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10/10
Brilliant!
17 May 2005
I first heard of the Commitments when I heard someone playing the soundtrack on their car radio. I quickly bought myself a copy and played it about 10 times a day - the music and the singing were unlike anything I'd ever heard before, even though all the songs are covers.

It wasn't until about 6 months later that the film was on an obscure cable channel, and I literally got goosebumps as soon as the opening credits rolled with "Treat her right". It was so incredible to actually see the characters performing the songs that I'd grown to love. It all became complete actually seeing the story unfold, and by the end you're really rooting for the band to succeed. When they perform "Try a Little Tenderness" I've never managed to watch that scene without tears in my eyes, it's such a fantastic version of the song and the energy Andrew Strong brings to it is just incredible, especially as he was only 16 at the time.

Anyone who loves music has to see this film, even you're not familiar with soul music - I promise you'll be hooked after seeing The Commitments!
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Tommy (1975)
10/10
A crazy but wonderful interpretation of a legend's music
17 May 2005
I first came across Tommy when I saw the West End theatre production about 10 years ago, and I instantly fell in love with the music and the plot. However, at the time I was only 11 years old and couldn't really appreciate the many levels to Tommy. I did watch the film pretty soon after but was constantly comparing it to the show and to me it didn't even come close.

Now I'm a little older (and hopefully wiser), I have watched the film a lot in the past couple of years and all I can say is WOW! The music is fantastic, Pete Townshend is a genius, and the way he uses it to tell the story is awesome. When you listen to the original Who album a lot is left open to the imagination as regards plot, and I think its important to realise that Ken Russell's film version is merely one interpretation of the story told by the music.

Having not seen any of Russell's other work, it's impossible for me to say that this is typical of him. However, what I will say is that the imagery he uses in the film really does spark a lot of interest, for example the hypocrisy of organised religion and icon worship (particularly when Tommy causes Marlyin Monroe to crash to the floor after the rest of the church have been "brainwashed" by the priests).

A lot of people criticise the film for its cast, particularly Oliver Reed and Jack Nicholsons' debatable singing abilities. However I feel that this only adds to the sleaziness of their characters, especially Reed's - I think if he was note perfect it would be out of character. I think Ann Margret is fantastic as Nora - it's obvious that as Tommy's mother she feels torn between the love for her son and the love for fame and money, and she portrays that really well. As for Roger Daltrey, what a voice and what a body!!

I think it's important not to take the film too seriously though, like I said it's just one interpretation. I feel that "Tommy" as a whole - the music, words, story etc can only be fully appreciated if you listen to and watch as many versions as you can in order to make your own opinion of it.
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7/10
Do not show this film to your kids!
16 May 2005
I first saw this film when I was about 6 ish - my grandma thought it'd be a nice kiddies film to entertain me and keep me occupied....however, every time I watched it I had nightmares the same night. Yes it masquerades as a kids' film, but even now I find it really dark in places, particularly the haunting music that is played each time the guardian angel woman is on the screen, and her rather hypnotic eyes and voice. The actual "baddies" of the film, ie the sharks, Mr Grimes etc didn't scare me at all, I just always found the whole film rather creepy and dark. This is obviously something I can appreciate now that I'm 21 years old, but speaking from experience there is no way I would show it to my kids!
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