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GObonzo
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Suicide Squad (2016)
decent quality movie. disappointing in many aspects as most DC & Marvel films are
the characters are portrayed rather well. except for The Joker that is. this is the worst interpretation of The Joker I have ever seen. and I really didn't think it could get any worse than Heath Ledger, but it has.
one big thing I can never understand about the comics or the movies: how/why do all the other huge amount of meta-humans and superheroes in this universe just let things like this go on without even trying to intervene? where is Flash, Wonder Woman, Shazaam, Super-Girl and all the other multitudes? the world is coming to an end, monsters are threatening human existence and only a few cheap villains appear because some government agency prompts them to?
24 Hour Party People (2002)
As a movie = 7. As a documentary = 4. Overall = 6. Nice watch, but historically incorrect.
-contains spoilers-
Tony Wilson is full of himself with his twisted recollection of the 80s and 90s and how this rave culture and genre of music came about.
In this movie he claims that it came about through his collaborations with this new order of music he discovered called Punk Rock in the very late 70s. Also makes it appear that he alone helped to launch this genre of music to the public. That is totally untrue and either he is delusional or just lying to sell the story. Punk and this hard rock type of sound originated in the very early 70s with followers of bands like MC5, The Stooges, and others. The stuff that played at The Factory may have included punk-styled singers but most of the bands were just pop-rock garage bands.
Later into the 80s and early 90s the bands Tony Wilson was incorporated with were just the same type of pop dance music you heard everywhere, but some with a slightly rougher sound some of the time. He says in the film that they were based on some new sound one of his producers had created but since the late 70s there were hundreds of bands similar to Happy Mondays, New Order, etc. Even American radio had been playing lighter versions of these bands like The Cure for almost a decade before.
He claims that his club in the early 90s and these bands playing there accidentally stumbled onto this new form of music called "rave". That and his claim that they were the first club playing this "new" music and having live DJs is another total untruth. There were rave parties in Orlando and Miami every weekend, that I remember, from 88-98. This rave music and it's dance parties had been all over the world before his club even opened. And it was not based on pop-rock-dance bands but digital music intentionally designed for those taking hallucinogenics and other drugs, not just dancing. It is more likely that no one wanted to see the bands he was sponsoring so the club had to change and jump on the new dance party trend that was already sweeping the world.
Though this is an entertaining movie and I would recommend it if you come across it on television. The fact that it is a type of documentary based on lies makes it's score plummet. Tony Wilson could have very easily just told things in a historically accurate way and the movie would mean much more.