pranav_parekh2000 Reviews

Jaane Tu... Ya Jaane Na (2008)

Jaane Tu Ya Jaane Na....... Reinvigorating Bollywood.

[8/10 · 5 July 2008]

You just need two words to describe the flick. Truly Amazing! It's a movie which has already carved its own niche on the first day of its release as a very low budget movie getting an opening the superstars can also dream of. This is the advent of the new age bollywood where superstars don't matter. What matters is performance.

The performance is surely above the par in all sections of this project. The highlights of the movie are script and music. The fundamental story is not new to the bollywood cinema-goer but the treatment is truly unique. The urban, youthful and honest adaptation reinstate your faith in Hindi cinema. It is the perfect combination of friendship, love, and comedy bollywood has long forgotten. Abbas Tyrewala must be applauded.

A R Rehman continues to prove himself. The music has a simplistic honesty to every tune and suits perfectly. "Kabhi kabhi Aditi..." and "Pappu can't dance.." will be remembered.

Every actor/actress is appropriately cast in their role and is fantastic. Imran Khan in the role of Jai Singh Rathore is believable and does complete justice to the role. Genelia D'Souza is fresh, beautiful and natural in every frame. Both the lead actors have surely secured a place in the industry. Naseeruddin Shah in a cameo is excellent and takes the movie to a different level. Ratna Pathak Shah should surely replace the bollywood mother. Everybody else has given an up to the mark performance.

Amir Khan is setting a new benchmark in bollywood. This is maybe the best movie to come out after Dil Chahta Hai in last seven years in that genre.

Agneepath (1990)

Epitome of performance and style in genre of gangster movies.

[8/10 · 26 April 2008]

Epitome of performance and style in genre of gangster movies. It is without any doubt one of the best gangster movies ever made in any language. It would not be a overstatement to rate this flick better that Scarface starring Al Pacino. This movie came at the pinnacle of the golden era of gangster movies in India overshadowing all others. It does not have the sophistication of The Godfather or Sarkar or the realistic portrayal of City of God or Satya but it has the power- the power of enunciated emotions never portrayed before in such a cumulative fashion; and this distinction is an intelligent deliberated achievement and not not just a mere coincidence.

Any discussion about the technicalities of the movie will have to start with a special mention of Amitabh Bachchan's performance. The historic portrayal of that powerful scorn, the trademark word "hain" with the hand-action, the style and the posture of sitting on a chair and all other countless gestures combined with powerful and then-realistic acting won him the much deserved National Award for Best Actor. Danny did well with that stoic face. Mithun gave the need-of-that-time over-the-top performance and made it believable. Rohini was good portraying measured grief and strength of the bollywood-mother. Neelam did not have to do much apart from giving some turns to the story.

Cinematography and screenplay set a new milestone then. The scenes with a crowd of thousands in slums was not a common sight in Bollywood then. The script is great, editing is outstandingly amazing and foolproof for that time. Production set new standards. Direction is great. Background score is of international level. Songs are average and redundant.

All in all, it's a quintessential bollywood movie with hero and villain, old mother and a sister, powerful gangster and a cheesy climax. The remarkable thing is- It is still a great entertainment after all these years and a major change in story-lines.