James Wan, the master of his craft; I'm convinced he is incapable of making anything insufficiently.
Albeit this film felt like a melting pot of styles and clichés, an amalgam of composites that should not work together, it somehow homogenizes itself effortlessly. There's an uncertainty in the film's trajectory, yet its congruence of arbitration just made sense. Well, oxy my moron.
There were a lot of signature Wan moments that I appreciated inordinately; stellar Bishara score and immaculately composed lighting. Conversely, anyone who is a set-design junkie will appreciate its finessed splendor indeed.
Amidst the pervasive plethora of modern garbage it's certainly a stand-out; high-fueled fun which scores considerably on the rewatchability scale.
Albeit this film felt like a melting pot of styles and clichés, an amalgam of composites that should not work together, it somehow homogenizes itself effortlessly. There's an uncertainty in the film's trajectory, yet its congruence of arbitration just made sense. Well, oxy my moron.
There were a lot of signature Wan moments that I appreciated inordinately; stellar Bishara score and immaculately composed lighting. Conversely, anyone who is a set-design junkie will appreciate its finessed splendor indeed.
Amidst the pervasive plethora of modern garbage it's certainly a stand-out; high-fueled fun which scores considerably on the rewatchability scale.
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