Change Your Image
thaslett
Reviews
A Litany for Survival: The Life and Work of Audre Lorde (1995)
stunning documentary film about a visionary scholar/poet.
Thank goodness Ada Gay Griffin & Michelle Parkerson made 'A Litany for Survival...'. If they hadn't, it would have to have been made elsewhere or invented! This beautifully photographed film (shot by the cinematographer on Julie Dash's 'Daughters of the Dust', Arthur Jafa) captures the extraordinary intelligence, wit, and charisma which made Audre Lorde such an inspiring woman. She described herself as a "Black lesbian, mother, warrior, poet." That she was all of those things and more is made clear in the film, which traces Lorde's life from her years as a child in Harlem, to living in Brooklyn (writing poetry and teaching at CUNY) through her battles with cancer and the latter years of her life in St. Croix. Griffin and Parkerson pull together the disparate strands of Lorde's life: her painful teaching experience at Tougaloo College in Mississippi in 1968, to co-founding Kitchen Table: Women of Color Press. Those strands were connected in Lorde's profound and generous imagination. The film is a testament to Lorde because, as she once said "When I dare to be powerful-to use my strength in the service of vision, it becomes less and less important whether I am afraid". Ada Gay Griffin worked hard at the poorly-funded, but essential Third World Newsreel, and Michelle Parkerson has been making films about the freedom of the Black imagination for years. "I have come to work on you like a drug or a chisel" Lorde once said. She would, I'm certain, feel that some of that work was accomplished in this film.
W.E.B. DuBois: A Biography in Four Voices (1996)
A life from behind the veil
The mere anticipation of Louis Massiah, Jr. making a film about Black genius par excellence W.E.B. Du Bois was too much. The excitement was worth the wait. To place Toni Cade Bambara (whose prose is breathtaking) as one of the four voices, was a brilliant idea. Bambara's passing was a tremendous loss. The film steadily draws the viewer into Du Bois' life. Before you know it, surrender to the narrative is total. Growing up in a middle-class family in rural Western Massachusetts, Du Bois went on to study at Harvard. All the while he was writing, writing uncannily prescient essays about the present and the *future* of Black people inhabiting white space. The film demonstrates this sociologist's broad internationalist perspective and the way his thoughts about the 'future of the race' were at least a century ahead of his time. I could go on, but suffice it to say that the Black man who prefigured 'Black psychology' by describing African Americans' 'double consciousness' is represented with tremendous respect in this film. *Any* 'Introduction to Black History' cannot ignore this film nor the writing of Du Bois.