The great future city of Metropolis in the film is inhabited by two distinct classes: the industrialists live off the fat of the land, supported by the workers who live under the city and endure a bare-bones existence of backbreaking work. The story concerns a forbidden love between Freder (played by Gustav Fröhlich), a young man from the industrialist class, and Maria (Brigitte Helm), an activist who preaches against the divide between the two classes.
Despite advances in filmmaking technology, no other film has surpassed Metropolis in terms of its impact on production design. Its influence can be seen in many subsequent science fiction films. Lang's eye for magnificent set pieces and special effects resulted in memorable images, notably the immense skyscrapers that dominate the skyline of Metropolis.
Despite advances in filmmaking technology, no other film has surpassed Metropolis in terms of its impact on production design. Its influence can be seen in many subsequent science fiction films. Lang's eye for magnificent set pieces and special effects resulted in memorable images, notably the immense skyscrapers that dominate the skyline of Metropolis.
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