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An error has ocurred. Please try again* Some women are not really natural redheads, but they're notable and known because of their red hair, like Rachel Hurd-Wood, Christina Hendricks and Amy Adams.
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Fear the Walking Dead: Reclamation (2021)
The episode revisits Al's obsession with interviews and filming, and her reluctance to embrace her love for Isabelle and serves as a farewell to the character
After sending the others to the Pennsylvania, Althea returns to her SWAT van alone, putting down a reanimated Riley and intending on resuming her solo journey of getting people's stories. Having deduced Althea's plan, Morgan arrives at the SWAT van just in time to witness the arrival of a CRM reclamation team searching for Althea's ex-girlfriend Isabelle who had gone AWOL after the blast. Despite Althea's attempts to warn Morgan and Grace off, they insist upon helping her while Morgan presses her to go after Isabelle.
Althea tricks Morgan and Grace into using the CRM helicopter's fuel to refuel the SWAT van while she lures the CRM to Fort San Vicente, where she sets up an old cannon to kill them. The CRM captures Morgan and Grace and force Althea to admit that Isabelle is at a cabin in the Great Smoky Mountains. Morgan and Grace escape and lead the CRM to the fort, where they work together to kill them. Althea gives Morgan an interview of her own for the first time and departs in the CRM helicopter. Arriving at the cabin, Althea tells Isabelle she is ready to start a new life with her, even though it means they will constantly be on the run from the CRM. The two women embrace.
The episode - entirely - seems like an addendum to the season. Not filler, exactly, but indeed an addendum, something haphazardly tacked onto the macro progression to wrap up Althea's arc, revisiting her obsession with interviews and filming, and her reluctance to embrace her love for Isabelle. As if that wasn't enough, we also get, as a bonus, good old Morgan as her therapist, which, of course, only makes everything more drawn-out, filled with pseudo-intellectual blah blah, devoid of any meaning beyond the blatantly obvious. It's almost humorous how we learn, in a rush, that Al took the forgotten side characters to Morgan's submarine and decided to return to her pilgrimage through the devastated lands in search of radioactive people to interview, and it's unbelievably annoying how she refuses to tell her colleagues about the CRM, even with the organization chasing them like a bloodhound.
Speaking of funny things, let's agree that the CRM duo is unbelievably incompetent, far beyond the worst scoring Stormtrooper at the Empire's academy in Star Wars. Watching Al and Morgan running from them as they spray bullets everywhere, hitting neither their targets nor grazing them (and, later, incongruously, they hit some zombies from much further away) and then getting easily beaten up by Morgan, despite having their gun barrels pointed at him and Grace, are moments only less memorable than when the dummies are blown up by the cannon Al had prepared in one of those sequences so meticulously set up and so ridiculously tensioned that I almost felt sorry for them.
But the worst part was the talk, with Morgan on one side telling her to run to Isabelle, and she, stubbornly, on the other, refusing to give up her camera, as if her obsession and her passion were mutually exclusive. I don't know how many times this scenario happened over the forty-some minutes of the episode, but what I do know is that, around the 28th time (or was it the 29th?), I was ready to throw my poor television out the window in despair. The script by Alex Delyle and Calaya Michelle Stallworth pays the greatest homage possible to Althea with this thematic repetition, since the character is basically characterized by saying the same thing always, like a scratched record (of bad music).
In the end, we are not even sure if I'm disappointed with this lackluster farewell to Althea from the series. After all, except for her mentioned solo episode with Isabelle, I can't really remember anything about the character that would truly be missed on the show. If I think about it too much, it's even risky to conclude that, perhaps, the series would have been better off without her, but let me wipe the venom dripping here before it spills over the keyboard.
Now that the season's addendum is over, I hope the normal story - which wasn't that great to begin with, just to use a mild euphemism - returns full force in the two episodes remaining until we reach the traditional mid-season hiatus (which I am immensely thankful for). Althea is late in leaving and I doubt she will be missed. Speaking of not being missed, she might as well have taken the opportunity to take Morgan (and Grace and Mo, of course) along with her and Isabelle, right.
Fear the Walking Dead: Till Death (2021)
The focus shifts to Dwight and Sherry, whose relationship undergoes severe tests against the backdrop of the apocalyptic challenges they face together
Dwight and Sherry have become a team of "ethical outlaws" known as the Dark Horses, protecting those in need while searching for PADRE. Their friends, the Larson family, are growing impatient due to dwindling supplies. Dwight and Sherry are captured by Strand's Rangers and brought to the Tower, where Strand attempts enlist their help to find Mickey, a woman who escaped the Tower in search of her missing husband Cliff. The two refuse the offer, comparing Strand and the Tower to Negan and the Sanctuary. Nevertheless, the two track down Mickey and offer her their help, only to discover that the Larsons have been murdered, causing Dwight to decide to take Strand's offer while Sherry heads off with Mickey to find Cliff.
Encountering Eli, a criminal who he and Sherry had previously fought, Dwight learns that Strand hired Eli to murder the Larsons and, enraged by his actions, Dwight leaves Eli to be devoured by a herd. Sherry and Mickey find Mickey's gym surrounded by walkers and, fighting through the herd, the two find a reanimated Cliff inside and put him down. Afterwards, Mickey joins the Dark Horses who respond to a distress call, only to be ambushed by the Stalkers. Aware of the Dark Horses' reputation, the Stalkers request their help in finding PADRE.
The seventh season of "Fear the Walking Dead" continues to intensify with episode 5, titled "Till Death." This episode explores themes of sacrifice, desperation, and complex human emotions, woven into the survival narrative that has become the series' hallmark. The focus shifts to Dwight and Sherry, whose relationship undergoes severe tests against the backdrop of the apocalyptic challenges they face together.
The episode opens with Dwight and Sherry in a precarious situation as they are captured by a group of survivors known for their ruthless tactics. This initial capture sets the tone for the episode, highlighting the constant danger the characters face and the volatile alliances formed in the post-apocalyptic world. As they plan their escape, the couple's interactions provide a deep dive into their psychological states, revealing unresolved tensions and their undying commitment to each other.
A standout scene involves a daring and violent breakout, choreographed with the series' characteristic grit and tension. The action sequences are interspersed with intimate moments between Dwight and Sherry, juxtaposing their fight for survival with their struggle to maintain their relationship's integrity. This duality enriches the narrative, offering a layered look at how relationships can both complicate and facilitate survival in such dire circumstances.
Critically, "Till Death" is a powerful episode that leverages its character-focused storyline to delve into emotional depths rarely explored in action-centric series. The performances by Austin Amelio (Dwight) and Christine Evangelista (Sherry) are particularly commendable, capturing the complex emotions of characters pushed to their limits. The episode successfully balances intense action with compelling drama, making it a critical highlight of the season. It not only advances the plot but also enriches our understanding of its central characters, setting the stage for further developments in their arc and the overarching narrative of the series.
Fear the Walking Dead: Breathe with Me (2021)
"Breathe With Me," offers an intense exploration of survival, loyalty, and betrayal amidst the backdrop of the ongoing apocalypse
Living in an old fort with the rest of Morgan's group following their rescue by Isabelle, Sarah begins an obsessive search for Wendell, who has been out of contact since the nuclear blast. Sarah encounters Josiah, who offers to help her find Wendell if she will help him get revenge on Morgan for the death of his brother Emile. Sarah reluctantly takes the deal and she, Josiah and his dog Rufus find Wendell's broken wheelchair in the possession of Sage, one of the Stalkers who has been collecting walkers and dispersing them around the area. In a moment of grief, Sarah causes Josiah's SUV to run off the road and crash near a cracked nuclear warhead which failed to detonate. As walkers surround them, Josiah encourages Sarah not to give up on Wendell and shares some of his past with her, bonding with Sarah.
With the help of Morgan, Sarah and Josiah eliminate the herd, but Josiah attempts to kill Morgan and get his revenge. The struggle ends when Rufus is bitten by Emile's disembodied head before Sarah puts Emile's head down. Josiah tearfully euthanizes Rufus and makes amends with Morgan. Morgan and Josiah lead Sarah to the Tower where Strand reveals that he has Wendell, but he refuses to let Sarah in. After making Strand promise not to tell Wendell she was there, Sarah and Morgan part ways with Josiah and Morgan promises Sarah that they will get all of their friends back. At the same time, Sage recovers the warhead and brings it to the rest of the Stalkers.
In the seventh season of "Fear the Walking Dead," episode 4, titled "Breathe With Me," offers an intense exploration of survival, loyalty, and betrayal amidst the backdrop of the ongoing apocalypse. This episode primarily focuses on Sarah's journey to find her missing brother, Wendell, which adds a deeply personal quest to the overarching narrative of survival against the undead and human threats.
The episode begins with Sarah receiving a garbled message that she believes could be from Wendell, prompting her to embark on a dangerous rescue mission. Accompanied by a reluctant Luciana and a wary Daniel, they traverse toxic storm-ravaged landscapes, which the episode captures with visceral visual effects and moody, oppressive cinematography. This setting not only heightens the physical peril faced by the characters but also reflects the internal turmoil they experience.
One of the most powerful scenes unfolds when Sarah confronts a group of survivors who have taken Wendell hostage. The tense negotiation and ensuing conflict demonstrate not only the brutality of the world they inhabit but also the moral complexities the characters face. Each decision comes with weighty consequences, and Sarah's resolve is tested to its limits. The episode excellently uses this confrontation to delve into themes of familial bonds and the lengths one will go to preserve them in a world where every choice could mean life or death.
Critically, "Breathe With Me" excels in its character development and its ability to maintain suspense and emotional intensity. Sarah's character is given substantial depth and complexity as she navigates her fears and hopes for her brother's safety. The episode's pacing is meticulous, effectively building tension and providing just enough narrative progression to keep the viewers engaged without revealing too much.
Fear the Walking Dead: Cindy Hawkins (2021)
The episode focus on character development, particularly for John Dorie Sr., who emerges as a more fleshed-out character grappling with guilt and seeking closure
Over the course of several months, John Sr. And June establish a routine while waiting out the year that June has determined is the time that they must wait before it is safe to go outside. However, the bunker becomes increasingly unstable over time with a wall collapse smashing their supply of liquor and revealing a secret room where Teddy had killed and embalmed his victims in the 1970s. John goes into alcoholic withdrawal and experiences hallucinations as a result of Teddy's last victim, Cindy Hawkins, whose body John had never been able to find. John's hallucinations and guilt cause him to search for clues to the location of her body with disregard to anything else.
He emerges from the bunker due to Cindy calling to him and, after putting down a reanimated Dakota, finds the Stalkers watching him. The Stalkers demand that John and June surrender, while John realizes June has been lying the whole time about how long they must wait, afraid of facing the outside world without her husband. Briefly abandoning June to search for Cindy's body, John snaps out of it in time to kill the Stalkers and save June. The two subsequently discover Cindy's body in the bunker by accident, bringing John peace. The bunker collapses, but the two are rescued by Strand's Rangers and taken to the Tower. When Morgan arrives at the bunker, Strand contacts him on a radio. Morgan threatens to kill his former friend if Strand hurts anyone he cares about, but Strand is unmoved by his threats.
Season 7, Episode 3 of "Fear the Walking Dead," titled "Cindy Hawkins," dives deep into the backstory of June and John Dorie Sr. As they find refuge in an old, abandoned bunker that once belonged to serial killer Teddy. This episode adeptly intertwines the current apocalyptic struggles with the psychological ghosts of the past, setting a chilling tone from the outset.
The central plot revolves around June and John Dorie Sr. As they sift through the remnants of Teddy's bunker, uncovering artifacts that reveal more about Teddy's gruesome past, and importantly, the mysterious Cindy Hawkins. The bunker serves as a claustrophobic backdrop, enhancing the episode's tense and eerie atmosphere. As they delve deeper, they encounter physical and emotional traps left behind, which Teddy had set for his victims, metaphorically trapping June and John as well.
A particularly striking scene involves the discovery of Cindy Hawkins' belongings, leading to a cathartic moment for John Dorie Sr., who had been haunted by his failure to capture Teddy sooner in his career. This moment is both a narrative and emotional climax of the episode, as it confronts the theme of unresolved past trauma and the search for redemption. The episode does a commendable job portraying how past and present horrors can intertwine, mirroring the outside world's chaos within the confines of the bunker.
Cindy Hawkins" stands out in its season for its psychological depth and character development, particularly for John Dorie Sr., who emerges as a more fleshed-out character grappling with guilt and seeking closure. The cinematography and tight scripting keep viewers engaged, while the episode's pace maintains suspense and dread effectively. Overall, this episode is a strong entry in the series, offering a mix of psychological horror with poignant drama, and emphasizes that sometimes the ghosts of the past are as terrifying as the zombies outside.
Fear the Walking Dead: Six Hours (2021)
This atmospheric, apocalyptic aesthetic isn't enough to rescue a rather convoluted episode that's rife with contrived perils
Morgan, Grace and baby Mo have been living in the USS Pennsylvania since the nuclear blast, but are running low on supplies while Grace remains depressed and distant from Mo. With no other choice, Morgan convinces Grace to join him in a modified car to look for supplies, though they only have a six-hour window in which they can be safe. While passing through a town, Morgan and Grace hit a roadblock and encounter two terminally ill survivors, Fred and Bea, while a herd and a mysterious third survivor attacks. Morgan deals with the herd and drives the man away, but Grace is forced to kill Fred when he tries to smother Mo; the incident causes Grace to finally bond with Mo.
After Morgan puts down her reanimated daughter Emma, Bea chooses to stay behind and die with her family, though she tells them about PADRE and where she thinks it might be. Morgan and Grace return to the sub where they encounter Howard and Strand's Rangers who are raiding it for supplies. Grace refuses an offer from Howard to join the Tower. Morgan and Grace find enough powdered milk to last them for months hidden in the sub's floor. Meanwhile, the mysterious attacker is revealed to be Josiah LaRoux, the twin brother of Emile LaRoux, the bounty hunter Morgan had killed months before. In possession of his brother's reanimated head, Josiah promises that he will exact vengeance upon Morgan for Emile's death.
After six seasons, our heroes had become quite proficient zombie killers, robbing the undead of their bite, if you will. By layering in the more immediate (and invisible) threat of radiation poisoning, suddenly just venturing outside requires a whole other level of preparation and fortitude. Plus the muted, mustardy palette calls to mind the blighted future of Denis Villeneuve's Blade Runner 2049. (Interestingly enough, Lennie James has a small role in that movie.)
Still, this atmospheric, apocalyptic aesthetic isn't enough to rescue a rather convoluted episode that's rife with contrived perils. It's no surprise that their car would break down, pitting Morgan's ability to find a replacement part against that relentless six-hour countdown.
One saving grace of "Six Hours" is that we learn a little bit about Padre. We may not know exactly what it is, but we now know where it is - just southeast of Victoria, Texas. But rather than head toward the unknown, Morgan and Grace opt to return to the familiar confines of the submarine.
Is it worth mentioning that Grace is able to let Athena go and finally embrace Mo as her own? Maybe. But this, too, feels a bit contrived - and very rushed - especially when you consider Grace was ready to pack it all in mere hours before. Would she experience a change of heart so quickly if the narrative didn't require it of her in a moment of extreme duress?
Is it also worth noting that the trio is only saved by little Mo herself, whose newfound ability to crawl reveals the treasure hidden beneath their feet? To me, this is just one more narrative contrivance that doesn't do the episode any favors.
As for that big reveal at the end - that Ginny's bounty hunter Emile had a twin brother? That twist fell flat for me, especially since Demetrius Grosse's name appeared in the opening credits. Grosse's Emile wasn't around last season to make enough of an impression. (Seriously, his dog Rufus got more screen time than he did.)
Fear the Walking Dead: The Beacon (2021)
"The Beacon" explores the idea of false promises and the lengths people will go to in search of safety and belonging
After the nuclear blast in Texas, Will, a young survivor, navigates the devastated lands while evading a mysterious group called the Stalkers, who strip the dead of their clothes. Will is eventually captured by Victor Strand's Rangers and taken to the Tower, a settlement that Strand established in the office building where he survived the nuclear blasts. Strand lives a luxurious lifestyle and only takes in survivors he feels will be of use to him. Threatened with being kicked out, Will reveals that he has the medallion that Strand had given to Alicia and agrees to lead Strand to her.
Will reveals he was part of a group that had been slaughtered by Teddy when the doomsday cult took over the bunker under the hotel, and fell in love with Alicia, who exiled him for refusing to do something for her. The pair encounter and put down a number of reanimated survivors from the bunker, concerning them as to Alicia's fate. They find the bunker abandoned and a note for Will reading "PADRE" which Will calls the dream of something better, but he doesn't know what or where it is. Deciding he needs to cut himself off from his loved ones in order to lead the Tower effectively, Strand throws Will off the Tower to his death, believing that Alicia will never forgive him for it, and uses a lighthouse beacon to draw a massive horde to the Tower to act as a moat against his enemies.
"Fear the Walking Dead" Season 7 opens with Episode 1, "The Beacon," which marks a significant shift in the series' narrative direction. The episode follows the aftermath of the missile attack on Tank Town, with survivors scattered and seeking refuge. One of the key focuses is on Alicia, who discovers a mysterious settlement called The Beacon, which promises safety and community. However, as Alicia delves deeper, she realizes that The Beacon is not what it seems, leading to a confrontation with its leader, Teddy.
The episode's standout scenes include Alicia's exploration of The Beacon, which initially presents itself as a beacon of hope but gradually reveals darker undertones. The tension builds as Alicia uncovers the truth, culminating in a dramatic confrontation with Teddy that sets the stage for future conflicts.
Thematically, "The Beacon" explores the idea of false promises and the lengths people will go to in search of safety and belonging. It also delves into the concept of leadership and the dangers of blind faith. The episode challenges the characters' beliefs and forces them to confront uncomfortable truths about themselves and the world they now inhabit.
In conclusion, "The Beacon" is a strong start to the seventh season of "Fear the Walking Dead," setting up intriguing new storylines and deepening the characters' development. With its compelling narrative and powerful themes, the episode lays a solid foundation for the season ahead.
Fear the Walking Dead: The Beginning (2021)
"The Beginning" is a strong conclusion to "Fear the Walking Dead" Season 6, delivering a mix of action, emotion, and character development
Searching for shelter, Dwight and Sherry find the home of a family terrorized by two cultist; Dwight and Sherry kill the men and join the family in their storm shelter, deciding not to let the bad guys win anymore at any cost. Rachel is badly injured while changing a tire and, unable to reach safety in time, ties herself to Morgan's dog Rufus and commits suicide so that Rufus can lead her as a walker and baby Morgan to other people. On the sub, Grace and Morgan admit their love for each other and prepare to commit suicide rather than live in the devastated world that will be left when Rachel arrives with her baby; Morgan puts their friend down and the two take custody of the baby, hiding under a nearby vehicle from a nuclear shockwave. Teddy and Dakota prepare to meet their end on an overlook, only to be confronted by John and June who forgive Dakota for her crimes.
John discovers that Teddy has a hidden bunker that he intends to ride out the destruction in and emerge later to finish launching the Pennsylvania's nukes. John and June disarm the two and enter the bunker while Dakota, enraged that Teddy was only using her, kills the insane cult leader before allowing herself to be incinerated in a nuclear explosion. Strand takes cover in a building where he meets Howard, a historian; after surviving one of the blasts, Strand embraces the chance for a new beginning. Daniel, Wes, Luciana, Charlie, Jacob, Sarah and Rollie capture Riley who agrees to lead them to the cult's hidden bunker. However, Daniel realizes that Rollie is actually the cult's spy and kills him before Charlie shoots Riley who is left to reanimate when he dies. Following coordinates that Daniel had received over the radio, the group is rescued by a CRM helicopter sent by Al while nuclear explosions rock the area.
"Fear the Walking Dead" Season 6, Episode 16, titled "The Beginning," serves as a fitting conclusion to the season, delivering a mix of action, emotion, and character development. The episode picks up after the dramatic events of the previous episodes, as the characters grapple with the aftermath of their actions and face new challenges in a rapidly changing world.
One of the most notable aspects of "The Beginning" is its focus on character growth. As the characters confront the consequences of their past actions, they are forced to reevaluate their choices and priorities. This leads to some powerful and emotional moments as they strive to find redemption and meaning in a world that has been irrevocably changed by the apocalypse.
The episode also features some intense and memorable action sequences, including a thrilling showdown between the survivors and their adversaries. These scenes are expertly choreographed and keep viewers on the edge of their seats, showcasing the show's ability to deliver pulse-pounding thrills.
Thematically, "The Beginning" explores the idea of new beginnings and the resilience of the human spirit. Despite facing seemingly insurmountable odds, the characters demonstrate a remarkable ability to adapt and survive, highlighting the strength of the human will.
In conclusion, "The Beginning" is a strong conclusion to "Fear the Walking Dead" Season 6, delivering a mix of action, emotion, and character development. It sets the stage for an intriguing seventh season, leaving viewers eager to see where the story goes next.
Fear the Walking Dead: USS Pennsylvania (2021)
As the characters navigate the claustrophobic confines of the submarine, tensions run high, leading to conflicts and difficult decisions
Teddy, Riley and Dakota prepare to launch the USS Pennsylvania's compliment of nuclear missiles, revealing that Riley was once the subs Weapons' Officer. Having been warned by Alicia, Morgan's group races to the Pennsylvania, finding the sub occupied by its reanimated crew while Luciana leads a smaller group to a Naval base in search of information to help them. Morgan, Strand, John, Grace, June, Dwight and Sherry fight their way through the sub, finding signs of an unknown catastrophe having befallen the crew, including one compartment with radiation levels indicating exposed radioactive material within despite the rest of the sub's radiation levels being safe.
Leaving the others behind, Morgan and Strand press on, but after getting cornered by walkers, Strand breaks Morgan's axe, stealing the head and leaves Morgan to fend off the walkers alone while he continues on. Strand is nearly killed by Dakota, but is saved at the last moment by Morgan who knocks Dakota unconscious. Using key cards recovered from the zombies, Morgan and Strand manage to enter the control room, but not before Teddy and Riley are able to launch one nuclear missile. The two reveal that the missile contains ten warheads all targeted on locations in Texas and can't be stopped. Morgan allows Teddy and Riley to leave and angrily blames Strand for their failure to stop the cult before sending him away as well.
"Fear the Walking Dead" Season 6, Episode 15, titled "USS Pennsylvania," takes viewers on a thrilling and emotional journey as the characters navigate a high-stakes mission aboard a nuclear submarine. The episode is filled with tense moments, shocking revelations, and powerful character development, making it a standout installment in the series.
The episode follows Morgan and his group as they infiltrate the USS Pennsylvania in search of the key to Teddy's doomsday plan. As they navigate the claustrophobic confines of the submarine, tensions run high, leading to conflicts and difficult decisions. The submarine setting adds a unique and intense atmosphere to the episode, heightening the sense of danger and suspense.
One of the most memorable aspects of "USS Pennsylvania" is the exploration of the characters' moral compasses. As they face difficult choices and confront the consequences of their actions, viewers are presented with a complex and nuanced portrayal of morality in the post-apocalyptic world. This theme adds depth to the episode, encouraging viewers to reflect on their own beliefs and values.
The episode also features several standout performances, particularly from Lennie James as Morgan and Colby Hollman as Wes. Their emotional performances add a layer of depth to the episode, making the characters' struggles feel all the more real and relatable. Additionally, the episode's action sequences are expertly choreographed, keeping viewers on the edge of their seats throughout.
Fear the Walking Dead: Mother (2021)
This claustrophobic Alicia's character study is the perfect palate cleanser before the histrionics of the season finale
In a flashback, Teddy escapes from prison after it falls during the beginning of the apocalypse due to an executed prisoner turning into a zombie. In the present, as the cult prepares to move to a new home, Teddy decides to take Alicia and a recently-joining Dakota to recover and move his mother's body with Alicia holding off on killing Teddy until she learns of his plans. After running into a spike strip, Alicia is reunited with Cole whom she had believed died when the stadium fell. Cole reveals that Madison's sacrifice allowed him and many of the stadium's other residents to escape, but most of them died in an ambush a week later with the remainder, including Douglas and Vivian, becoming a gang of bandits that rob and kill other survivors, leaving their victims to reanimate.
As Cole's group prepares to execute Alicia, Teddy and Dakota, their reanimated victims attack, killing Douglas, Vivian and the other survivors. Unable to talk Cole down, Alicia kills him in self-defense, enraged and devastated that Cole had squandered her mother's sacrifice for him; Teddy reveals that the true purpose of the trip was to show Alicia how useless her mother's sacrifice was in the end. Teddy finally reveals that the keys go to a submarine that had washed up in Galveston, Texas and that they will allow him to use the sub's nuclear missiles to destroy what is left of the world. Alicia manages to broadcast a warning to Strand and is taken to the cult's hidden bunker beneath an old resort hotel where Teddy locks her in and explains that he believes that Alicia is the perfect person to lead the survivors when it is safe to emerge again.
This claustrophobic little character study is the perfect palate cleanser before the histrionics of the season finale. Alycia Dabnam-Carey and John Glover are great as is Zoe Colettii as a Dakota desperate to fit in and not that concerned about with who.
But oddly it's the plot not the characters that stick with you this time. This entire episode is an experiment, conducted by Teddy in which we and Alicia are unwitting subjects. We see him pick up his "mother", see him head back to the Old Stadium and see him save Alicia from himself in the closing seconds. It's all part of the plan, and clearly the plan of a dangerously criminally insane man, but the plan nonetheless. Glover shows us this with his customary avuncular charm too but weaponizes it in a way I've not seen before here. Teddy is playing the bumbling old man, cleverly utilizing what people see and turning it into what people think. We see a doddering old man until he's ready for us not to. Then we see the architect of a nihilistic future, delighted to have a playmate. It's remarkable work from a remarkable actor and really helps establish Teddy as a terrifying antagonist in almost no time.
Glover draws the attention but Dabnam-Carey anchors the episode. Her exhausted, unflappable approach is Strand and Madison to a tee and it feels oddly reassuring to have that energy back. Make no mistake, Alicia isn't fine, but she thinks she is and Teddy looks set to disavow her of that. Whether she emerges uncharged or not remains to be seen.
Fear the Walking Dead: J.D. (2021)
"J.D." explores the idea of redemption and the importance of trust in a post-apocalyptic world
With Morgan blaming her for Athena's death, June decides to seek out clues on the doomsday cult, followed by Dwight and Sherry who reveals that she wishes to return to Virginia and kill Negan. Outside of Tank Town, the trio are ambushed by a man in an RV who abducts June and reveals that he is also investigating the cult; the man proves to be John Dorie's long-estranged father John Dorie Sr. John identifies Teddy as Theodore Maddox, a serial killer and cult leader whom he had sent to prison in the 1970s, but abandoned his family out of guilt afterwards as John had to plant evidence in order to get Teddy convicted; Teddy somehow escaped from prison after the end of the world.
June realizes that Virginia's former lieutenant Hill is holed up at her husband's cabin and convinces John to return there to find out what Hill knows, but John locks her up rather than risk June's life. Hill proves not to know much and nearly kills John before June, having been rescued by Dwight and Sherry, kills him. In the aftermath, Sherry gives up on revenge and rekindles her relationship with Dwight before the four hold a funeral for their fallen friend with June finally reading the letter that her husband had left for her. Returning to Morgan's community, John warns that Teddy intends to kill everyone still left alive in the world and that they must begin preparing to put an end to him.
"Fear the Walking Dead" Season 6, Episode 13, titled "J. D.," continues to explore the aftermath of the nuclear disaster as the group encounters a mysterious survivor who goes by the name J. D. The episode is a tense and suspenseful installment that delves into themes of trust, survival, and the lengths people will go to protect their loved ones.
The episode's main plot revolves around Morgan and Grace's efforts to help a pregnant woman named Tess, who is in desperate need of medical attention. Along the way, they encounter J. D., a skilled survivalist who is wary of strangers but ultimately agrees to help them.
Thematically, "J. D." explores the idea of redemption and the importance of trust in a post-apocalyptic world. It also raises questions about morality and whether the ends justify the means when it comes to protecting those we care about.
Overall, "J. D." is a compelling episode that adds layers to the ongoing narrative of "Fear the Walking Dead." Its focus on character development and moral dilemmas makes it a standout installment in the series.
Fear the Walking Dead: In Dreams (2021)
A dream-like quality, with surreal visuals and a haunting atmosphere that effectively convey Grace's inner turmoil
Sixteen years in the future, Grace awakens to find that she had died giving birth to her daughter Athena and that her friends are all thriving. Traveling with Athena, Grace notices inconsistencies in the world and realizes that she is actually unconscious and dreaming following an explosion set by Riley and the doomsday cult who are seeking the mysterious key that Morgan had taken from Emile. Hunted by the cultists, Grace makes her way through her dream world, bonding with her daughter and evading Riley's forces, convinced that she needs to wake up to give birth to Athena, but that she won't survive it.
In the real world, Morgan takes shelter with Grace in a veterinarian's office and stables, killing Riley's men and forcing Riley to flee. As her heart stops in the real world, Grace says goodbye to Morgan and Athena and walks into the light only to revive in the real world. Riley returns and demands the key at gunpoint and Grace has Morgan give it to him, convinced from her dream that her daughter will bring everyone together and it won't matter. Grace gives birth to Athena, but Grace and Morgan are devastated when Athena is stillborn due to absorbing the deadly radiation in her mother's body.
"Fear the Walking Dead" Season 6, Episode 12, titled "In Dreams," takes viewers on an emotional journey through Grace's subconscious mind as she grapples with her past trauma and envisions a different life for her daughter, Athena. The episode is a departure from the show's usual narrative style, focusing more on psychological exploration than on traditional zombie survival.
The episode's most striking feature is its dream-like quality, with surreal visuals and a haunting atmosphere that effectively convey Grace's inner turmoil. The use of color and imagery helps to create a sense of unease, mirroring Grace's own feelings of guilt and regret.
Thematically, "In Dreams" delves into the idea of redemption and the desire to make amends for past mistakes. It also explores the bond between mother and child, highlighting Grace's fierce determination to protect Athena at all costs.
One of the most memorable scenes in the episode is Grace's confrontation with her past self, where she finally comes to terms with the pain and guilt that have been holding her back. This moment of catharsis is powerful and moving, showing Grace's growth as a character and her willingness to confront her demons head-on.
Fear the Walking Dead: The Holding (2021)
"The Holding" explores the dangers of extremism and the allure of charismatic leaders in times of crisis
Posing as new recruits, Alicia, Althea, Luciana and Wes infiltrate a subterranean settlement called "The Holding", where workers turn walkers into soil to garden and grow food. They notice a mural with "THE END IS THE BEGINNING" message on it. After being greeted by a worker named Riley, they are interrogated to provide information for the group's leader, Teddy. Later, a group of people arrive, including Wes' brother Derek, whom Wes thought had died long ago. Wes tries to get intel from Derek, but Derek claims Wes "isn't ready yet". While Derek is gone, Wes and Althea search Derek's room and find maps of local settlements, including Tank Town and Lawton, as well as whereabouts of Isabelle's group. Wes confronts Derek about why his group is attacking settlements; Derek explains the only way the world can start over is by destroying everything and everyone above ground.
The group tries to escape and take Derek with them, but are caught by Riley, who takes them to an embalming room. He offers to spare their lives if they reveal Morgan's location. They all refuse, but Derek gets Riley's permission to try and show Wes "the truth". Derek takes Wes to a displayed walker, and Wes realizes that Derek knew he was at Tank Town during the attack. A struggle ensues. Wes overpowers Derek and slams him into the walker. The walker bites Derek, killing him. Wes returns to his friends and holds Riley at gunpoint. They flee into a room filled with embalmed walkers; Alicia cuts several open to release the embalming fluid and sets the compound on fire while the others escape back to the dam settlement. Morgan vows to rescue Alicia. Back at The Holding, Alicia meets Teddy, who is upset that she destroyed everything he was working towards, but admits he's been looking for someone like her for a long time.
In the eleventh episode of "Fear the Walking Dead" Season 6, titled "The Holding," the series takes a bold new direction by introducing viewers to a mysterious and enigmatic new group known as "The End is the Beginning." The episode explores themes of cultism, indoctrination, and the search for meaning in a post-apocalyptic world.
The main focus of the episode is on Morgan and Grace's encounter with The End is the Beginning group. The group's leader, Teddy, is a charismatic figure who preaches a message of salvation through destruction, believing that the end of the world is a necessary step towards a new beginning. This cult-like group is a departure from the series' previous antagonists, adding a new layer of complexity to the story.
One of the most memorable scenes in the episode is the introduction of The Holding, the group's underground bunker that serves as their base of operations. The bunker is a stark contrast to the desolate landscape above ground, showcasing the group's dedication to their cause and their willingness to do whatever it takes to survive.
Thematically, "The Holding" explores the dangers of extremism and the allure of charismatic leaders in times of crisis. It raises questions about the nature of belief and the lengths that people will go to in order to find meaning and purpose in a chaotic world.
Overall, "The Holding" is a compelling and thought-provoking episode that sets the stage for an intriguing new chapter in the series. With its exploration of cultism, its complex characters, and its tense atmosphere, it is a standout installment in the sixth season of "Fear the Walking Dead."
Fear the Walking Dead: Handle with Care (2021)
"Handle with Care" explores the idea of second chances and the importance of forgiveness, both of others and of oneself
In a flash-forward, Daniel is in a cell getting a cognitive test. In the present, Morgan talks to Sherry and Strand about a possible new threat. Daniel is tasked with keeping guns within the community inside a locked shack. Grace begins to have contractions. Morgan leaves to get medical supplies, and puts Daniel in charge. Daniel leads a meeting with Dakota to obtain information on the new threat, which is the group who attacked Tank Town. The meeting ends when there is an explosion that draws in walkers. Daniel goes to the shack and finds the guns are gone.
Daniel tells Charlie and Grace to hide and wait for Morgan to return. Daniel allows several walkers to enter the community to find out who has the weapons and believes it to be Strand, who saves Dwight by killing a walker with a pistol. Daniel locks up Strand, but Strand insists he's innocent. When Daniel is about to kill Strand, Morgan returns and kills the walkers. The group discovers that Daniel was the one who hid the weapons, and they imprison him. June, who has been interrogating Daniel, believes he is suffering from a psychological disorder. Strand invites him to live in Lawton, while Dakota shares intel from the late Virginia that the new threat is believed to be hiding underground.
In the tenth episode of "Fear the Walking Dead" Season 6, titled "Handle with Care," the series delves into the aftermath of the events at Tank Town and the impact they have on the characters. The episode focuses on June's struggle to come to terms with her actions and her efforts to find redemption. As she grapples with feelings of guilt and remorse, the episode explores themes of forgiveness, redemption, and the human capacity for change.
One of the most striking aspects of the episode is its focus on June's character development. As she wrestles with her past and tries to find a way to move forward, viewers are given a deeper insight into her motivations and inner struggles. This adds a layer of complexity to her character and makes her more relatable to the audience.
The episode also features some tense and emotional moments, particularly in the scenes between June and John. Their relationship is tested as they both try to come to terms with what has happened and find a way to move forward together. These scenes are some of the most powerful in the episode and are a testament to the strength of the writing and performances.
Thematically, "Handle with Care" explores the idea of second chances and the importance of forgiveness, both of others and of oneself. It also touches on the idea of letting go of the past and embracing the future, even in the face of seemingly insurmountable obstacles.
Fear the Walking Dead: Things Left to Do (2021)
A gripping and emotional episode that further develops the characters and moves the story forward in exciting new directions
A heartbroken June buries John and demands answers from Virginia, but she claims to not know anything. That night, Virginia interrogates Daniel, Sarah, Wes, Grace and Luciana to find out Morgan's location, but he shows up and reveals Virginia's crimes. Strand shoots Virginia in the arm and some Pioneers begin to mutiny. Morgan captures Virginia, but the following day they are caught by Sherry and Strand, who demand justice.
Virginia accepts her fate, but Morgan can't bring himself to execute her. Morgan convinces Strand and Sherry not to kill her, and instead imprison her. Virginia reveals to Dakota that she is her mother and not her sister. June appears in Virginia's cell and blames her for John's death and everything that has happened to their group since the events at the Gulch. She kills Virginia and leaves the community.
The episode focuses on Morgan's struggle to keep the group together and his efforts to find a new home for them in the wake of Virginia's demise. As tensions rise and loyalties are tested, the episode delves into themes of leadership, survival, and the lengths people will go to in order to protect themselves and their loved ones.
One of the standout moments of the episode is the confrontation between Morgan and Strand, two characters who have been at odds for much of the season. Their clash highlights the complexities of their relationship and the differing ideologies that drive them. The episode also features some intense action sequences, including a thrilling standoff between the group and a group of raiders, which adds to the tension and excitement of the episode.
Thematically, "Things Left to Do" explores the idea of moving forward in the face of adversity and the importance of finding purpose and meaning in a world that has been turned upside down. It also touches on themes of redemption and the idea that it is never too late to make amends for past mistakes.
Overall, "Things Left to Do" is a gripping and emotional episode that further develops the characters and moves the story forward in exciting new directions. With its strong performances, tense action sequences, and thought-provoking themes, it is a standout installment in the sixth season of "Fear the Walking Dead."
Fear the Walking Dead: The Door (2021)
A powerful and introspective episode that offers a deeper understanding of one of the series' most enigmatic characters
At his cabin, John prepares to commit suicide, but is stopped by walkers washing up outside. Investigating, John discovers Morgan and Dakota hiding from Virginia's Rangers and a herd they had barricaded on the only bridge out of the area. Depressed, John agrees to help them pass through the herd, but refuses to join Morgan's new community despite constant attempts to convince him otherwise. Virginia makes contact with Morgan, revealing that she is holding Grace, Daniel, Sarah, June and Wes hostage to ensure Dakota's safety. Ranger Marcus finds John's cabin, forcing John to kill him in order to save Morgan.
By attaching doors to the front of an old truck, the three are able to plow their way through the herd and eliminate it, but Morgan sets up a meeting with Virginia at John's cabin in order to force him to come out of hiding. As Morgan leaves to contact the others, John discovers that Dakota was the one who had murdered Cameron and she shoots him to protect her secret. Confronted by Morgan, Dakota reveals that she was the one who had saved him at Humbug's Gulch, as she believes that only Morgan can stop Virginia. Alerted by Morgan, June and Virginia find John washed up outside of his cabin, but he has already died and reanimated, forcing a devastated June to put John down.
Titled "The Door," the series takes a deep dive into John Dorie's past and explores the events that shaped him into the man he is today. The episode serves as a character study, delving into John's psyche and offering insights into his motivations and inner turmoil. Through a series of flashbacks, viewers are given a glimpse into John's life before the apocalypse, shedding light on his relationships, his struggles, and his ultimate quest for redemption.
The episode's main focus is on John's relationship with his father, a man who never truly believed in him and whose actions left a lasting impact on John's sense of self-worth. Through these flashbacks, we see how John's past trauma has influenced his present actions and decisions. This adds layers to his character and helps to humanize him, making him more relatable to viewers.
One of the most poignant moments in the episode is when John confronts his father in a tense and emotional confrontation. This scene is a testament to the strong performances of the cast, particularly Garret Dillahunt, who portrays John with a depth and vulnerability that is truly compelling. The episode also explores themes of forgiveness and the impact that past traumas can have on a person's present life.
"The Door" is a powerful and introspective episode that offers a deeper understanding of one of the series' most enigmatic characters. It serves as a reminder that even in the midst of a zombie apocalypse, the most compelling stories are often those that explore the human condition and the complexities of the human mind. With its strong performances, emotional depth, and thought-provoking themes, "The Door" is a standout episode in the sixth season of "Fear the Walking Dead."
Fear the Walking Dead: Damage from the Inside (2020)
"Damage from the Inside," refers not only to the physical damage caused by the undead but also to the emotional and psychological damage that the characters carry with them
A convoy of rangers escorting Dakota to a safe house are attacked and killed, leaving Strand and another ranger named Samuels as the only survivors. Strand enlists the help of Alicia and Charlie to find Dakota, whom they locate at an old hunting lodge occupied by a taxidermist named Ed. Alicia contacts Virginia and offers to trade Dakota for their freedom, intending to retake the stadium they previously lived at, but Ed snaps, draws the walkers in and refuses to let them leave.
During a scuffle, he is accidentally impaled on antlers by Alicia and sacrifices himself to the approaching walkers, telling Alicia that his family's deaths were his fault and to not make his mistakes. Morgan shows up and helps Alicia put down the walkers, but he intends to trade Dakota for the rest of their people, leading to an argument when Alicia realizes that Morgan attacked the convoy. Morgan agrees to take Dakota with them to the community he is building, but Strand refuses to join and remains with the Pioneers. Virginia leads Strand to a visibly-pregnant Grace, who tells him that she wants him to get everybody back that Virginia took from Humbug's Gulch.
In the seventh episode of "Fear the Walking Dead" Season 6, titled "Damage from the Inside," the series delves into the aftermath of June's decision to leave Virginia's community and the repercussions it has on both her and the survivors. The episode explores themes of grief, redemption, and the lengths people will go to protect those they love. It also sheds light on the inner workings of Virginia's community and the growing unrest among its members.
The episode picks up with June struggling to survive on her own after leaving Virginia's group. Her journey is fraught with danger, both from the outside world and from within herself as she grapples with guilt over the death of John. Meanwhile, back at the community, tensions rise as Virginia tries to maintain control and prevent further unrest. This sets the stage for a confrontation that will test the limits of loyalty and trust.
One of the most impactful scenes in the episode is June's emotional breakdown as she struggles to come to terms with her grief and guilt. This raw and vulnerable moment showcases Jenna Elfman's acting prowess and adds depth to June's character. The episode also explores the complexities of Virginia's leadership, highlighting her ruthlessness and manipulation tactics as she tries to keep her community together.
As the episode unfolds, it becomes clear that the title, "Damage from the Inside," refers not only to the physical damage caused by the undead but also to the emotional and psychological damage that the characters carry with them. It serves as a reminder that in this post-apocalyptic world, the greatest threats often come from within.
Fear the Walking Dead: Bury Her Next to Jasper's Leg (2020)
a poignant episode that effectively uses its runtime to develop its central characters and the simmering tensions within the communities and moral complexities
June and Sarah now run a mobile clinic, but have a slew of bad luck with saving people, including losing a man to a burst appendix. June is reunited with John, who attempts to convince her to flee to his cabin with him, but they are interrupted by a message from Luciana of a disaster at Tank Town due to a new well exploding. Virginia, John, June, Sarah, Luciana and the Pioneers work to save the survivors of the disaster, but a spray painted message reading "THE END IS THE BEGINNING" convinces Virginia that it was not an accident. Finding a wounded Wes' art supplies, Virginia tortures him for answers, believing him to be responsible before being stopped by June.
The two women are trapped by an explosion and Virginia is bitten in the hand. June hesitates to amputate it, blaming Virginia for everything going wrong around them, but Virginia insists there is a bigger threat than her and that her methods are geared towards protecting the people in her communities. June reluctantly saves Virginia, who agrees to give June her own hospital. Tank Town is destroyed, and in the aftermath, June refuses to leave with John, instead intending to build her hospital with the help of Luciana, Sarah, Wes and Wendell. Though devastated by June's choice, John nevertheless decides to enact his escape plan on his own.
The episode primarily focuses on June and Virginia, offering a detailed look into Virginia's leadership and the growing dissent within her communities. The tension escalates when an explosion at an oil field requires urgent medical attention, highlighting the vulnerabilities and cracks in Virginia's regime.
The episode opens with a stark reminder of the dangerous work at the oil fields, managed under Virginia's strict and often ruthless rules. An explosion injures several workers, leading to a frantic effort to save lives. June, who has been reluctantly working as Virginia's head medic, finds herself in the middle of a chaotic and life-threatening situation. Her medical skills are put to the test, not just physically but also morally, as she navigates the complexities of who to save and at what cost. This scenario starkly portrays the harshness of their world, where every decision can mean life or death.
One of the most compelling scenes involves a face-off between June and Virginia, where June confronts Virginia about her secretive and seemingly careless strategies that endanger their people. This confrontation is charged with emotion and reveals deeper layers to both characters: Virginia's desperation to maintain control and June's increasing disillusionment with the compromises she has had to make. The tension reaches a peak when June is forced to amputate a leg to save a life, a graphic and gripping moment that symbolizes the drastic measures required in their grim reality.
Critically, "Bury Her Next to Jasper's Leg" is a poignant episode that effectively uses its runtime to develop its central characters and the simmering tensions within the communities. The narrative is tight and engaging, driven by strong performances, especially from Jenna Elfman (June) and Colby Minifie (Virginia). The episode adeptly mixes action with deep emotional and ethical questions, making it a standout in the season for its exploration of leadership's burdens and the moral complexities of survival in a post-apocalyptic world.
In conclusion, this episode offers a deep dive into the consequences of leadership in crisis and the heavy costs of survival. It successfully blends intense action with character-driven drama, providing a compelling and emotionally resonant story. "Bury Her Next to Jasper's Leg" not only pushes the season's narrative forward but also enriches the overarching themes of the series, making it a crucial and memorable part of "Fear the Walking Dead."
Fear the Walking Dead: Honey (2020)
"Honey" stands out for its exploration of how past traumas and the drive for vengeance can warp one's priorities and relationships
Dwight and Sherry are spending a night together, when Sherry gets up and seemingly disappears. Dwight hears noises outside and is captured by a group of masked men. The next day, Dwight appears in a skatepark with the men, where Sherry confesses that she is a part of their group. They plan to destroy the SWAT truck, but Althea, who has also been captured, suggests they steal it instead. The assault on the truck is successful with the unexpected help of Morgan. At night, Sherry tells Morgan she plans to kill Virginia, but Morgan refuses to participate, due to his experience in the war against Negan. He reveals his plan to make a new community away from the Pioneers.
Sherry convinces Dwight to ambush Virginia's henchmen and proceeds into the trap. Shortly after seeing that Morgan and Althea refuse to attack the Pioneers, she locks them up with Dwight. Morgan convinces Dwight to stop Sherry, who reluctantly cancels the attack with Virginia not even showing up. The next day, Morgan and Althea convince Dwight to leave with them, but Sherry refuses to join, intending to continue her war against the Pioneers. When the refugees from the office building arrive, they depart for the hidden valley, and Dwight leaves Sherry a clue to give her their whereabouts.
The episode re-introduces Sherry, Dwight's long-lost wife, now a leader of a masked group determined to take down Virginia's oppressive regime. Their reunion brings a mix of joy and tension, as Dwight grapples with Sherry's transformation from the woman he remembered into a hardened resistance fighter.
The narrative thrust of "Honey" revolves around Sherry's plan to hijack a SWAT vehicle from Virginia's forces, using it to free their captured friends and strike a decisive blow against their oppressor. The plot thickens as it becomes clear that Sherry's motivations are driven by a mix of revenge and a strategic desire to weaken Virginia. Her intense focus and willingness to go to great lengths, including endangering the lives of those she aims to protect, create a rift between her and Dwight. This tension is masterfully depicted in their heated exchanges, revealing the emotional and moral dilemmas faced by characters who have been pushed to their limits.
Visually, the episode is stark and gripping, using the claustrophobic interiors of the SWAT vehicle and the desolate landscapes to enhance the sense of urgency and entrapment felt by the characters. The action sequences are well-executed, blending suspense and a palpable sense of danger that keeps viewers on the edge of their seats. One of the standout scenes involves a confrontation between Dwight and Sherry, where the former makes a poignant plea to his wife, highlighting his fear of losing her to the same vengeful obsession that once consumed him.
Critically, "Honey" stands out for its exploration of how past traumas and the drive for vengeance can warp one's priorities and relationships. The episode does an excellent job of weaving personal stories with the broader themes of the series, such as the quest for freedom and the moral compromises required in a lawless world. The performances, particularly by Austin Amelio (Dwight) and Christine Evangelista (Sherry), are exceptional, adding depth to their characters' internal conflicts.
Fear the Walking Dead: The Key (2020)
"The Key" has a rich storytelling and character exploration. It not only advances the plot but also deepens our understanding of its characters' psychological landscapes
John begins to read the letter that he wrote to June. Suddenly, he feels pain in his teeth and realizes he has a cavity. One morning, a ranger named Cameron does not show up for his shift, confusing John. Suspicious, John checks behind his house, finding an undead Cameron entangled in barbed wire with two walkers. During his investigation, John finds an earring at the crime scene. During Cameron's funeral, Janis tries to flee the settlement, but is caught. Janis, who was secretly dating Cameron, takes credit for the murder and is executed by the Pioneers by tying her to a tree outside with a radio blaring loud music, attracting nearby walkers who swiftly dismember and devour her.
Later, John finds Janis' zombified remains and puts her down. On his way back to Humbug's Gulch to search for answers, Morgan is struck by another car. He steps out and walks to the driver's seat of the other car, watching the man from the car stumble out. Morgan holds him at axe point, questioning if it was an accident. The man's companion stumbles out also, getting behind him. The men threaten Morgan, asking where Emile is and then demanding the key from him. A fight ensues, with Morgan killing them both. He looks down at the key he was wearing around his neck and wonders what it's for.
The episode centers on John Dorie, portrayed with quiet strength and complexity by Garret Dillahunt, whose role as a lawman in Virginia's settlement brings him face-to-face with the moral compromises of maintaining order in the apocalypse.
The episode unfolds with the discovery of a murder within the community, setting John on a path that challenges his ideals and his allegiance to Virginia's authoritarian rule. His investigation into the murder serves as a narrative vehicle to explore the corruption and manipulation within the settlements, revealing the darker sides of the characters involved, including Virginia herself. This plotline not only heightens the tension but also magnifies the internal conflicts within the characters, particularly John, who grapples with the disparity between his moral code and the grim realities of their new world.
One of the most compelling scenes in "The Key" is John's confrontation with Janis, the prime suspect in the murder case. The scene is tense and laden with emotion, showcasing Dillahunt's ability to convey deep inner conflict. His decision-making process and eventual actions reflect the broader theme of the episode-how individuals must navigate their own moral compasses in a world where traditional systems of justice have broken down. This culminates in a shocking twist that not only adds depth to John's character but also significantly alters his trajectory in the series.
Critically, "The Key" stands out for its focus on character development and moral dilemmas, grounded in a tightly woven plot that balances suspense with emotional depth. The episode successfully uses its murder mystery framework to examine larger existential themes, making it one of the more introspective and morally complex episodes of the season. The stark cinematography and moody atmosphere complement the narrative's tone, enhancing the sense of foreboding and uncertainty that permeates John's journey.
In conclusion, "The Key" is a testament to "Fear the Walking Dead's" capacity for rich storytelling and character exploration. It not only advances the plot but also deepens our understanding of its characters' psychological landscapes. The episode's ability to intertwine personal dilemmas with broader social commentary makes it a compelling watch, offering insights into the human condition under duress while providing the suspense and drama that fans of the series expect.
Fear the Walking Dead: Alaska (2020)
The emotional core of "Alaska" is undoubtedly Dwight's journey, which takes a dramatic turn when he unexpectedly reunites with Sherry
Morgan returns to the valley hideout, bringing Rachel and her baby food and other supplies. He tells her he has a man on the inside (Daniel), and vows to save his friends, rebuilding his signature staff into the new handle of his axe. Elsewhere, Virginia assigns Althea and Dwight to investigate various locations, and document the walkers and how they may have died. While at a funeral home, Althea hears Isabelle on her walkie-talkie discussing a nearby rendezvous point. Dwight overhears this and together they head to the building where Isabelle plans to land her helicopter. As they ascend the building, they find numerous rats and "THE END IS THE BEGINNING" spray painted on a wall. Eventually, they come across a group living there who are suffering from the bubonic plague.
The group's leader, Nora, warns them not to continue to the helipad, saying the last time the helicopter arrived, one of her friends was shot. Despite Dwight's pleas, Althea continues to the roof, and later notices that Dwight himself is infected. The two are later saved from walkers by Nora, who leads Althea to the roof. While anxiously waiting for Isabelle, she has a change of heart and fires a flare gun; she then warns Isabelle via the walkie-talkie (without revealing her identity) to not fly to the building due to the plague. Isabelle thanks her, and leads her to a supply crate containing beer and medicine for Nora's group. Afterwards, Althea confides in Dwight her belief that the rats were planted to spread the sickness. Once they leave, Althea hears a woman on her walkie-talkie who saw the flare, and is about to arrive at the building. The woman turns out to be Sherry, who is finally reunited with Dwight.
The episode follows Dwight and Althea as they embark on a mission through a zombie-infested high-rise building, tasked by Virginia to complete a mysterious and dangerous recon assignment. This setting provides a claustrophobic backdrop to the character-driven drama that unfolds, highlighting the emotional and physical challenges of navigating a post-apocalyptic world.
The episode cleverly intertwines Dwight's search for his wife, Sherry, with Althea's quest for journalistic truth, symbolized through the collection of driver's licenses from the undead they encounter, a somber reminder of the lives lost to the outbreak. This mission takes them through layers of the building, each floor presenting new dangers and stirring reflections on their pasts. It is on one of these floors they encounter a couple who have succumbed to the virus, leading to one of the episode's most touching scenes where Althea retrieves a license marked "Alaska," fulfilling a promise made to the dying man.
The emotional core of "Alaska" is undoubtedly Dwight's journey, which takes a dramatic turn when he unexpectedly reunites with Sherry. This reunion, long-awaited by fans, is handled with a mix of joy and realism. The complexities of their separation and survival have changed them both, adding layers to their relationship that are conveyed through nuanced performances by Austin Amelio and Christine Evangelista. Their reunion is bittersweet, underscoring the theme of how people can find each other even when all seems lost.
Critically, "Alaska" stands out for its focus on character development and emotional resonance, veering away from broader plot movements to provide a more intimate narrative. The episode excels in demonstrating how personal stories can drive the narrative forward, offering both heartbreak and hope. The performances, coupled with tight scripting and effective use of the claustrophobic setting, heighten the episode's impact, making it a memorable addition to the season.
In conclusion, "Alaska" is a testament to "Fear the Walking Dead's" ability to blend action with deep emotional storytelling. The episode not only progresses Dwight and Althea's arcs but also enriches the series' exploration of themes such as redemption, love, and the human spirit's resilience. It is a powerful episode that reassures viewers of the series' strengths, particularly in its careful study of its characters' inner lives amidst external chaos.
Fear the Walking Dead: Welcome to the Club (2020)
"Welcome to the Club" is effective in its exploration of themes such as power dynamics, sacrifice, and survival ethics
After an incident with a high-ranking member of the Pioneers, Alicia and Strand are taken to a warehouse to eliminate a large herd of walkers, and are later joined by Charlie and Janis. Meanwhile, Daniel appears to be suffering from amnesia, causing confusion among his allies. Dakota, Virginia's younger sister, joins them in clearing the walkers, and inadvertently kills two of the Pioneers.
In the midst of the battle, Strand secretly stabs a fellow prisoner, Sanjay, and sacrifices him to the walkers in order to gain the upper hand. Later, Virginia praises Strand for his work as a leader, and gives him an important position for the community. Strand, feeling guilty for his role in Sanjay's death, assigns Alicia to another settlement. That night, Daniel is attacked by a walker, but is saved by Morgan, and reveals he still has his memory.
This episode underscores the themes of leadership, oppression, and rebellion, woven through a narrative filled with tension and desperate survival tactics. Set against the backdrop of Virginia's tyrannical rule, the episode highlights the lengths to which people will go for power and control, and the corresponding depths others will sink to in order to resist that control.
The central focus of "Welcome to the Club" is on Alicia and Strand, who find themselves in a precarious situation after being captured by Virginia. They are forced, along with other prisoners, to clear a highly dangerous molasses warehouse filled with walkers. This task is not only a punishment but also a test set by Virginia to determine their worthiness for a more significant role within her community. The dire conditions and the almost certain death they face serve as a powerful metaphor for the struggle against oppressive leadership, and it pushes both Alicia and Strand to their limits, both physically and morally.
One of the episode's most intense scenes involves the group's struggle to escape the sticky death trap of the warehouse. The use of molasses adds a unique and horrifying element to the typical walker encounter, as it slows down both the living and the undead, creating nail-biting suspense. Moreover, it's in this desperate situation that we see significant character development, particularly from Strand, who makes ruthless decisions that underline his complex nature. His actions, driven by a desire to survive and rise in rank, contrast sharply with Alicia's more compassionate leadership style, setting up an intriguing conflict between their philosophies.
Critically, "Welcome to the Club" is effective in its exploration of themes such as power dynamics, sacrifice, and survival ethics. The episode excellently portrays how extreme circumstances can bring out both the best and the worst in people. It also raises questions about what it means to be a leader in a post-apocalyptic world and whether the end justifies the means. The performances by Alycia Debnam-Carey and Colman Domingo are particularly strong, adding depth to their characters' internal conflicts and decisions.
Fear the Walking Dead: The End Is the Beginning (2020)
A a promising departure from previous seasons, offering a fresh narrative approach and deeper character arcs
Several weeks after being shot by Virginia, Morgan has managed to escape the Pioneers' grasp, but is in bad health from his gunshot wound that has become infected and gangrenous. Virginia hires a bounty hunter, Emile, to find and kill Morgan. While scavenging for supplies, Morgan meets Isaac, who helps him hide from Emile. Isaac takes Morgan to a hidden valley where his pregnant wife, Rachel, is located. Emile finds Morgan, but Isaac rescues him and reveals that he was previously bitten prior to meeting him. Morgan kills Emile and steals his clothes, axe, and a key he was carrying with him.
The next day, Morgan awakens to find the bullet extracted and that Isaac died from his infection, but not before Rachel gave birth to a girl, named Morgan. Morgan leaves the head of the bounty hunter for Virginia to find, leaving her stunned. Morgan tells Virginia over the radio, "Morgan Jones is dead. You're dealing with somebody else now." Elsewhere on a beach, a man spray paints "THE END IS THE BEGINNING" on a washed-up submarine. He speaks to another man, who says "they" should have arrived by now, and they need the key.
The episode primarily revolves around Morgan Jones, whose fate was left uncertain at the end of Season 5. It is revealed that he survived Virginia's assassination attempt but is now gravely wounded and hunted by a bounty hunter named Emile. This grim scenario serves to underscore Morgan's resilience and determination to reunite his dispersed friends. His interactions with a desperate stranger, who ultimately sacrifices himself to save Morgan, highlight themes of sacrifice, redemption, and the ongoing quest for humanity in a post-apocalyptic world. The episode effectively uses Morgan's struggle to survive as a mirror to the psychological and physical tortures the characters endure under Virginia's rule.
One of the most striking scenes is Morgan's confrontation with Emile. The tension-filled showdown not only brings action to the forefront but also represents Morgan's transformation and his refusal to let his ideals die, even in the face of overwhelming odds. The decapitation of Emile with his own axe and Morgan's subsequent decision to send Emile's zombified head to Virginia marked with a message "Morgan Jones is dead. You are dealing with somebody else now," is a powerful turning point that symbolizes Morgan's evolution and sets a new course for his character.
Critically, this episode stands out for its focused storytelling and character development, primarily through Morgan. The dire circumstances allow for a deeper exploration of his character, more so than in previous seasons. The choice to isolate characters in separate storylines could risk disjointed narratives, but "The End is the Beginning" uses this structure to its advantage, creating a suspenseful and emotionally charged atmosphere that reinvigorates the series. The introduction of new characters and threats, along with high-stakes drama, promises a season of significant transformation and relentless challenges.
Overall, the season opener of "Fear the Walking Dead" marks a promising departure from previous seasons, offering a fresh narrative approach and deeper character arcs. The episode's ability to balance despair with moments of hope and resilience sets a compelling stage for the episodes to come, signaling a season that will not shy away from pushing its characters to their limits.
Fear the Walking Dead: End of the Line (2019)
"End of the Line" discusses moral dilemmas while it wraps up some story arcs, it opens new avenues for conflict and development, particularly with the uncertain fate of Morgan
After contacting Virginia, the group clear the park and attempt to use the walkers as a way to keep Virginia from causing trouble but seeing Luciana with them causes them to abandon the plan and drive the herd into a river with rapids. In the remaining time they have until Virginia arrives, Al discovers the group previously staying at the park was wiped out by Virginia and John marries June. Upon her arrival, the group is split up and when everyone leaves, she attempts to kill Morgan as he's a liability leaving him shot in the chest. Two soon learn that Grace is not sick but pregnant. Satisfied knowing that Virginia was wrong about them, he broadcasts a message to his friends to "just live" as walkers begin to close in on him.
The season finale of "Fear the Walking Dead," episode 16, titled "End of the Line," presents a climactic conclusion that tests the group's ideals and unity. This episode encapsulates the group's ongoing struggle for a safe haven and the compromises they must make to secure a future, making it both a tense and emotionally charged finale.
"End of the Line" sees the group facing a crossroads with Virginia (Colby Minifie) and her Pioneers, a well-equipped, ostensibly civil community that offers security at a significant personal cost. The characters grapple with the decision of whether to accept Virginia's help, knowing it would mean splitting up and living under her strict rules. This dilemma brings the group's dynamics to the forefront, showing the friction between individual desires and collective needs. The episode effectively builds tension, culminating in a dramatic decision where the group, led reluctantly by Morgan, agrees to Virginia's terms in exchange for safety.
One of the most poignant and impactful scenes is the makeshift wedding of John Dorie (Garret Dillahunt) and June (Jenna Elfman). This moment, filled with joy amidst despair, symbolizes a fleeting sense of normalcy and hope. It serves as a powerful reminder of what the survivors are fighting for, not just survival but a life worth living. However, the joy is short-lived as Virginia makes her move, forcibly dividing the group according to her plans, which underlines the theme of power and control that has been pervasive throughout the season.
The finale takes a darker turn when Morgan is left for dead by Virginia, creating a cliffhanger that leaves his fate uncertain. This scene is effectively executed, with Morgan broadcasting a final message of hope and unity, urging the group to "live." This not only sets a somber and desperate tone but also leaves viewers questioning the future of the leadership and the philosophical underpinnings that Morgan brought to the group. His potential death could signify a shift in narrative focus for the upcoming season, moving away from his ethos of benevolence and community.
In conclusion, "End of the Line" serves as a powerful finale that challenges the characters and the viewers with moral dilemmas about freedom, safety, and leadership. While it wraps up some story arcs, it opens new avenues for conflict and development, particularly with the uncertain fate of Morgan. The episode's handling of themes such as sacrifice, division, and hope, against the backdrop of a zombie apocalypse, ensures that the season concludes on a note that is both unresolved and compelling, setting up eagerly awaited future episodes.
Fear the Walking Dead: Channel 5 (2019)
"Channel 5" stands out for its experimental approach to narrative form, using the documentary style to enhance character development and thematic exploration
Virginia creates a documentary of her own to lure people to join her group, causing Morgan's group to begin creating a new documentary to counter Virginia's message. Grace's condition worsens, though June is unable to tell if it is due to the radiation poisoning or not. Though Tom is reunited with his sister, it is short lived. Virginia makes her offer once more but summons a herd on them for refusing. They attempt to move the convey across the bridge only to lose Tom and their tanker of gas. The despondent group head to a Old West-style theme park only to find it overrun with walkers. Left with no other options, Morgan calls Virginia for her help.
The fifteenth episode of "Fear the Walking Dead" Season 5, titled "Channel 5," takes a unique narrative approach by employing a documentary style that lends a fresh perspective to the storytelling. This episode shifts away from traditional storytelling as the group decides to make a documentary to showcase their mission and attract survivors in need of help. This stylistic choice adds a layer of realism and immediacy but also allows for a closer examination of the characters' motivations and vulnerabilities.
"Channel 5" begins with the group struggling with the reality of their journey to find a new home, facing the harsh truth that their map might be leading them nowhere. This discovery aligns with the growing tension within the group and their dwindling supplies, highlighting the desperation and decay of their situation. The documentary format captures these moments in a raw and unfiltered light, showing interviews with the characters who express their fears, hopes, and frustrations. The episode effectively uses this setup to delve into the psychology of the characters, especially focusing on Morgan's leadership and the mounting doubts about his decisions.
One of the most poignant scenes involves the breakdown of the caravan in the middle of a river crossing, which acts as a metaphor for the group's broader struggles. The water's relentless force and the subsequent loss of supplies serve as a stark reminder of the group's precarious situation. This sequence is well-executed, blending action with emotional despair, and it's made all the more powerful through the documentary's confessional interviews, where characters reflect on the incident and its implications for their survival.
The confrontation with Virginia and her group towards the episode's end escalates the ongoing conflict and sets the stage for the finale. Virginia's offer to help, coupled with her manipulative tactics, introduces a complex villain whose charisma and control pose a significant threat to Morgan's ideals. This climax not only heightens the drama but also questions the efficacy and ethics of Morgan's approach to building a community in an apocalyptic world.
"Channel 5" stands out for its experimental approach to narrative form, effectively using the documentary style to enhance character development and thematic exploration. The episode is both a critique and celebration of the power of storytelling, emphasizing how narratives can manipulate as much as they reveal truths. Although this approach may not resonate with all viewers, it provides a compelling and introspective look at the characters' journey, setting a dramatic precursor to the season's conclusion.
Fear the Walking Dead: Today and Tomorrow (2019)
The episode successfully develops its characters while setting the stage for the impending conflicts with Virginia's group
Al and Morgan encounter a Tom who is on the run from Virginia's people and searching for his sister Janis. After hearing familiar phrases from him, Al believes this group might be the same group as Isabelle or at least a different sec. They break into a complex and are later caught after not finding Janis. Virginia knows nothing about a helicopter group and has Morgan's stick repaired in good faith but they turn down the same offer she made to the others in their group though her offer still stands. Attempting to reconcile with Grace, he learns that she is ill.
Episode 14 of "Fear the Walking Dead" Season 5, titled "Today and Tomorrow," offers a deeper look into the emotional and moral complexities of the characters as they navigate through their quest for redemption and survival. The episode focuses on Daniel and Grace's mission to secure supplies, while Morgan and Althea's separate adventure leads to revealing and tense moments that test their resolve and ideals.
The episode begins with Daniel and Grace encountering unexpected obstacles as they attempt to salvage resources for the group. Their interactions are poignant, highlighting Grace's existential struggle with her mortality and the looming threat of her illness. The subtle chemistry between Daniel and Grace adds depth to their characters, showing how the apocalypse continues to impact personal connections and emotional growth. The conversations between Daniel and Grace, particularly about their pasts and regrets, are some of the most heartfelt moments of the episode.
Meanwhile, Morgan and Althea's storyline introduces new elements of danger and intrigue. Their encounter with Virginia's group, "The Pioneers," is fraught with tension and uncertainty. The dynamics between Morgan, who is inherently suspicious and protective, and Althea, who is driven by her journalistic instinct to uncover stories, provide a gripping narrative. This part of the episode effectively sets up future conflicts and alliances, as it becomes clear that Virginia's intentions might not be as benevolent as she presents.
The episode's conclusion, with Grace collapsing and revealing her illness has worsened, serves as a stark reminder of the transient nature of hope and survival in such a bleak world. Morgan's internal conflict, spurred by his interactions with Althea and his desire to help others at the risk of his own group's safety, adds another layer of complexity to his character.
"Today and Tomorrow" is a solidly crafted episode that balances emotional depth with narrative progression. It successfully develops its characters while setting the stage for the impending conflicts with Virginia's group. The episode asks poignant questions about what it means to live versus survive and whether the future can truly be shaped by the actions of today. The introspective and somber tone, combined with the intense interpersonal drama, makes this episode a compelling addition to the season.