Characteristic of David Lynch, this film is typically surreal and blacker than the sky on a moonless night.
Following up on the TV series this film picks up before the series started and explains it all. I doubt very much that Fire Walk With Me stands up on its own but it does stand as very much more than a TV spin off.
*spoiler alert* The mystery of who killed Laura Palmer that ran through the series (if anyone has not seen the series - sorry she does die at the end) is explained here. What we see is her slide toward the inevitable conclusion. What should be tender and romantic, sometimes even erotic is crude and seedy and often just nasty. This is as it should be.
As we saw on TV a steady stream of hints is presented as to who her killer would be. It is a testimony to the vision of David Lynch that I was able to identify the killer early in the series, this being down to a professional familiarity with some of these matters. Even the red herrings could not throw me off because they only ever seemed to be an irrelevant distraction. This standard of observation is carried forward into the spin off movie.
Missing for fans of the series are some of the side characters and sub plots, so don't come expecting to learn much more about the mill or the hotel or whatever. The biggest disappointment is that there was never a second film to follow up on some of those. There are a lot of unanswered questions (where did the missing FBI agents go - what about the paper letters - what does the blue rose mean). What the film does deal with makes sense of some of the key mysteries of the TV series. As far as it goes this is a fine piece of work.
Following up on the TV series this film picks up before the series started and explains it all. I doubt very much that Fire Walk With Me stands up on its own but it does stand as very much more than a TV spin off.
*spoiler alert* The mystery of who killed Laura Palmer that ran through the series (if anyone has not seen the series - sorry she does die at the end) is explained here. What we see is her slide toward the inevitable conclusion. What should be tender and romantic, sometimes even erotic is crude and seedy and often just nasty. This is as it should be.
As we saw on TV a steady stream of hints is presented as to who her killer would be. It is a testimony to the vision of David Lynch that I was able to identify the killer early in the series, this being down to a professional familiarity with some of these matters. Even the red herrings could not throw me off because they only ever seemed to be an irrelevant distraction. This standard of observation is carried forward into the spin off movie.
Missing for fans of the series are some of the side characters and sub plots, so don't come expecting to learn much more about the mill or the hotel or whatever. The biggest disappointment is that there was never a second film to follow up on some of those. There are a lot of unanswered questions (where did the missing FBI agents go - what about the paper letters - what does the blue rose mean). What the film does deal with makes sense of some of the key mysteries of the TV series. As far as it goes this is a fine piece of work.
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