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Edut (2011)
"There is no linear narrative to this story, but an emotional one" - Shlomi Elkabetz on Testimony.
Trespassing the boundary between documentary and fiction, the author invites people to experience Palestine- Israel conflict from a new angle. The film is delivering a series of testimonies given by Israeli soldiers and Palestinian civilians, acted out and thus animated by actors. Israeli actors, placed against empty and desaturated but still beautiful landscapes, give voice to the testimonies of both conflicting sides, speaking directly to the camera about horrors and atrocities that took place on these lands and became a daily reality, a routine for those people. It is very difficult to categorize this film – as was pointed out before it is neither fiction, nor documentary, nor does it have any generic characteristics or traditional narrative structure, as well as there is hardly anything cinematic about it. Testimony can be regarded as a trip down collective memory lane of victims and oppressors, sharing one experience and in a way united by it. All testimonies are in Hebrew which particularly gives a new perspective on Palestinian experience of the conflict. The author claims that this choice was dictated by intention to oblige Israelis "to listen again" to the stories that they think they heard enough. The sequence featuring an Arab-Israeli singer performing a song in Arabic concludes the film and contrasts the rest of it. Every line of the lyrics is closed with "to you", as if the singer addresses the spectator directly, inviting him to involve with every testimony witnessed. Testimony is not a political statement. Author does not accuse or support any side, nor does he try to balance them. Testimony is not an analysis of the conflict, it is an impression, a subjective point of view, director's poetic perspective on a world-known facts.
Would You Have Sex with an Arab? (2011)
Would you have sex with an Arab?
There are a number of films about Palestine-Israel conflict that were presented in the program of Venice Film Festival '68, but Yolande Zauberman's Would You Have Sex with an Arab? brings the issue to the new heights. Similar on the edge of parody to Shlomi Elkabetz's film Testimony, presented in the Venice Days selection of the festival, Would You Have Sex with an Arab? (Orizzonti) is also a series of informal "testimonies" that push the boundaries of our traditional perception of the conflict. The film is a controversial vox pop carried out in several cities of Israel: a brilliant orchestration of interviews with people who all answer the same question posed by the author - "Would you have sex with an Arab?" The simple and straightforward question confuses, offends, lays bare their prejudices, makes them reflect upon and reconsider things that they always believed to be taboo. It uncovers their hanker for the forbidden fruit, provokes daring confessions about their sexual experiences and reveals a certain degree of open-mindness in modern Israeli society. The author made sexual identity of the interviewees confront their national identity, thus helping many of them to make a first step towards freeing themselves from the sexual repression of nationalist nature. The film makes sex a political issue, at some points almost bringing back the end of the 1960s and presenting sex as a way to reconcile and achieve peace. Zauberman chose to interview people during night time as if implying that anything becomes possible under cover of night, even peace between Palestine and Israel, however the film is not a statement of the author's belief in bright future. The question still remains open as the film's title appears on the screen in large font in the end, as if the addressed by the author to the public, who have not managed to evade the controversial question and are also invited to answer it. So, would you have sex with an Arab?