THE ADVENTURES OF SHERLOCK HOLMES takes him into deadly conflict with Britain's most dangerous criminal mastermind, Professor Moriarty.
20th Century Fox takes us back to the foggy London streets of 1894 in these exciting exploits of the world's most famous private consulting detective. The production values are of a high order in this story based on William Gillette's stage play about Sir Arthur Conan Doyle's celebrated characters. Basil Rathbone & Nigel Bruce return as Holmes and Watson, perfectly portraying that legendary literary partnership with good grace and cheerfulness, Rathbone allowing some traces of humanity to infuse Holmes' cerebral haughtiness, and Bruce, bumbling and big-hearted, enacting the embodiment of a staunch companion and friend.
Unfairly relegated to 6th place billing is George Zucco, marvelous as Moriarty. He presents us with a consummate villain of enormous intellect & subtle nuance, a monster passionate about his exotic plants but indifferent to human life. It is highly enjoyable watching him plot a dastardly crime while engaging in a masterful duel of wits with Holmes.
The other roles are also very well cast and highlight some fine British character actors: lovely Ida Lupino as a young woman frantic over an unknown evil stalking her family; handsome Alan Marshal as her family's lawyer; dignified Henry Stephenson as the worried Constable of the Tower of London; E.E. Clive as the dogged Scotland Yard inspector; and Mary Forbes as a kindly noblewoman who befriends Miss Lupino.
Some rather brief performances also enhance the whole: Mary Gordon as Holmes' grandmotherly landlady and young Terry Kilburn as his page boy; Peter Willes as Miss Lupino's terrified brother; elderly Frank Dawson as Moriarty's harassed butler; Holmes Herbert as a highly frustrated Law Court Justice; and William Austin as a stranger who has a peculiar encounter with Watson on a London sidewalk.
Two lighthearted moments especially standout -- Rathbone delightfully in disguise, and, at the very conclusion of the film, Watson deftly turning the tables on Holmes.
This was the second in a series of Holmes films starring Rathbone & Bruce which began at Fox Studios. It followed THE HOUND OF THE BASKERVILLES (1939) and, after the jump to Universal Studios, preceded SHERLOCK HOLMES AND THE VOICE OF TERROR (1942) three years later.
20th Century Fox takes us back to the foggy London streets of 1894 in these exciting exploits of the world's most famous private consulting detective. The production values are of a high order in this story based on William Gillette's stage play about Sir Arthur Conan Doyle's celebrated characters. Basil Rathbone & Nigel Bruce return as Holmes and Watson, perfectly portraying that legendary literary partnership with good grace and cheerfulness, Rathbone allowing some traces of humanity to infuse Holmes' cerebral haughtiness, and Bruce, bumbling and big-hearted, enacting the embodiment of a staunch companion and friend.
Unfairly relegated to 6th place billing is George Zucco, marvelous as Moriarty. He presents us with a consummate villain of enormous intellect & subtle nuance, a monster passionate about his exotic plants but indifferent to human life. It is highly enjoyable watching him plot a dastardly crime while engaging in a masterful duel of wits with Holmes.
The other roles are also very well cast and highlight some fine British character actors: lovely Ida Lupino as a young woman frantic over an unknown evil stalking her family; handsome Alan Marshal as her family's lawyer; dignified Henry Stephenson as the worried Constable of the Tower of London; E.E. Clive as the dogged Scotland Yard inspector; and Mary Forbes as a kindly noblewoman who befriends Miss Lupino.
Some rather brief performances also enhance the whole: Mary Gordon as Holmes' grandmotherly landlady and young Terry Kilburn as his page boy; Peter Willes as Miss Lupino's terrified brother; elderly Frank Dawson as Moriarty's harassed butler; Holmes Herbert as a highly frustrated Law Court Justice; and William Austin as a stranger who has a peculiar encounter with Watson on a London sidewalk.
Two lighthearted moments especially standout -- Rathbone delightfully in disguise, and, at the very conclusion of the film, Watson deftly turning the tables on Holmes.
This was the second in a series of Holmes films starring Rathbone & Bruce which began at Fox Studios. It followed THE HOUND OF THE BASKERVILLES (1939) and, after the jump to Universal Studios, preceded SHERLOCK HOLMES AND THE VOICE OF TERROR (1942) three years later.