Met the producer, Laura, at the RiverRun International Film Festival last year. She was nice enough to send me a link.
I'm so glad she did. Quiet and affecting.
Reviews
27 Reviews
The Wolfpack
(2015)
Incredibly Gripping
12 July 2015
The subjects of the new documentary "The Wolfpack" have to be some of the most odd people I've seen put to film all year. The individuals I'm talking about are a group of brothers who, throughout their childhood, were shut off from society and forced to stay in their New York City apartment. Being home-schooled and in a unique state of seclusion - in which they only got outside nine or ten times a year - they formed a religious love of movies. Without internet and with plenty of time on their hands, they compiled homemade scripts of their most treasured films (which range from "The Dark Knight" to "Gone With the Wind"). This, of course, all for the purpose of remaking them to their own delight. Cinema helps them pass the time and gain access to a bit of the world that they can't actually see themselves.
The opening sequence is most telling, in which they lovingly act out their favorite moments from Quentin Tarantino's "Reservoir Dogs". It's at once extremely funny, with their cardboard guns and baggy suits, yet haunting in the same sense. It's the definition of a fly-on-the-wall documentary, in which we're not really sure how the filmmakers found these kids, much less were allowed into their lives. The fact that some of this footage even exists is a testament to the superb direction by Crystal Moselle.
I found it captivating from beginning to end. The mystery of why these boys have been treated this way is handled excellently. Nothing is revealed too quickly, partly because the answers aren't all that simple. It's definitely a slow-build, but completely absorbing. You won't be able to take your eyes off this family. The story of their lives is incredibly gripping, and absolutely worthy of this skillfully-made film.
The opening sequence is most telling, in which they lovingly act out their favorite moments from Quentin Tarantino's "Reservoir Dogs". It's at once extremely funny, with their cardboard guns and baggy suits, yet haunting in the same sense. It's the definition of a fly-on-the-wall documentary, in which we're not really sure how the filmmakers found these kids, much less were allowed into their lives. The fact that some of this footage even exists is a testament to the superb direction by Crystal Moselle.
I found it captivating from beginning to end. The mystery of why these boys have been treated this way is handled excellently. Nothing is revealed too quickly, partly because the answers aren't all that simple. It's definitely a slow-build, but completely absorbing. You won't be able to take your eyes off this family. The story of their lives is incredibly gripping, and absolutely worthy of this skillfully-made film.
Manglehorn
(2014)
Enthralling & Magical
6 July 2015
David Gordon Green has always been a filmmaker whose work I admire and appreciate, with the majority of his dramatic films having a certain poetic quality that I've found fascinating. He invariably manages to surprise in the deep visual style of his movies, and perfectly challenges the audience in the best way possible when it comes to the story. "Manglehorn", his most recent picture, being an ideal example. It's a movie that really stuck with me. Even after having seen it for the first time a few weeks ago, I still find myself pondering over its subject (a person that is deeply wounded emotionally).
This main character, an older Texas locksmith who lives a relatively lonely existence (Al Pacino), is constantly pained by a past love of his. He spends his days helping those locked out of their car or home, and methodically writes letters to this beloved woman in his free moments. He's obviously a man who hasn't done everything right in his life - with a son that feels abandoned and without a father - and this woman serves as his only beacon. He's void of any real interaction or connection in his life, aside from his weekly encounter with a warmhearted bank teller (wonderfully played by Holly Hunter).
It's a considerably smaller film in the scope of Pacino's career, but the performance is stirring and big, and will be recognized as such in the coming years. It's surely a movie that requires the viewer to stick with it, but its magical quality can't be denied. David Gordon Green has really tapped into something here, giving us a deeply enthralling portrait of life in the south. All of its genius isn't going to be revealed on the first viewing. But as we all know, great movies continue to evolve the more you watch them. In my eyes, this falls into that category.
This main character, an older Texas locksmith who lives a relatively lonely existence (Al Pacino), is constantly pained by a past love of his. He spends his days helping those locked out of their car or home, and methodically writes letters to this beloved woman in his free moments. He's obviously a man who hasn't done everything right in his life - with a son that feels abandoned and without a father - and this woman serves as his only beacon. He's void of any real interaction or connection in his life, aside from his weekly encounter with a warmhearted bank teller (wonderfully played by Holly Hunter).
It's a considerably smaller film in the scope of Pacino's career, but the performance is stirring and big, and will be recognized as such in the coming years. It's surely a movie that requires the viewer to stick with it, but its magical quality can't be denied. David Gordon Green has really tapped into something here, giving us a deeply enthralling portrait of life in the south. All of its genius isn't going to be revealed on the first viewing. But as we all know, great movies continue to evolve the more you watch them. In my eyes, this falls into that category.
Love & Mercy
(2014)
Somewhat Underwhelming
27 June 2015
Paul Dano is a fantastic actor, and I think Hollywood has started to realize that over the past few years. If I remember correctly, the first thing I ever saw him in was a small little movie called "Ruby Sparks". I had never seen this guy before, but I thought he was pretty incredible. And from that day on, I made it my mission to see almost everything he's ever been in. Of course, a few of them have slipped through the cracks, but I've seen the good majority of his on-screen work. Some of my personal favorites include the aforementioned as well as his roles in "The Extra Man" and "Meek's Cutoff". And his performance in "Love & Mercy" is no different, I just wish there was more of it.
The film itself is split directly down the middle. As you may know, it's the story of Brian Wilson (otherwise known as the frontman for The Beach Boys). But it's by no means chronologically told. We cut to and fro from Brian's formative years as a musician to his later days when he seems to be manipulated by a greedy therapist out to swindle him. In his younger years, he's excellently played by Paul Dano, with John Cusack stepping in for the later part of his life. These are two different stories, and two different movies at that.
The one that I was constantly enjoying and couldn't get enough of was his early years of dealing with quick success, and trying to follow up on that with more genuine music that spoke to the listener. This struggle, the one that is parleyed with his confusion and fractured being that came about as he was much older, is far more interesting. John Cusack definitely tries his best along with Elizabeth Banks to capture that fractured state - and turns in a commendable performance along the way - but it simply can't measure up to the electricity that is seen when Dano emerges. The result is a somewhat underwhelming movie, one that most definitely would've been better if entirely focused on one part of his life. However, one thing is certainly made clear, Paul Dano is sensational.
The film itself is split directly down the middle. As you may know, it's the story of Brian Wilson (otherwise known as the frontman for The Beach Boys). But it's by no means chronologically told. We cut to and fro from Brian's formative years as a musician to his later days when he seems to be manipulated by a greedy therapist out to swindle him. In his younger years, he's excellently played by Paul Dano, with John Cusack stepping in for the later part of his life. These are two different stories, and two different movies at that.
The one that I was constantly enjoying and couldn't get enough of was his early years of dealing with quick success, and trying to follow up on that with more genuine music that spoke to the listener. This struggle, the one that is parleyed with his confusion and fractured being that came about as he was much older, is far more interesting. John Cusack definitely tries his best along with Elizabeth Banks to capture that fractured state - and turns in a commendable performance along the way - but it simply can't measure up to the electricity that is seen when Dano emerges. The result is a somewhat underwhelming movie, one that most definitely would've been better if entirely focused on one part of his life. However, one thing is certainly made clear, Paul Dano is sensational.
Dope
(2015)
Irresistible Fun
20 June 2015
"Dope" is not the movie that you probably expect when hearing the title. I want to stress that. The word itself has negative connotations (with most thinking immediately of drugs when they hear it), and though it certainly deals with things of that sort, it isn't really that simple. The few definitions of the word are addressed at the beginning of the film, most notably as a slang term referring to something that is "very good". This definition, my favorite of the few, seems to capture the movie in the best light.
Essentially, this is a coming-of-age picture. Our main character is Malcolm, a high-school senior who's obsessed with 90s hip-hop culture, and who constantly shows this affection by emulating the fashion and language of the time. He's a straight-A student with perfect SAT scores and seems to have everything under control - despite a few bullies - until he finds himself taking a chance invitation to a drug dealer's birthday party along with his two best friends. From there, he's taken on a crazy adventure littered with bad choice after bad choice, all the while juggling college applications and interviews that will surely determine his future.
Writer/Director Rick Famuyiwa strips the film of any tired clichés or stereotypes for African-American characters, and surprisingly manages to infuse details that question the issues of racism and class discrimination. But above all, he makes a really fun movie. The writing is sharp and humorous, with the acting from the main trio - Shameik Moore, Tony Revolori, and Kiersey Clemons - complimenting it excellently. And though it's undoubtedly rough around the edges, its wit and ceaseless energy make it irresistible.
Essentially, this is a coming-of-age picture. Our main character is Malcolm, a high-school senior who's obsessed with 90s hip-hop culture, and who constantly shows this affection by emulating the fashion and language of the time. He's a straight-A student with perfect SAT scores and seems to have everything under control - despite a few bullies - until he finds himself taking a chance invitation to a drug dealer's birthday party along with his two best friends. From there, he's taken on a crazy adventure littered with bad choice after bad choice, all the while juggling college applications and interviews that will surely determine his future.
Writer/Director Rick Famuyiwa strips the film of any tired clichés or stereotypes for African-American characters, and surprisingly manages to infuse details that question the issues of racism and class discrimination. But above all, he makes a really fun movie. The writing is sharp and humorous, with the acting from the main trio - Shameik Moore, Tony Revolori, and Kiersey Clemons - complimenting it excellently. And though it's undoubtedly rough around the edges, its wit and ceaseless energy make it irresistible.
Clouds of Sils Maria
(2014)
Precise & Beautiful
12 April 2015
"Clouds of Sils Maria", the latest work from auteur director Olivier Assayas, is one of those films that leaves a deep impression. It's warm and intimate in ways movies simply aren't anymore, and the characters in it are the same way. Juliette Binoche and Kristen Stewart - who play the ones we so closely get to know - are simply wonderful together, possibly being the most interesting duo you'll see on screen all year. These people aren't afraid to be vulnerable, or show their idiosyncrasies, and that's precisely what makes them so human and comforting. It's a movie that I got lost in (in a good way) and gravitated towards immediately.
Binoche plays one of the most renowned actresses in Hollywood, having starred in a seminal play and film based on the same material that made her career twenty years earlier, but is now confronted with starring in a new stage production of that same play. She's hesitant, but excepts the challenge, and the film centers around her struggle to deal with the difficult script that she hasn't visited in so long, and her looming age over everything she does. That, along with the fascinating relationship she has with her assistant (Stewart), which quickly becomes the focus.
Both of these women are charming beyond belief, spending the good majority of their screen-time together, and their constant rapport is one of the main reasons why I liked the film so much. Of course, you have breathtaking cinematography and a really distinct directing style from Assayas, but these characters are unmatched. We don't simply get acquainted with them, we know them. It's an immediate thing from the first few scenes alone. Each moment flows so beautifully to the next, and the precision is something to marvel at. That, in a nutshell, is why I found it to be so brilliant.
Binoche plays one of the most renowned actresses in Hollywood, having starred in a seminal play and film based on the same material that made her career twenty years earlier, but is now confronted with starring in a new stage production of that same play. She's hesitant, but excepts the challenge, and the film centers around her struggle to deal with the difficult script that she hasn't visited in so long, and her looming age over everything she does. That, along with the fascinating relationship she has with her assistant (Stewart), which quickly becomes the focus.
Both of these women are charming beyond belief, spending the good majority of their screen-time together, and their constant rapport is one of the main reasons why I liked the film so much. Of course, you have breathtaking cinematography and a really distinct directing style from Assayas, but these characters are unmatched. We don't simply get acquainted with them, we know them. It's an immediate thing from the first few scenes alone. Each moment flows so beautifully to the next, and the precision is something to marvel at. That, in a nutshell, is why I found it to be so brilliant.
American Sniper
(2014)
A Tiresome, Sub-Standard Gimmick
19 January 2015
I can't say that I see the appeal when it comes to "American Sniper". Frankly, I don't understand what all the fuss has been about. This is a film that I found to be sub-standard in almost every way possible and by no means anything remarkable. It's something that seems to have absolutely no point whatsoever and fails to find one along the way, leaving the audience left to watch meaningless recounted events. And after a while, it gets a bit monotonous.
As you may know, the film centers around the infamous Navy SEAL sniper Chris Kyle, focusing on his four tours of duty in Iraq. We see him grapple with keeping his fellow soldiers alive while also pursuing leads on various al-Qaeda members.
And what could be an interesting story - possibly one of value - is reduced to a tiresome gimmick revolved around whether or not he can snipe down person after person. It seems to have been made just to prove the fact that he is "the most lethal sniper in U.S. military history". With flashbacks to his childhood straight out of a TV movie and unnecessary jumps from his time at home to his time serving, it never quite finds a rhythm. I couldn't tell if it was trying to be an intense war flick or a study on his PTSD, and I'm not sure that Clint Eastwood knew either.
Bradley Cooper manages to deliver a solid performance here but he's certainly done much better work and has virtually no chemistry with co-star Sienna Miller. How anyone could consider this an Oscar-worthy picture baffles me.
As you may know, the film centers around the infamous Navy SEAL sniper Chris Kyle, focusing on his four tours of duty in Iraq. We see him grapple with keeping his fellow soldiers alive while also pursuing leads on various al-Qaeda members.
And what could be an interesting story - possibly one of value - is reduced to a tiresome gimmick revolved around whether or not he can snipe down person after person. It seems to have been made just to prove the fact that he is "the most lethal sniper in U.S. military history". With flashbacks to his childhood straight out of a TV movie and unnecessary jumps from his time at home to his time serving, it never quite finds a rhythm. I couldn't tell if it was trying to be an intense war flick or a study on his PTSD, and I'm not sure that Clint Eastwood knew either.
Bradley Cooper manages to deliver a solid performance here but he's certainly done much better work and has virtually no chemistry with co-star Sienna Miller. How anyone could consider this an Oscar-worthy picture baffles me.
Whiplash
(2014)
Tests the Viewer
12 January 2015
The performance that Miles Teller gives in Damien Chazelle's new film "Whiplash" reminded me a lot of Robert De Niro's in "Raging Bull". They both play tenacious, unrelenting characters and do so in a way that can't be forgotten and stays with the viewer long after the movie's over. They may be pursuing different things, De Niro with boxing and Teller with drumming, but they're each after the same goal: greatness. And that's what this film is all about, reaching a goal that is relative to the person trying to achieve it.
In this case, it centers around a guy who never feels understood. He's attending the most prestigious music school in the country and is constantly working to be 'one of the greats'. Who, in his eyes, is someone like Buddy Rich. Then unexpectedly, he's given a chance to prove his chops on the renowned studio band instructed by Terence Fletcher (J.K. Simmons). He's soon met with Fletcher's abusive teaching tactics and is continuously tested under pressure. The question is, can he withstand.
It tests the psyche of a young man and shows how far a person will go for something they love and want to do for the rest of their life. That being said, it's a harsh movie. The audience is thrown right into the pressure cooker along with Teller, and if you're not ready for it, it can be unsettling and scary. But that's one of the main reasons why I liked it. Not only does it test the main character, it tests the viewer. You also can't deny the masterful performances on display and finesse that the director brings along with them. Needless to say, this is a must-see. If I had seen it in 2014, it would've undoubtedly made my top ten.
In this case, it centers around a guy who never feels understood. He's attending the most prestigious music school in the country and is constantly working to be 'one of the greats'. Who, in his eyes, is someone like Buddy Rich. Then unexpectedly, he's given a chance to prove his chops on the renowned studio band instructed by Terence Fletcher (J.K. Simmons). He's soon met with Fletcher's abusive teaching tactics and is continuously tested under pressure. The question is, can he withstand.
It tests the psyche of a young man and shows how far a person will go for something they love and want to do for the rest of their life. That being said, it's a harsh movie. The audience is thrown right into the pressure cooker along with Teller, and if you're not ready for it, it can be unsettling and scary. But that's one of the main reasons why I liked it. Not only does it test the main character, it tests the viewer. You also can't deny the masterful performances on display and finesse that the director brings along with them. Needless to say, this is a must-see. If I had seen it in 2014, it would've undoubtedly made my top ten.
This Is Where I Leave You
(2014)
Rough Around the Edges, But That's Why It Succeeds
7 December 2014
"This is Where I Leave You" is not perfect, much like its characters. Its got moments that simply don't work, isn't without conventional things that we've all seen before, and it certainly isn't anything remarkable. However, that may be the reason why I enjoyed it so much. It's a story about and for regular people, and features characters that everyone can identity with. These are people that we've seen in our own families, with problems similar to the ones these characters are facing, and that's the beauty of this movie. Because of that alone, it reaches a level of charm that most big budget films can never touch. And despite its flaws, it surprised me.
It has a plot that's pretty self-explanatory: four siblings are forced to return to their childhood home after the death of their father and they attempt to work out their past and reconnect. Everybody is dealing with their own issues as well, some of them with marital problems and others with trying to grow up, and each finds comfort in each other. Some of my favorite scenes in the film consisted of the dynamic between Jason Bateman and Tina Fey, who discuss their worries on the roof until late at night.
Sincere moments like those seem to outweigh the more goofy, but be ready for a flawed film. It's rough around the edges, I want to stress that, but that's why it succeeds. By the end, it feels as if you've lived with these characters for years and you appreciate where they all end up going more than you may expect. Bateman manages to carry the film and deliver his best performance to date, proving he can play the everyman with a bit more finesse. And overall, it's something you'll appreciate because of its truth.
It has a plot that's pretty self-explanatory: four siblings are forced to return to their childhood home after the death of their father and they attempt to work out their past and reconnect. Everybody is dealing with their own issues as well, some of them with marital problems and others with trying to grow up, and each finds comfort in each other. Some of my favorite scenes in the film consisted of the dynamic between Jason Bateman and Tina Fey, who discuss their worries on the roof until late at night.
Sincere moments like those seem to outweigh the more goofy, but be ready for a flawed film. It's rough around the edges, I want to stress that, but that's why it succeeds. By the end, it feels as if you've lived with these characters for years and you appreciate where they all end up going more than you may expect. Bateman manages to carry the film and deliver his best performance to date, proving he can play the everyman with a bit more finesse. And overall, it's something you'll appreciate because of its truth.
Tusk
(I) (2014)
Destined To Be A Midnight-Movie Classic
7 December 2014
The experience that I had with Kevin Smith's new film "Tusk" is unlike any other. And when I say 'any other', I mean ANY other. It doesn't draw similarities with films of the same genre (or others for that matter), both in the style and the characters. The whole concept in and of itself is one of the most original ideas for a movie I've ever seen, and the execution of it is surprising and strange. And though it may not be the kind-of movie I would frequently recommend, mostly due to the odd looks I'd be given, it directly proves that sometimes weird is good.
The film centers around a podcaster named Wallace (Justin Long) who, on a quest to find his next interesting interviewee in the backwoods of Canada, encounters a creepy and mysterious old seafarer that has an obsession with walruses. Yes, you read it correctly, walruses. And due to the fact that I don't want to spoil the film's many plot surprises, let's just say that Justin Long's character becomes the victim of that obsession. What ensues is a bizarre (yet seamless) mixture of comedy and horror that never fails to entertain.
It's easily one of the most surreal movie experiences I've ever had, and it's destined to be a midnight-movie classic. You certainly need to know that what you're getting into shouldn't be taken seriously, and once you're in that mindset, you'll revel in its outrageousness. And for a movie so out- there and different, it's startling how great some of the performances are. Michael Parks (who plays the sinister antagonist) is outstanding, and Justin Long complements him perfectly. It's definitely a B-Movie in every sense of the word, but that's why I found it so enjoyable.
The film centers around a podcaster named Wallace (Justin Long) who, on a quest to find his next interesting interviewee in the backwoods of Canada, encounters a creepy and mysterious old seafarer that has an obsession with walruses. Yes, you read it correctly, walruses. And due to the fact that I don't want to spoil the film's many plot surprises, let's just say that Justin Long's character becomes the victim of that obsession. What ensues is a bizarre (yet seamless) mixture of comedy and horror that never fails to entertain.
It's easily one of the most surreal movie experiences I've ever had, and it's destined to be a midnight-movie classic. You certainly need to know that what you're getting into shouldn't be taken seriously, and once you're in that mindset, you'll revel in its outrageousness. And for a movie so out- there and different, it's startling how great some of the performances are. Michael Parks (who plays the sinister antagonist) is outstanding, and Justin Long complements him perfectly. It's definitely a B-Movie in every sense of the word, but that's why I found it so enjoyable.
Gone Girl
(2014)
A Near Perfect Film
7 December 2014
"Gone Girl" is fantastic. There, I said it. It's one of the most thrilling American movies I've seen in the past five years. However, I can't say I'm surprised. David Fincher is known for bringing us milestones in cinema (being responsible for classics such as "Fight Club" and "Seven") and you can easily add his latest film to the long list of spellbinding and transfixing movies he's been a part of. Not only is it a genius piece of art, but it's daring in its storytelling, especially considering how wide of an audience the film has.
Set in a small Missouri town, it centers around Nick Dunne (Ben Affleck), a man who may or may not have killed his wife. At least, that's what everyone's trying to figure out. His wife goes missing, he's suspected, and we watch things unravel from there.
It's riveting, strangely creepy at times, and isn't afraid to show sexuality (which most mainstream films are too afraid to touch). Not to mention the exceptional performances from the whole cast, mainly our two leads (Affleck and Rosamund Pike), but also from other standouts like Tyler Perry and Kim Dickens.
One of my favorite aspects was the little splices of comedy that seemed to break up the more tense moments, showing how impeccable the writing is. And you when you couple that with the beautiful cinematography, you have a near perfect film. I urge you to the see this. It may split audiences, but I enjoyed it endlessly and can't wait to see it again. It's a prime example of what cinema can and should be.
Set in a small Missouri town, it centers around Nick Dunne (Ben Affleck), a man who may or may not have killed his wife. At least, that's what everyone's trying to figure out. His wife goes missing, he's suspected, and we watch things unravel from there.
It's riveting, strangely creepy at times, and isn't afraid to show sexuality (which most mainstream films are too afraid to touch). Not to mention the exceptional performances from the whole cast, mainly our two leads (Affleck and Rosamund Pike), but also from other standouts like Tyler Perry and Kim Dickens.
One of my favorite aspects was the little splices of comedy that seemed to break up the more tense moments, showing how impeccable the writing is. And you when you couple that with the beautiful cinematography, you have a near perfect film. I urge you to the see this. It may split audiences, but I enjoyed it endlessly and can't wait to see it again. It's a prime example of what cinema can and should be.
A Fascinating, Top-Notch Drama
7 December 2014
"Birdman" is such a hard movie to describe. I honestly don't know where to start. It's one of those films that doesn't fit into any one genre (or any two for that matter) and its wide array of interesting characters can't be easily summed up. But, that may be the reason why the film is so absorbing. It has so many original qualities that certainly don't fit into the standard mold of what a star-studded movie should be, instead putting a strange (but fascinating) spin on your typical drama.
Set in the heart of New York City, it focuses on Riggan Thomson (Michael Keaton), a washed-up actor who gained fame for his role as the iconic superhero Birdman. Trying to overcome his ego 12 years later, he adapts and stars in his own Broadway play hoping to reclaim his spot as an important actor. We see the ups and downs of this production along with the odd way his psyche works, his inner voice being the Birdman character.
There's also many other facets, including the quarrels between Keaton and Edward Norton's character (one of the main stars of the play), all equally entertaining. The writing is top-notch, serving up witty and funny moments throughout, and each member of the cast delivers a fantastic performance (my favorite being Norton). It also includes a brilliant musical score, entirely done with drums. And despite its flaws, mostly in a few goofy moments, it isn't one to miss. The concept alone is remarkable and the execution isn't far off, give this one a watch, it will be one of the standouts in the upcoming awards season.
Set in the heart of New York City, it focuses on Riggan Thomson (Michael Keaton), a washed-up actor who gained fame for his role as the iconic superhero Birdman. Trying to overcome his ego 12 years later, he adapts and stars in his own Broadway play hoping to reclaim his spot as an important actor. We see the ups and downs of this production along with the odd way his psyche works, his inner voice being the Birdman character.
There's also many other facets, including the quarrels between Keaton and Edward Norton's character (one of the main stars of the play), all equally entertaining. The writing is top-notch, serving up witty and funny moments throughout, and each member of the cast delivers a fantastic performance (my favorite being Norton). It also includes a brilliant musical score, entirely done with drums. And despite its flaws, mostly in a few goofy moments, it isn't one to miss. The concept alone is remarkable and the execution isn't far off, give this one a watch, it will be one of the standouts in the upcoming awards season.
Nightcrawler
(2014)
See It, You Will Thank Me
7 December 2014
I've said it before and I'll say it again, Jake Gyllenhaal is one of the most talented and reliable actors alive today. He's blown me away in more movies than I can name (some of my favorites being "Donnie Darko", "Prisoners", and "Enemy") and his latest role as the sleazy crime reporter Lou Bloom even further proves his genius. He manages to up his first-class standard of acting and single-handedly carry this thrill ride of a film. "Nightcrawler" is one of those movies that comes out of nowhere and astonishes you, proving that Hollywood can still widely release great films. It's a game-changer, and an entertaining one at that.
The film centers around Bloom, a driven young guy living in Los Angeles that never quite operates on everyone's level. Desperate for work and looking for something to occupy his time, he comes across the fast paced world of crime journalism. Quickly forcing his way into the business and filming anything the news stations will buy, he begins to tow the line between observer and participant, all for his own favor. The more dangerous it is to capture, the more money he receives. And as you can expect, things get out of hand (much to the pleasure of the audience).
It moves at an insanely rapid pace from one incident to the next and is one of the most captivating films I've seen in a long time. I never stopped to check the time once, which certainly says something, and was mesmerized by the mannerisms and dialogue coming from this peculiar character. Everything about this movie enchanted me: the darkly comic moments, dedicated performances, and dynamite writing. Add all that up and you have one of my favorite films of the year. See it, you will thank me.
The film centers around Bloom, a driven young guy living in Los Angeles that never quite operates on everyone's level. Desperate for work and looking for something to occupy his time, he comes across the fast paced world of crime journalism. Quickly forcing his way into the business and filming anything the news stations will buy, he begins to tow the line between observer and participant, all for his own favor. The more dangerous it is to capture, the more money he receives. And as you can expect, things get out of hand (much to the pleasure of the audience).
It moves at an insanely rapid pace from one incident to the next and is one of the most captivating films I've seen in a long time. I never stopped to check the time once, which certainly says something, and was mesmerized by the mannerisms and dialogue coming from this peculiar character. Everything about this movie enchanted me: the darkly comic moments, dedicated performances, and dynamite writing. Add all that up and you have one of my favorite films of the year. See it, you will thank me.
Fury
(2014)
Not Original in Any Way
7 December 2014
I'm not sure what to say when it comes to David Ayer's latest film "Fury". It's a movie that rides a fine line between mediocre and good. There were moments when I realized how great this film could have been, but those split-seconds were sparse. It's not as if it's particularly unpleasant, It's just not anything new, and none of the characters stuck out to me.
The plot is pretty commonplace, set in the heart of World War Two. We follow Brad Pitt's character, a battered sergeant nick-named 'Wardaddy', who has his hands full commanding his five-man crew in their cramped tank. Dealing with the harsh realities of war and a new man aboard, a young soldier who hasn't been properly trained, they're forced to fight outnumbered and out-gunned.
The movie is exactly what you might expect and that's probably why I didn't enjoy it. I was able to predict every move, all the way down to each character's arc, and it wasn't an original experience in any way. It felt as if they went down the list of every great war film collecting each trope they could and threw them in as needed.
The most redeeming aspect is the cinematography (which I found to be Oscar-worthy) but the other aspects can't match its greatness. The acting is fine, with Brad Pitt and Shia LaBeouf bringing the most to the table, but as a whole it's pretty substandard. If you're a fan of the genre you'll probably like this, but I'd recommend skipping it and revisiting classics like "The Bridge on the River Kwai" or "Patton".
The plot is pretty commonplace, set in the heart of World War Two. We follow Brad Pitt's character, a battered sergeant nick-named 'Wardaddy', who has his hands full commanding his five-man crew in their cramped tank. Dealing with the harsh realities of war and a new man aboard, a young soldier who hasn't been properly trained, they're forced to fight outnumbered and out-gunned.
The movie is exactly what you might expect and that's probably why I didn't enjoy it. I was able to predict every move, all the way down to each character's arc, and it wasn't an original experience in any way. It felt as if they went down the list of every great war film collecting each trope they could and threw them in as needed.
The most redeeming aspect is the cinematography (which I found to be Oscar-worthy) but the other aspects can't match its greatness. The acting is fine, with Brad Pitt and Shia LaBeouf bringing the most to the table, but as a whole it's pretty substandard. If you're a fan of the genre you'll probably like this, but I'd recommend skipping it and revisiting classics like "The Bridge on the River Kwai" or "Patton".
Citizenfour
(2014)
The Single-Most Groundbreaking Documentary I've Ever Seen
6 December 2014
The most important film you will see all year - possibly ever - is "Citizenfour". This is the single-most groundbreaking documentary I've ever laid eyes on, surpassing some of Michael Moore's greatest works. The amount of people that will be affected due to the information in this film is staggering. Every American owes it to themselves to see this. It will undoubtedly change the way you operate and think in more ways than one.
As you may already know, the film centers around Edward Snowden, the much-talked about 'whistleblower' that leaked an enormous amount of top secret information concerning the National Security Agency. It revealed the many ways that the NSA was spying on billions of people, creating a huge political conversation.
However, "Citizenfour" in no way participates in that conversation. It doesn't try to debate whether it was right or wrong for them to do that, it leaves all of that up to its subject. That's one of the countless reasons why it succeeds. It isn't a documentary that needs a ton of flare, it's actually quite the opposite. It states the facts, lets us decide how we feel about it, and all in the most simplistic and brilliant manner.
The majority of it takes place in one hotel room where Laura Poitras (the director of the film) and Glenn Greenwald (the first journalist to leak the story) listen to everything Snowden has to say. We watch them go over the program files and documents that serve as the evidence of what the NSA has done - scenes that include astounding stats and figures - those being some of the most powerful moments I've ever witnessed. It's a gut-punch of a movie, but one that's undeniably needed.
As you may already know, the film centers around Edward Snowden, the much-talked about 'whistleblower' that leaked an enormous amount of top secret information concerning the National Security Agency. It revealed the many ways that the NSA was spying on billions of people, creating a huge political conversation.
However, "Citizenfour" in no way participates in that conversation. It doesn't try to debate whether it was right or wrong for them to do that, it leaves all of that up to its subject. That's one of the countless reasons why it succeeds. It isn't a documentary that needs a ton of flare, it's actually quite the opposite. It states the facts, lets us decide how we feel about it, and all in the most simplistic and brilliant manner.
The majority of it takes place in one hotel room where Laura Poitras (the director of the film) and Glenn Greenwald (the first journalist to leak the story) listen to everything Snowden has to say. We watch them go over the program files and documents that serve as the evidence of what the NSA has done - scenes that include astounding stats and figures - those being some of the most powerful moments I've ever witnessed. It's a gut-punch of a movie, but one that's undeniably needed.
The Skeleton Twins
(2014)
Good, Not Great
11 October 2014
I was a tad disappointed in "The Skeleton Twins" and that surprised me because it was one of my most anticipated movies to come out this year. I had heard nothing but great things from the Sundance Film Festival and can never get enough of Bill Hader or Kristen Wiig, so I really didn't see where it could go wrong.
And though it isn't as if it turned out to be terrible, it just wasn't the movie that I expected. The various trailers and ads that have been released marketed it mostly as a comedy with some dramatic elements, but it ended up being the opposite. The film definitely has its funny moments, but its most certainly a drama.
Centered around an estranged brother and sister who reunite after both cheating death, it chronicles the few weeks that they spend together as they assess their lives and try to mend their broken relationship. Hader and Wiig serve as our two leads and have some outstanding scenes together (that being the main strong suit of the film), but the structure around it fails to measure up.
It has some pacing problems throughout and never really finds it stride despite their superb chemistry together, and that's my only real complaint. The direction and writing is witty and hilarious at times but due to the slow progression of the film, it all feels a bit sluggish. And that isn't exactly the greatest thing when your dealing with heavy themes like suicide and depression. But as a whole, I found it to be a solid film. It's good, not great.
And though it isn't as if it turned out to be terrible, it just wasn't the movie that I expected. The various trailers and ads that have been released marketed it mostly as a comedy with some dramatic elements, but it ended up being the opposite. The film definitely has its funny moments, but its most certainly a drama.
Centered around an estranged brother and sister who reunite after both cheating death, it chronicles the few weeks that they spend together as they assess their lives and try to mend their broken relationship. Hader and Wiig serve as our two leads and have some outstanding scenes together (that being the main strong suit of the film), but the structure around it fails to measure up.
It has some pacing problems throughout and never really finds it stride despite their superb chemistry together, and that's my only real complaint. The direction and writing is witty and hilarious at times but due to the slow progression of the film, it all feels a bit sluggish. And that isn't exactly the greatest thing when your dealing with heavy themes like suicide and depression. But as a whole, I found it to be a solid film. It's good, not great.
The Congress
(2013)
The Type of Movie That Only Comes Along Every Other Decade
12 September 2014
"The Congress" is the type of movie that only comes along every other decade. It's one of those innovative eye-openers that shows you what film really can be, an art form. Forget the mindless blockbusters that huge companies throw into cinemas because this film is on a whole new level. It passes entertainment and enters its own weird realm that delivers an experience unlike any other. You're transported to a world not so far-fetched yet one that isn't quite our present, set in the heart of the crumbling movie industry.
Our main character, a heightened version of actress Robin Wright, is being offered the last contract she will ever have. With the structure of Hollywood changing (as well as the way movies are being made) the studio plans to digitally scan and sample her, using 'Robin Wright' in any capacity they choose without her real self ever being involved. Raising the question of how much movies are really worth, or how much they will be years down the line, it isn't afraid to depict the dog-eat-dog business in a realistic fashion. That is, until the animated sequences kick in.
And there's some truly riveting scenes, one of my favorites being when she's getting scanned into the computer, with it ultimately being a breath of fresh air. However, I do want to stress that it's not for everyone. It requires you to come in with an open mind and sit back and enjoy, letting the odd world envelope you. It's also not flawless and you do have to disregard the occasional goofy moment because the story as a whole adds up to a much more serious piece of work. It's different, certainly off-beat, but the outstanding performances and original story are worth the price of admission alone.
Our main character, a heightened version of actress Robin Wright, is being offered the last contract she will ever have. With the structure of Hollywood changing (as well as the way movies are being made) the studio plans to digitally scan and sample her, using 'Robin Wright' in any capacity they choose without her real self ever being involved. Raising the question of how much movies are really worth, or how much they will be years down the line, it isn't afraid to depict the dog-eat-dog business in a realistic fashion. That is, until the animated sequences kick in.
And there's some truly riveting scenes, one of my favorites being when she's getting scanned into the computer, with it ultimately being a breath of fresh air. However, I do want to stress that it's not for everyone. It requires you to come in with an open mind and sit back and enjoy, letting the odd world envelope you. It's also not flawless and you do have to disregard the occasional goofy moment because the story as a whole adds up to a much more serious piece of work. It's different, certainly off-beat, but the outstanding performances and original story are worth the price of admission alone.
Kelly & Cal
(2014)
A Huge Letdown
11 September 2014
"Kelly and Cal" is one of those movies that starts out in an amazing way. We get to know our main character, Kelly, who is fresh from having a baby only six weeks earlier with her husband and is feeling exhausted and overworked. In comes the hilarious, handicapped teenager living next door who serves as the antidote to all her problems. They have laughs, drink beer, and start to build a relationship that is more meaningful than anything either of them have had in a long time. But though it starts off well (maybe even excellent) it soon deteriorates in a slow decline that ends when the credits roll. And the disappointment wouldn't mean much if the film hadn't given you a taste of what it could've been, but unfortunately, it does.
Some of the best scenes at the beginning include the two of them bullshitting and having a great time talking about their problems, and nothing more than that. All either of them needs is a friend or simply just someone to talk to. But the movie turns into something it shouldn't be, something that's extremely cliché and never needed to happen, a romance.
Just like so many other films, we see them start to connect and their forbidden relationship ensues. She has a husband and a baby, he's under 18, I think you can see what's coming. And frankly, it doesn't work. It tries to become emotional, possibly pulling at your heartstrings, but by the time that happens you could care less. There's so many moments when I was cursing under my breath hoping that the movie wouldn't go down the road it does.
And what's even worse, the two leads are great together. Juliette Lewis (Kelly) and Jonny Weston (Cal) have so much potential that is wasted, and try their hardest to work with the been-there- done-that material, but even they can't save the film. It's a huge letdown, and one that stung.
Some of the best scenes at the beginning include the two of them bullshitting and having a great time talking about their problems, and nothing more than that. All either of them needs is a friend or simply just someone to talk to. But the movie turns into something it shouldn't be, something that's extremely cliché and never needed to happen, a romance.
Just like so many other films, we see them start to connect and their forbidden relationship ensues. She has a husband and a baby, he's under 18, I think you can see what's coming. And frankly, it doesn't work. It tries to become emotional, possibly pulling at your heartstrings, but by the time that happens you could care less. There's so many moments when I was cursing under my breath hoping that the movie wouldn't go down the road it does.
And what's even worse, the two leads are great together. Juliette Lewis (Kelly) and Jonny Weston (Cal) have so much potential that is wasted, and try their hardest to work with the been-there- done-that material, but even they can't save the film. It's a huge letdown, and one that stung.
A Most Wanted Man
(2014)
A Definite Must-See
31 August 2014
There's not very many movies I've seen in the past year that measure up as well as A Most Wanted Man. Granted, I've seen a lot of fun or interesting films that I definitely enjoyed, but this one really hits the mark in a way that others didn't. It transcends being entertaining and becomes its own sort of enigma. But I don't want to give the impression that it's hard to understand, because it certainly isn't. The plot is easy to follow (once you get used to the German accents), and each character has their own tendencies that you pick up on quickly, but I never quite knew what was about to happen. I was kept on my toes, or on the edge of my seat rather, and I appreciated how unpredictable it was.
Set in Hamburg, Germany, it centers around a secret group of anti-terrorism operatives lead by Günther Bachmann (Philip Seymour Hoffman). After coming across a brutally tortured Chechen immigrant who turns up in the local Islamic community, and is laying claim to his father's corrupt fortune, they attempt to establish his true identity and motives. And with the US taking close interest as well, it becomes a slow-burn thriller that unfolds with a huge amount of style and elegance.
It's the kind-of movie you'd want to curl up by the fireplace and watch on a cold December night. Hoffman (who is never not smoking a cigarette in this) delivers one of the best performances in his career, rivaling his role in Capote. And the direction by Anton Corbijn is outstanding, giving it a sharp and neat feel that carries throughout. The more I think about it, the more I like it. It's a definite must-see.
Set in Hamburg, Germany, it centers around a secret group of anti-terrorism operatives lead by Günther Bachmann (Philip Seymour Hoffman). After coming across a brutally tortured Chechen immigrant who turns up in the local Islamic community, and is laying claim to his father's corrupt fortune, they attempt to establish his true identity and motives. And with the US taking close interest as well, it becomes a slow-burn thriller that unfolds with a huge amount of style and elegance.
It's the kind-of movie you'd want to curl up by the fireplace and watch on a cold December night. Hoffman (who is never not smoking a cigarette in this) delivers one of the best performances in his career, rivaling his role in Capote. And the direction by Anton Corbijn is outstanding, giving it a sharp and neat feel that carries throughout. The more I think about it, the more I like it. It's a definite must-see.
Let's Be Cops
(2014)
An Original, Uproarious Comedy
13 August 2014
I can't exactly explain why or how I ended up liking "Let's Be Cops" as much as I did. I guess it's one of those situations where my expectations were at such an average level, mixed with the fact that I was really in need of something to fill the void of late summer, that I was able to just sit back and enjoy myself. Because frankly, on paper this movie doesn't really work. The plot alone is extremely ridiculous, but luckily the actors bring the film alive and push the reality of their shenanigans to the back of your mind. And though it does require you to suspend a good amount of your disbelief, it just may surprise you with the amount of laughs to be had.
Set in Los Angeles, it follows two best friends who decide on attending a costume party as full fledged cops. Suddenly realizing that people are mistaking them for the real deal, they begin to take advantage of their circumstances as they up the ante more and more. But simultaneously they become wrapped up in the local mob and must complete a mission they got themselves into.
Told in a hilarious self-aware style that makes fun of the normal buddy-cop clichés, it proves to be more original than anticipated. The lead duo played by Jake Johnson and Damon Wayans Jr. show great chemistry and deliver a series of uproariously funny moments that seem to never end. It may not be the most sophisticated comedy (with this being more on the raunchy side) but I still got a huge kick out of it and would highly recommend it to those interested.
Set in Los Angeles, it follows two best friends who decide on attending a costume party as full fledged cops. Suddenly realizing that people are mistaking them for the real deal, they begin to take advantage of their circumstances as they up the ante more and more. But simultaneously they become wrapped up in the local mob and must complete a mission they got themselves into.
Told in a hilarious self-aware style that makes fun of the normal buddy-cop clichés, it proves to be more original than anticipated. The lead duo played by Jake Johnson and Damon Wayans Jr. show great chemistry and deliver a series of uproariously funny moments that seem to never end. It may not be the most sophisticated comedy (with this being more on the raunchy side) but I still got a huge kick out of it and would highly recommend it to those interested.
Get on Up
(2014)
Watered Down and Uneven
2 August 2014
"Get on Up" is the type of movie that will probably only appeal to insomniacs. When they've tried every method of getting to sleep, and it's playing at 3 AM on HBO, it just may be their only solution. But oddly enough, on the surface, it seems to have all the right ingredients. With Chadwick Boseman fresh off last year's "42" heading the cast as James Brown, along with director Tate Taylor from "The Help" fame, you would think there isn't much that could go wrong. But unfortunately, there's plenty.
Jumping back and forth from Brown's childhood to his days in absolute fame, it never quite settles. In some moments it wants to be a dark and gritty drama showing his often scary battles with his father, and in others a lively musical featuring the character directly interacting with the camera and talking to the audience throughout.
Obviously deriving from movies like "Dreamgirls" and "Ray", it isn't able to keep a steady (or original) tone that will keep the audience's attention. There's the occasional quick editing trick that may add flare for a second, but none of it is sustained, and it leaves a bland taste in the viewer's mouth.
One of the only redeeming qualities is Boseman's interesting performance, but after two hours of referring to himself in third person, his charm wears off as well. Not to mention the ghastly makeup to show his age, and the unfunny jokes that seem to be slipped in during the most inappropriate moments.
At it's core, it's meant to be a soundtrack, not a film. The characters have no room to be fleshed out properly in the PG-13 atmosphere and the end product feels watered-down and uneven.
Jumping back and forth from Brown's childhood to his days in absolute fame, it never quite settles. In some moments it wants to be a dark and gritty drama showing his often scary battles with his father, and in others a lively musical featuring the character directly interacting with the camera and talking to the audience throughout.
Obviously deriving from movies like "Dreamgirls" and "Ray", it isn't able to keep a steady (or original) tone that will keep the audience's attention. There's the occasional quick editing trick that may add flare for a second, but none of it is sustained, and it leaves a bland taste in the viewer's mouth.
One of the only redeeming qualities is Boseman's interesting performance, but after two hours of referring to himself in third person, his charm wears off as well. Not to mention the ghastly makeup to show his age, and the unfunny jokes that seem to be slipped in during the most inappropriate moments.
At it's core, it's meant to be a soundtrack, not a film. The characters have no room to be fleshed out properly in the PG-13 atmosphere and the end product feels watered-down and uneven.
To Be Takei
(2014)
A Light & Fun Documentary
28 July 2014
It's been forty-seven years since George Takei began his iconic role as Sulu on the Star Trek television series, and since then he's gone on to participate in an animated show along with six feature films portraying the same character. But what most people outside of his intimate fan-base don't realize is that throughout the bulk of his acting career he was forced to hide his homosexuality, fearing he would lose his job and other subsequent parts he hoped to get.
But now with battles over same-sex marriage starting to see a hopeful end, he's become deeply imbedded in the fight for gay rights. And with his position as official announcer on The Howard Stern Show, has been quite upfront about his orientation.
And "To Be Takei" doesn't make a huge deal out of it, which is one of the main reasons I liked it. It's a documentary that treats its subject as is, and doesn't try to explain his many odd (but hilarious) characteristics.
As he says himself, his "life has been transformed as fantastically as science fiction", and he's got a point. From spending four years in various internment camps during World War 2, where American citizens of Japanese descent were rounded up and put after Pearl Harbor, to becoming a sort-of pop culture icon contained in his own bubble far away from the hubbub of Hollywood.
And the film captures his personality superbly, focusing on his constant trips to comic-cons and conventions accompanied by his Husband Brad (with their relationship also serving as a huge focal point).
It may not be a documentary that's in anyway breaking ground, but to me, it didn't matter. It's a light, fun movie that will be savored by fans of Takei.
But now with battles over same-sex marriage starting to see a hopeful end, he's become deeply imbedded in the fight for gay rights. And with his position as official announcer on The Howard Stern Show, has been quite upfront about his orientation.
And "To Be Takei" doesn't make a huge deal out of it, which is one of the main reasons I liked it. It's a documentary that treats its subject as is, and doesn't try to explain his many odd (but hilarious) characteristics.
As he says himself, his "life has been transformed as fantastically as science fiction", and he's got a point. From spending four years in various internment camps during World War 2, where American citizens of Japanese descent were rounded up and put after Pearl Harbor, to becoming a sort-of pop culture icon contained in his own bubble far away from the hubbub of Hollywood.
And the film captures his personality superbly, focusing on his constant trips to comic-cons and conventions accompanied by his Husband Brad (with their relationship also serving as a huge focal point).
It may not be a documentary that's in anyway breaking ground, but to me, it didn't matter. It's a light, fun movie that will be savored by fans of Takei.
Earth to Echo
(2014)
A Surprisingly Fun Adventure
20 July 2014
"Earth to Echo", the new sci-fi/adventure film from director Dave Green, is the perfect example of something that isn't anything extraordinary or groundbreaking. In fact, it's a movie filled to the brim with clichés, predictable plot points, and character arcs you can see from a mile away. But putting all that aside, it has something great going for it and certainly something that's been absent from most recent flicks. That would be a substantial amount of heart, and on top of that, an undeniable sweet nature. And without those things, I don't think I would have enjoyed the movie as much as I did.
Spanning only one night, it centers around a group of teenagers who receive a series of encrypted messages on their phones and embark on a journey to figure out what they mean. And needless to say, it involves aliens (or just one, for that matter). They meet Echo, who's spaceship has crashed and needs help rebuilding the key element for the new one. But everything doesn't go as planned and their risky escapade takes its fair share of twists and turns (much to the delight of the audience).
And though the movie may not live up to its more popular predecessors, such as 1982's "E.T.", it still successfully won me over and got me emotionally attached by the end. Serving as a sort of grandchild to films like "Stand By Me" and "Paranormal Activity", it's a surprisingly fun and enjoyable film that doesn't overstay its welcome at only ninety minutes. "Earth to Echo" is now playing in theaters everywhere.
Spanning only one night, it centers around a group of teenagers who receive a series of encrypted messages on their phones and embark on a journey to figure out what they mean. And needless to say, it involves aliens (or just one, for that matter). They meet Echo, who's spaceship has crashed and needs help rebuilding the key element for the new one. But everything doesn't go as planned and their risky escapade takes its fair share of twists and turns (much to the delight of the audience).
And though the movie may not live up to its more popular predecessors, such as 1982's "E.T.", it still successfully won me over and got me emotionally attached by the end. Serving as a sort of grandchild to films like "Stand By Me" and "Paranormal Activity", it's a surprisingly fun and enjoyable film that doesn't overstay its welcome at only ninety minutes. "Earth to Echo" is now playing in theaters everywhere.
Joe
(I) (2013)
'Joe' is a dynamite drama
23 May 2014
Nicolas Cage, though he's had some sizable ups and downs in his career, is one of the strongest dramatic actors living today. Mostly known for his breakthrough performances in the 90's like in "Leaving Las Vegas" and "Face/Off" he always seems to have an undeniable connection with every role he takes on, and that's one of the many reasons why I think so highly of him. He may take a film on just for the paycheck every now and then but people have to remember that acting is a job, and he is one of the best at balancing passion projects with his need to pay the bills. Less concerned with the latter, he most recently joined up with director David Gordon Green to give us the authentic new drama "Joe".
Set in the backwoods of Mississippi, it tells the story of our title character (Cage), the kind- hearted supervisor of a work crew of tree poisoners who are contaminating old ones to make room for the new. When a fifteen year old drifter named Gary stumbles upon them (played by "Mud" star Tye Sheridan) and promptly asks for work, it isn't a surprise that Joe agrees. With Gary dealing with an abusive father, we see Joe try to steer him on the right path, and simultaneously become a role model that Gary desperately needs.
With a slow-building, yet touching, relationship at the center, the movie doesn't miss a beat. It deals with themes of alcoholism and abuse but never feels heavy-handed, treating each character in its genuine form rather than hiding their idiosyncrasies. Rated R for violence and language, "Joe" is a dynamite drama that I would highly recommend. It is now playing in select theaters and available On Demand.
Set in the backwoods of Mississippi, it tells the story of our title character (Cage), the kind- hearted supervisor of a work crew of tree poisoners who are contaminating old ones to make room for the new. When a fifteen year old drifter named Gary stumbles upon them (played by "Mud" star Tye Sheridan) and promptly asks for work, it isn't a surprise that Joe agrees. With Gary dealing with an abusive father, we see Joe try to steer him on the right path, and simultaneously become a role model that Gary desperately needs.
With a slow-building, yet touching, relationship at the center, the movie doesn't miss a beat. It deals with themes of alcoholism and abuse but never feels heavy-handed, treating each character in its genuine form rather than hiding their idiosyncrasies. Rated R for violence and language, "Joe" is a dynamite drama that I would highly recommend. It is now playing in select theaters and available On Demand.
The Amazing Spider-Man 2
(2014)
Fun But Flawed
11 May 2014
Despite it not receiving the kindest critical reviews during its initial release, I was a huge fan of 2012's "The Amazing Spider-Man". A brand new re-imagining of the popular comic book story, it had surprisingly great performances and amounted to one of the most entertaining films of that year. And after being so keen on the first movie I was extremely excited to hear that "The Amazing Spider-Man 2" was finally going to hit theaters. It may not have lived up to my immense expectations but notwithstanding its many flaws, I really enjoyed it.
We pick up our story with Peter Parker (Andrew Garfield) as he struggles to balance his relationship with Gwen (Emma Stone) along with his responsibility as Spider-Man. With fresh villains emerging, including an uber-cheesy Jamie Foxx as Electro and a creepy Green Goblin, he is forced to choose between his own problems and the dangers that face the city. On a much bigger scale than its predecessor, and wildly more lively, it's more of a crowd-pleaser than anything else.
It has various issues concerning the antagonists, but the strongest points lie in the chemistry between Andrew Garfield and Emma Stone, who provide the most heartwarming and endearing scenes. I realize the film may not be for everyone, but I found to be charming and amusing amidst its problems. Rated PG-13 for action, "The Amazing Spider-Man 2" is fun but flawed.
We pick up our story with Peter Parker (Andrew Garfield) as he struggles to balance his relationship with Gwen (Emma Stone) along with his responsibility as Spider-Man. With fresh villains emerging, including an uber-cheesy Jamie Foxx as Electro and a creepy Green Goblin, he is forced to choose between his own problems and the dangers that face the city. On a much bigger scale than its predecessor, and wildly more lively, it's more of a crowd-pleaser than anything else.
It has various issues concerning the antagonists, but the strongest points lie in the chemistry between Andrew Garfield and Emma Stone, who provide the most heartwarming and endearing scenes. I realize the film may not be for everyone, but I found to be charming and amusing amidst its problems. Rated PG-13 for action, "The Amazing Spider-Man 2" is fun but flawed.
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