Change Your Image
MrHooba
Reviews
The Rise and Fall of The Clash (2012)
Should have been called The Fall of the Clash
Any film that claims to document the rise of the Clash and then barely mentions London Calling and Sandinista is not a good film. Most of the film centers on manager Bernie Rhodes' influence and the demise of the band once Mick Jones left the group. Not featuring London Calling is simply inexcusable. It is one of the greatest rock and roll albums of all time. It also put the band on the map in America.
I would only recommend this film to people who don't like the Clash and want to engage in a little schadenfreude about how pathetic the group came to an end with the dreadful Cut the Crap album. This film was made by someone who clearly has no love for the group. A complete waste of resources.
There is a documentary called "Joe Strummer: The Future is Unwritten" that is a far superior look at this great band.
American Drug War 2: Cannabis Destiny (2013)
Battle for the Hearts & Minds in the Drug War
With American Drug War 2: Cannabis Destiny, filmmaker Kevin Booth again takes aim at the political machinations between government and commerce. However, this time the message is even more personal.
American Drug War 2's launching pad is the November 2012 elections, a watershed moment in marijuana history. Both Colorado and Washington state voters deemed pot to be legal for recreational usage. Furthermore, more states voted to make weed legal for medical use. However, one state, Montana, elected to rescind its medical marijuana law. How one Northwest state (Washington) could vote to make pot totally legal while another (Montana) pulls back demonstrates a real disconnect in this country.
The film delves into a number of marijuana-related subjects: The medical marijuana movement; the testing of cannabinoids, as cancer-fighting agents,; automated pot dispensing machines; hemp soap makers who have to buy their hemp from Canada because the United States is the one western country that doesn't allow American farmers to grow it. (alas, even China permits it); even a primer about how to grow your own medical marijuana. Booth also takes his cameras across the border to Juarez. Mexico to show how drug cartels bring about many more casualties in the drug war.
Booth makes some of his best points when bringing up the issue of the proliferation of mind- altering and legal drugs produced by the pharmaceutical companies. Why does the federal government continue to hide behind its "protecting the children" mask when it rationalizes keeping pot illegal while allowing a record number of kids be dosed up on much more powerful pharmaceutical drugs ? The answer isn't surprising. The pharmaceutical lobby carries a lot of water. Much more than the marijuana reformers.
Furthermore, the film delves into the use of prescription drugs by foster children who are 13 times more likely to be prescribed mind-altering drugs. Why is that? Money, of course. Booth and his wife, Trae, describe their own personal experience in the foster system when they wanted to become foster parents. The scenes featuring their own foster child are not dogmatic but rather deliver points on a micro and personal level.
ADW2 also follows the story of Cash Hyde, a two-year-old boy from Montana who suffers from a brain tumor. When traditional chemotherapy fails, Cash's father turns to cannabis oil with surprising results. Without giving too much away, the story of Cash is what really gives the film its emotional heft. Indeed, it delivers a message that a hundred talking heads could not do.
Booth presents his argument that marijuana is still illegal because cops want overtime, drug cartels want bigger profits and certain federal enforcement agencies make a lot of money from the drug war. However, Booth doesn't simply push an agenda. He gives time to opposing viewpoints from key people involved in the drug war. Whether Booth is interviewing people who are trying to legalize marijuana for their own business interests or those who want to keep it illegal for primarily the same reason, he keeps the film moving at a good pace.
ADW2 is not easy film to watch at times but these unsettling scenes are what really gives the film its soul. Every war has collateral damage and Booth doesn't pull punches in presenting it here.
You don't have to be a pot smoker (or a former one) to appreciate this film. All you need is a desire to learn how the drug war isn't always in the best interests of the American people.
Will American Drug War 2 lead to real change in public policy? Most likely, it won't. Politicians tend to stay away from independent documentaries, usually because they're too busy with their hands down the pants of lobbyists. However, the film will lead to more discussion about marijuana reform. And that is a good thing.
Sound of the City: London 1964-73 (1973)
Fascinating for those in the know
As mentioned by another reviewer, you will not learn a lot from watching this doc but for those Anglophiles who worship the altar of British rock, this is a pretty good sample. You get the Stones doing "promo films" (a precursor to music videos) for "2000 Light Years from Home" and "Jumping Jack Flash." Then there's the Jimi Hendrix Experience. Jimi was born and raised in Seattle but his group is definitely part British rock. There's the end of Cream and the beginning of Blind Faith. Pink Floyd does it's trippy part, an arty bit that doesn't indicate it would later bookend the seventies with two of the decades biggest albums, "Dark Side of the Moon" and "The Wall." The film wraps with the Faces doing it's best-known song "Stay With Me." And it's the Faces, not Rod Stewart (though he is a part of the group) as another reviewer mentions, nor is that Micky Waller on drums (as another reviewer ill-informs) but rather the only Faces drummer ever, Kenney Jones. I'm really surprised this film hasn't been released to Blu-Ray yet. I saw a high- def version on the Sony HD network so you know a copy exists. Most likely it's the haggling of rights that is preventing this from a home video release.