Both Lost Boys sequels (The Tribe and The Thirst) seem to be pretty universally reviled, but they both have their charms. Where The Tribe took the (now standard) easy way out by simply doing a gender-swapped reboot of the first film, The Thirst is more ambitious and actually throws Corey Feldman's vampire hunter into an all new story, pitting him against Eurotrash raving vampires straight out of a Blade or Underworld movie.
This is basically the same formula as the DTV Tremors sequels, except Michael Gross' Burt Gummer is a character with more room for complexity and Gross always found new ways to make him interesting. Feldman, (whose poor man's Will Arnett Growly Voice honestly got pretty annoying in the last movie), gets to be front and center for the first time, and he fortunately tones it down and tries to actually act for once (He actually has one legit touching scene involving the fate of Haim's character, but there's no way that couldn't be emotional). He's not a classic character like Blade or even Jack Burton, but he's passable enough. The story, which manages to squeeze in modern plot devices like the internet, raves, reality TV, and Twilight into a coherent plot, is actually pretty clever and has a decent twist near the end. Plus extra kudos for definitively ending the Trilogy (while of course, keeping the door open for a sequel).
All in all, it's decent fun and worth a look for completionists (before the inevitable reboot happens.)
This is basically the same formula as the DTV Tremors sequels, except Michael Gross' Burt Gummer is a character with more room for complexity and Gross always found new ways to make him interesting. Feldman, (whose poor man's Will Arnett Growly Voice honestly got pretty annoying in the last movie), gets to be front and center for the first time, and he fortunately tones it down and tries to actually act for once (He actually has one legit touching scene involving the fate of Haim's character, but there's no way that couldn't be emotional). He's not a classic character like Blade or even Jack Burton, but he's passable enough. The story, which manages to squeeze in modern plot devices like the internet, raves, reality TV, and Twilight into a coherent plot, is actually pretty clever and has a decent twist near the end. Plus extra kudos for definitively ending the Trilogy (while of course, keeping the door open for a sequel).
All in all, it's decent fun and worth a look for completionists (before the inevitable reboot happens.)
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