that Hellman only directed a small portion of the film before being sacked and replaced by producer Michael Carreras. But in the running commentary, Hellman, upon seeing the movie for the very first time, was surprised to see that at least 80% of the final cut is his.

Though no "Background to Danger," this is a very passable B-adventure, with Whitman a fine hero/foil. Whitman's Shatter is another in the long line of Hellman loner-man-on-the-outside-looking-in protagonists. The film also bears striking similarities with the long forgotten "Karate-the Hand of Death" (1961)about an American Karate expert returning to Japan after the war and runs afoul of some mob types. "Shatter" is a decent way to spend an hour and a half on a rainy afternoon, and a find for Monte Hellman completeists.

Busting (1974)

Damn Good 70s Cop Flick!

[8/10 · 3 March 2002]

I caught part of this 1973 flick one late night on TNT. I was intrigued because it was supposed to be Peter Hyams' first theatrical effort. So I went out and bought a copy on VHS. At first this film may not seem much. Just an updated version of the old police procedurals from the 1940s and 50s. But after a couple more viewings I was hooked. There's a certain indescribable quality to it (see Walter Hill's "The Driver" and you'll know what I mean). A hang-dog, left coast version of the French Connection. Very laid back, but deadly serious. The viewer feels the same frustrations the Gould-Blake teams feels in the up-hill struggle to rid their beat of society's scum. The duo risks life, limb, and personal and professional humiliation trying to nail the vile crime boss and galvanize indifferent peers and supervisors. Brisk dialogue, thoughtful direction, excellent photography by Earl Rath, sleazy LA locales and a fine cast make this forgotten film a winner. Give it a try!

Cops and Robbers (1973)

A Real Find

[9/10 · 3 March 2002]

A gem of a caper movie, based on Donald (HOT ROCK)Westlake's novel. I discovered this film in the bargain bin of some video outlet near Ft. Bragg, NC. I was a little homesick at the time, not having had leave for nearly a year, and I thought I could alleviate some of the pain by kicking back with a few beers and watching a NY-set Seventies flick. Boy, what a find. This is a real sleeper, with easy-going charm provided by the two leads (Gorman and Bologna), suspense, droll wit, and a fine performance by J. P. Ryan as the treacherous mob fence. The film perfectly captures the mood of NYC in the early Seventies, seen through the eyes of its ethnic, blue-collar inhabitants. Catchy title tune by Michel Legrand, gorgeous location photography by David L. Quaid, cameos by Joe Spinell, Frankie Gio, and Frank Adonis. A completely satisfying conclusion. This film will leave you with a smile on your face long after viewing.

Ace High (1968)

Delightful Romp

[6/10 · 3 March 2002]

A Leone pasta western without the pretentiousness. Easy going romp of crosses, double crosses, and triple crosses. Wallach is just fine and dandy reprising his Tuco role from GOOD, THE BAD... this time playing an ethnic Greek-Mexican bandit with a Yiddish accent (oy vey) manipulating ol' buddies Hill & Spencer into a scheme to get back at the people who left him out to dry years back. Along the way they pick up acrobat (!) Brock Peters who becomes crucial to their plan. Kevin McCarthy is the target of their wrath. The film concludes with a satisfying round-up. Colizzi directs with a sure hand, even allowing New York method actor Wallach to kvetch for several minutes at a time. No wonder he returned to Italy and Spain from time to time to make these films. No where else would a director allow his star to chew the scenery in such a way. The comedy is not broad or overpowering as most films in this sub-genre tend to be. The characters are uncharacteristically likeable, thanks to the cast. Great scene: revelutionaries mete out rough justice to a town's leaders. Later, our trio, with the help of some greedy peasants retake the town and mete out the same justice to the revolutionaries!!! I've never seen that done in a Euro-western.

Journey to the Far Side of the Sun (1969)

fun, Fun, FUN!!!

[9/10 · 3 March 2002]

I have fond memories of watching this visually dazzling film as a child in the late 70s/early 80s on wor-tv (now upn-9) in NY. Though a product of the swinging 60s, this film has hardly aged. The effects are just as wonderous as 2001, and in some ways superior (the model work is flawless). With an attractive cast, great color photography and set design, and an evocative score, JTTFSOTS is a winner!