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7/10
mixed bag but worth it
3 April 2007
Warning: Spoilers
I saw 'Namaste London' today and was pleasantly surprised. Ever since the Namaste London trailers began on b4u i have wanted to see it, just because it looked fun. Overall it was a lot better written and acted than i expected.

The film is set in London, the Punjab and then London again. The film starts off well and you really get a sense of how much fun jazz has.

However in my personal opinion the early nightclub scene was a bit much!. This scene was meant to display how westernised/uninhibited jazz and Imran were but it is guilty of making women at UK nightclubs look like prostitutes and the nightclubs like places for roman orgies!! (i have been to various nightclubs at home and abroad to feel justified in saying this!). With scenes like that it is not surprising that the father drags his daughter off on a family holiday.

The scenes set in India are beautiful and there is a lot of comedy as prospective husbands are introduced to jazz, in fact the India segment was so well written that i was sorry when the happy/unhappy couple return to the UK (now looking less vibrant after the Punjab).

Once home the heroine decides that despite everything she wants to get married to her English boyfriend. the love-struck hero meanwhile has the unenviable task of winning jazz's love, keeping his pride, impressing the British, reconciling Imran and his family (a nice little sub-story) and not falling into the trap of being too good to be true.

The music is good but not memorable. This movie seems to be a family film (comedy/love/sport/conterversial issues/family relationships).However this family film lacks the usual catchy songs. Not one song apart from 'Rafta Rafta' (which is no 'Aisa Des Hai Mera') is above average. With other films producing great songs ('Dhoom Again', 'Barso Re', 'Salaam-e-Ishq') you do feel disappointed.

The characters are a mixed bunch. The father played by Rishi Kapoor is at times endearing (with his family in the Punjab & at the end), but most of the time he is completely repellent and overbearing (as many have pointed out he is always unnecessarily humiliating his wife and daughter). The mother has a very small role but, when she does speak in Hindi, what she says is always true and for me she was the best character. The English boyfriend is good-looking but a bit of a jerk. In fact the British boyfriend is a very well written character just bad enough for you not to root for him, but not slimy enough to be a villain. Having said that there is no doubt, even from the beginning, which suitor jazz will end up with.

Before dealing with the main characters, I would just like to criticise the portrayal of the British. When the Singh side won the rugby match I cheered too as the boyfriend had behaved appallingly, and I was glad when Imran didn't cave into his snooty prospective in-laws wishes. However the rest of it just irritated me, because I felt that there were things that had been needlessly dwelt upon. I didn't like the way imran's girlfriend at the beginning was portrayed as the easy white meat, nor the ways she dresses and acts. Call me oversensitive but even if British women are less conservative in their love lives than their Indian counterparts, the girlfriend in this movie is not your typical British girl in terms of wardrobe and blandness!. Another more important scene is the engagement party where the patronising, ignorant and plain rude white guy who is set right by the hero. Now these people do exist and the character deserved the put-down he got but why was this stereotypical display of racism and bigotry included?! The ignorant racist scene is obviously meant to show 1)jazz's realisation of how proud she is to be Indian 2)how the boyfriend doesn't respect her or her culture 3)how educated and eloquent the hero is. However is it really necessary?.

Yes, it makes you question, but not as the makers would have you question. Can jazz not appreciate her roots without this? Can the audience not see how wonderful India and her people are for themselves? Do we really need the whole 'Rang Basanti' / 'The Rising' / 'lagaan' element from Akshay?. I find it hard to explain but it all just seemed a bit gratuitous, and forgive me but the inclusion of this scene shows, that for all the Namaskar gestures Indians can not forgive or forget (probably justified though).

To give ashkay his due in terms of acting he made a very good job of what was a clichéd role and was very believable. Something which SRK & Salman couldn't have achieved. Only problem is I don't like the look of Akshay at all! The ORANGE hair and the smile in particular. Obviously the character was supposed to be attractive rather than handsome, but why could not the role have been played by someone a little younger than 40 year old akshay? The age difference between him and Katrina is not disturbing, but I would have rather seen a 'Funjab' BOY rather than an overgrown boy. Akshay needs to stop playing the 'loverboy roles' and do something more 'omkhara', more 'water' (more 'Don' even!). Katrina was very good and believable.
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Mangal Pandey (2005)
9/10
Great Drama but....
14 August 2005
Warning: Spoilers
I went to see this on the 13th with a friend expecting a big bollywood drama completely in Hindi. The Rising is thankfully not completely in Hindi and the frequent use of English helped me enjoy this film a lot more . However this is not a big bollywood blockbuster, yes it is colourful and lavish, yes there is the almost obligatory lower caste character (in this case a road sweeper) for humour and yes you do leave the cinema feeling that you were taken away from reality into a dream (which in my opinion the best films succeed in doing). But in some respects you DO feel as if a 9 out of ten should have been a 10 out of 10. Others have mentioned the small , and to some unnecessary, part played by Rani and Amisha. I feel that it is true that there is one female character who is useless except for gratuitous purposes - emily kent. The character of miss Kent seems to be only there to provide a body for an Indian servant to accidentally spill something on (the spillage results in a good example of how vile racist and cruel a British officer can be). Coral Beed is meant to be a sympathetic white woman (in my opinion she fails).

I would have had more respect if Emily Kent had been more outspoken and cut through the barriers like Gordon. I would have liked to see her help Heera, it is not good enough for her to look sorrowful and embarrassed when Indians are being exploited and kicked to death. Heera as played by Rani is a great character and well played. Rani is a great actress and i would have liked to see her get more screen time.

The lack of sympathetic portrayal for the British (who i agree don't deserve any in history) could have informed the dumbest person that this is a film seen through Bollywood's eyes. If this had been made by Ridley Scott there would have been more "nice (British) guys". All very well and good but if this is a Bollywood film not an artistic fairly historically accurate period/war piece (if the Brits had made this then a cannon not a noose would have been used) then where are the great songs ?. "Mangal Mangal" and "Vari Vari" are to me the only exceptional songs, i had hoped for more.. The best bits of the film are the Sati scene which shows how sometimes it is better to break with tradition,and also the brothel and biting the cartilage scenes which draws attention to how the British bribed madams and merchants to satisfy their greed for sex/money and how in both relationships and business there is one rule for the British and another for the Indians. Toby Stephens deserves praise as few British actors could have played Gordon so well. Aamir Khan was very good but i think SRK and to a lesser extent Abhishekh Bachchan could with effort played a believable mangal pandey.
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