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The Woman in the Room (1984)
The Woman in the Room (1983)
In 1983, a 24-year-old future awesome filmmaker named Frank Darabont got it into his head that he should adapt a Stephen King short story to film. And that's exactly what he did. After writing a letter to King securing his permission (Wikipedia says this was the birth of the "dollar babies", but another dollar baby, "The Boogeyman" came out a year earlier, so I don't know), Darabont set about making his film debut with one of the less assuming stories in King's then-small bibliography.
"The Woman in the Room" (originally published in King's 1978 collection NIGHT SHIFT as a 14 page story) is about John and his mother. The mother is in the hospital, dying from abdominal cancer, and John is the dutiful son who visits regularly. As the film opens, John is searching the medicine cabinet for painkillers, which he takes to his mother at the hospital, we presume with the intention of euthanizing her. Instead, he gives her aspirin.
Later, John, a lawyer, has a meeting with a client who might end up on death row for murder. During the course of their discussion, John asks the prisoner--played wonderfully by Brian Libby, who would go on to become a fixture in Darabont films (Floyd in THE SHAWSHANK REDEMPTION and the Biker in THE MIST)--what it felt like when he killed someone. The prisoner replies he didn't feel anything. During and after the war (remember, this was 1983), he got so good at killing, it was just a job to him. Except one time, he recalls. A buddy was badly injured in Vietnam, then given a cordotomy. The prisoner says his buddy saved his life once, and he didn't like seeing him like that. So he killed him. Out of respect.
Given this speech, and then suffering a particularly horrifying nightmare that shows John what's in store for his beloved mother, the lawyer finally gains the confidence to help his mother one last time in the only manner he can.
THE WOMAN IN THE ROOM is a very short film, about 30 minutes, and even that might be stretching the events of the short story. I've read the story a few times, but it's been at least a decade, so I can't vouch for how closely the film sticks to the source material, but I've read that King considers this his favorite of all the dollar babies. That, of course, could be because of the connection King feels to the story, considering he's said in interviews that, when his own mother was sick, he wished he'd had the nerve to do what John does, if only to end his mother's suffering.
As for the movie itself, given a little better quality film stock, you'd never know this was shot by a 24-year-old amateur. Right from the start, Darabont's expertise with a camera is evident. His staging, his movement, the performances he gets from his actors. In fact, my only problem with this movie was in trying to convince myself that Dee Croxton (mother) was 60 years old as she claims. Her make-up job as terminally ill was pretty good, but the old age stuff wasn't working for me. Michael Cornelison (John) was 31 in this movie, and I'd bet money Croxton was around the same age. They looked more like brother and sister. But that's a very small detail that doesn't do enough to ruin my suspension of disbelief because everything else about this one is just about perfect.
Early indicators of Darabont's knack for turning Stephen King stories into "heartfelt dramas" are present here, but with that nightmare sequence, it's obvious on which side of the horror line his real allegiance lies. Of all the King stories I've read, this is probably the last one I would peg for being a really good movie, but I think the quality of the finished product is just another testament to how talented Frank Darabont is as a filmmaker.
This movie is available in two parts to view on you tube.
King on Film: Carrie (1976): http://www.epinions.com/review/mvie_mu- 1003625/content_91443072644 Salem's Lot (1979): http://www.epinions.com/review/mvie_mu- 1040466/content_620198661764 The Shining (1981): http://www.epinions.com/review/mvie_mu- 1018844/content_621040144004 The Boogeyman (1982): http://www.imdb.com/title/tt0112558/reviews-9 Creepshow (1982): http://www.epinions.com/review/mvie_mu- 1004915/content_161489063556
The Boogeyman (1982)
The Boogeyman (1982)
This is the reason I love YouTube. When I learned in the late 1980s that there was a short film version of Stephen King's NIGHT SHIFT story "The Boogeyman", all I wanted was to see it, just once. Being a huge horror fan and a huge King fan , and having seen all of the other movies based on his works, it was the missing piece of the puzzle.
But when you're a 15-year-old kid in the Midwest in a small town before the internet's been invented, what are you gonna do? So thank God for resources like YouTube where things like this can finally be seen?
"The Boogeyman" was the first of King's famous Dollar Babies (he's had a longstanding open deal where student filmmakers pay him a dollar and they get the rights to film one of his stories), filmed in 1982 by writer/director Jeff Schiro and starring Michael Read as the main character Lester Billings. In the story, Lester's children are dying. Not all at once, but over the years each of his three children have died, and all three deaths have been ruled crib deaths. But Lester knows the truth is that the Boogeyman has taken them.
The story is told from Lester's point of view as he's relating the events to his psychiatrist. Michael Read shines in these moments as a paranoid, hyper-aware Billings, a man nearly at the end of his rope, whose mania is about to cause a nervous breakdown because he feels responsible for the deaths of his children even if he knows the real killer was the Boogeyman. His guilt stems from the fact that, after the second child died, Lester knew it was the Boogeyman who was killing his children, but when the third child began crying and becoming more fearful of being left alone in the dark, instead of sticking around to protect him, Lester fled in fear, desperate to save himself instead. When he returned, the child was dead, just like the two before him.
The first time I read "The Boogeyman", I was 13, on a drive down to Florida to spend a week visiting my aunt. The story blew me away, both in its narrative voice and the twist ending which, at that age, I didn't see coming. But further reading, and seeing this movie, show me it's more than just a twist at the end, the entire story is so well-plotted, it gives us a chance to further understand Lester's character and gives a much deeper sense of the guilt he feels.
Schiro made a really decent short film given it was 1980s technology and he couldn't have been working with a very large budget. I thought the film was too dark in some places, but I feel that may have been on purpose to further obscure what we're allowed to see and what we have to leave up to our imaginations. Certainly the extensive use of shadows creates a much more foreboding atmosphere.
The subplot with the cop ultimately went nowhere and I feel it should have been deleted and let us focus solely on Lester's story, but when those cuts come, they're timed in a way that it gives this short 28- minute film a much larger, more cinematic feel.
For what it was at the time of its creation, THE BOOGEYMAN is a pretty good movie. It may be a bit simple for those unfamiliar with King's work and will probably give naysayers more ammunition in their "Stephen King is a hack" argument, considering it is, in the end, just a movie about a man telling his psychiatrist that the boogeyman killed his children. But for those folks, they're missing the nuances of this story, which, unfortunately, I don't think the movie makes as clear as it could have. A few extra lines of dialogue would have made those subtle details stand out.
However, as a long time fan of the original short story, I like this movie. It brings with it a lot of nostalgia and helps complete that Stephen King movie puzzle.
King on Film Carrie (1976):www.epinions.com/review/mvie_mu- 1003625/content_91443072644 Salem's Lot (1979): www.epinions.com/review/mvie_mu- 1040466/content_620198661764 The Shining (1981):www.epinions.com/review/mvie_mu- 1018844/content_621040144004