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emilyhill-48756
Reviews
Rockstar (2011)
A journey of Desire, Passion, Fame, Pain, Destruction
Music by Oscar winner A.R. Rahman carries a convoluted love story written and directed by Imtiaz Ali.
Delhi boy Janardan (Ranbir Kapoor ) and exotic Kashmiri girl Heer (newcomer Nargis Fakhri) meet as students in a Delhi college. Heer dubs him "Jordan," and the name sticks. Jordan is a bit of a nerd, but he has music in him; the one thing he's missing, according to an old friend, is angst. "Nobody can make great art until they've experienced real pain," says his friend. When a family misunderstanding ends up with Jordan thrown out of his family's home, he seeks refuge at Delhi's Hazrat Nizamuddin Dargah, sleeping on its floors with other city outcasts and eating the simple, free food from its kitchen. Gradually, the charity he experiences there and the power of its Sufi music change Jordan, and — guitar in hand — he learns to hone his craft by playing for whatever audience will have him, be it a shrine full of Muslim worshipers or a Hindu gathering, random listeners on the street or even the prostitutes in a local brothel. These scenes are the absolute high point of the film, sparked with Rahman's inspired music and convincing guitar and vocal performances by Kapoor (with the dubbed vocals of singer Mohit Chauhan ). Technical aspects are well handled, especially Anil Mehta 's camera work capturing the grand vistas of Kashmir, Dharamsala, Delhi and Prague (the film was shot in association with the Czech Republic's film commission). Guitar wonderland Orianthi Panagaris (This Is It) lends her blazing licks to the film's background score as well. One incongruous image sticks in the mind. During the film's most blistering rock anthem, Jordan sings to an audience of Tibetan refugees in Dharamsala, the Dalai Lama's home in exile. The careful viewer will note that a banner in the background that reads "Free Tibet" has been digitally blurred out — at the orders of India's censor board, reportedly bowing to Chinese government pressure. The song Jordan sings in the scene, "Sadda Haq," speaks about freedom and truth. Director Imtiaz Ali has not spoken out publicly about the issue, but young Indians have been vocal in appreciating its irony. Real piece of cinema!
~Emily
Jab We Met (2007)
A spirited chatterbox Geet
Since I started watching Bollywood/Kollywood films, I've discovered that I don't like nearly all of them. Sometimes it's the actors (I can't stand Rani Muhkerjee) or the plots that veer from frantic fun to drama in the second half (Om Shanti Om) and I've sadly returned quite a few to Netflix after hoping they'd work for me as reviews. This time, I determined I'd just watch this one and not get my hopes up at all. And happily, that seemed to be just the ticket as I ended up enjoying it a lot. Kareena Kapoor is perfect as breezy Geet who can talk a mile a minute and usually has a cheery smile on her face. Her motto in life is live it to the fullest and only regret what you haven't tried. She works on the Law of Attraction and thinks that what you want to happen to you will happen to you if you want it badly enough. She's also spontaneous and fun and gets Aditya to join in even when he initially might balk such as when she decides this is the perfect time to jump off a dock into a shallow river. After all, you never know if such a chance will come again. Geet is a character you the viewer just have to relax and go with. Shahid Kapoor makes Aditya a likable and sympathetic guy. I never once sat back and thought "Oh, cry me a river, poor little rich boy." He does get irritated at Geet at times but quickly realizes she's opened up a whole new side of his personality and made him a better person. During the first half of the film, it's like watching a parched plant soak up water and come to life again. It's also obvious that he's starting to care for her and only leaves her (at about the halfway mark) because he wants her to be happy with the man she's said she wants to marry. The film depends on some misunderstandings to keep the plot going as Geet hasn't told her family about the first man she wants to marry for fear they won't approve and the family must believe there is a relationship between the Geet and Aditya during the final third of the film in order to keep throwing those two together until they finally acknowledge the fact that they're perfect for each other. However, since similar things are so common in romance novels, this didn't bother me too much. The film is fairly fast paced and intensely colorful in that wonderful way of Indian films. There aren't that many musical numbers but I found myself liking the ones that are there. They're fun to watch, the lyrics are good and the beats had me bouncing along and trying a few dance steps much to the amusement of my kitties. Some Bollywood film dances are starting to look more like pole tryouts at the local strip club but with the (slight) exception of the final number, that's avoided here. "Jab We Met" has the flavor of Hollywood screwball comedies – watch for the wild taxi ride Aditya takes Geet on in order to try and get her back to her train – rounded out with a touch of "she makes him a better man" depth. The 155 minute length seems to zip by and for much of it, I had an almost permanent smile on my face. Looks like I still need some help refining what I like in Bollywood/Kollywood films but this one is a winner for me.
~Emily
Rehnaa Hai Terre Dil Mein (2001)
Love this romantic Bollywood love story
I love this Bollywood movie. This is when I was traveling through India my one of my Indian friend suggested me to watch this awesome movie. This is funny, romantic, sweet, light hearted and well acted movie. I have watched many Bollywood films but this one was I fell in love with. I've seen this more than ten times. The lead R. Madhavan and beautiful lady Dia Mirza I love this couple. very good actors. They could work well in Hollywood though. and about music. who the hell had composed the music in this film. I don't know the name of music director. but I love all songs from this film. I still listen to them sometime. I would rate it four and half out of five. :)