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Succession (2018–2023)
8/10
One of the most consistent shows in recent years
30 July 2023
Warning: Spoilers
I started my TV month two weeks ago, and once again realised that I'm not a huge fan of the format and would prefer to get through it as fast as possible. This is one of two reasons why I pushed through in the last two days and basically watched the entire final season of Succession in the last 24 hours, the other being that it's a truly compelling show, a show that won't go down as one of my all-time favourites but was still very much worth the time, since it's one of the most consistently strong shows I've seen in a while, with excellent writing and incredible performances, especially by Matthew Macfadyen and Jeremy Strong.

One thing I didn't know before I started was that this was basically comedy, and it's often hilarious and quotable, balancing tones extraordinarily well. The satirical elements with stabs at conservative media (the newsroom scenes in the final season), hypocritical corporate virtue signaling (Kendall in season 3), or luxury and privilege leading to detachment from reality (Connor). With a cast of predominantly objectionable characters, Succession manages to balance depicting them in a way that makes you look forward to seeing it all burn, and exploring the underlying tragedies of despicable yet broken characters like Roman.

I don't get how people can be Team Kendall or Team Shiv (or worse, Team Roman), they're all repulsive, whether it's due to Ken's narcissism or Shiv's entitlement or Roman basically being a fascist, the show lets you watch from a distance while still exposing relatable or nearly likable streaks in characters like Tom, who keeps trying to hide his insecurity and unhappiness, or even Connor, who, while pretty much the most pathetic character in the show, is still mostly trying to cling to the little bit of warmth and love he can receive.

Matthew Macfadyen steals the show, playing against type and nailing it perfectly. Sarah Snook and Jeremy Strong are basically just as good, and Kieran Culkin manages to transcend his role that he's clearly being typecast in, especially in the last three episodes. Very happy to see guest appearances by the likes of Adrien Brody or Holly Hunter.

I have a few criticisms, and one of them is pretty big and, to me, a massive flaw in the writing here. It seems like the writers set up storylines earlier in the show, only to drop them later on, leaving us with empty moments of obvious foreshadowing that lead nowhere. The biggest issue here, SPOILER, is that Marcia's arc feels so inconsequential, but there are a few instances of that, another being Vaulter. Season 3 is where the show started to meander a little bit, almost losing focus and becoming repetitive, but fortunately, a strong finale and excellent final season brought it back on track. Overall, this is an excellent show, highly recommended to any fan of dialogue heavy family (and political) drama.

Favourite episode: Which Side Are You On?

Favourite season: 4 Favourite character: Tom Wambsgans.
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True Detective: Omega Station (2015)
Season 2, Episode 8
9/10
A good season. 7/10
22 July 2021
Always just considered the weaker True Detective season, but there's still a lot to talk about, positive and negative. First of all, I absolutely enjoyed watching it and I loved some things about it, some that stayed consistently great throughout the season. One is atmosphere, it never quite goes into the depths of season 1 in that regard, but I still enjoyed the noir-ish vibes from this season. The other is the visuals, which I loved as much here as I did in the first season. California makes for a great setting with sterile urban images in contrast to rural Louisiana. The characters are quite interesting on paper, Colin Farrell's messed up Ray Velcoro, even Vince Vaughn's scheming Semyon who reminded me a lot of Simon Williamson, aka Sick Boy, from Irvine Welsh's books rather than the films.

I feel like season 1 was telling a pretty simple story and the more complex nature of the show came from the inner lives of the characters as well as the philosophical questions it raised, that went along perfectly with the austere landscapes, all the wide spaces and solitude. Season 2 takes place in a busy, urban setting, and so it's only natural that it's full of characters, more complicated in a narrative sense. It's a good idea in theory, but it doesn't always work out perfectly, at times it feels like an aimless version of Inherent Vice, the way it jumps around between storylines, different characters and plot points, and it leads to moments where I just didn't care much for how it would all play out, and at worst it completely detracts from the atmosphere and the other things that Pizzolatto did right here.

All that said, even when it feels a bit more shallow when it comes to the characters and in the end less satisfying than season 1, even when the mid season climax is followed up by a pretty dull episode where a certain time jump feels too jarring, even if the best moments here are possibly still weaker than the average season 1 episode, it's still a pretty enjoyable ride that, apart from episode 5, held my attention for over 7 hours and kept delivering moments that I really loved. It's a solid season, it's just a step down from the first.
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