This film, remastered and released in France June 1st, 2016 on Blu- ray + DVD by Pathé with a choice of English or French Subtitles is a very good all-rounder cinematographically speaking. First we have the wailing theme song sung by Germaine Montero accompanied by a shivery solo accordion. The picture quality, though black and white, is excellent and the sets themselves are the epitome, for the Paris region at least, of French popular culture.
First and foremost we have a long disappeared part of Paris, the Halles market, called "le ventre de Paris" or the belly of Paris due to its being the source of nourishment for most of the Parisians. The atmosphere of this area is extremely well rendered and we see various characters typical of the day, and notably a few "forts" or strong men, so called because they used to lug around day in and day out huge carcasses of meat upon their shoulders. Many years ago, Les Halles was transferred out of Paris to Rungis in the suburbs and the gaping hole that was left after the removal of the four "pavillons" or market buildings has today been filled with a shopping mall called the "Forum des Halles" but which has little to do with the original market building. One of the original pavillons was saved and re-erected at Nogent-sur-Marne in the suburbs, not far from the Marne river and is used for dances and other meetings.
The second aspect of parisian culture is the guingette or dance Hall on the banks of the Marne river owned by Gabin's mother. It is set quite a way out at Lagny-sur-Marne. We see various characters of the time and hear the accordion music to which millions danced the "java", "valse musette" and other typically parisian popular dances.
The third aspect is the seedy room in the Hôtel du Charolais in which lives the supposedly deceased mother of Danièle Delorme and where the final horror takes place.
The film was made by Julien Duvivier ( cf La Belle Equipe ) who was a master of a certain type of french film called "film noir", a pessimistic type of film with a gloomy unpromising ending, what the French call "une fin sans concession".
The film is extremely well acted. Gabin is between two ages, not the young impetuous character from La Belle Equipe nor the older patriarch character from "La Horse" ou "Le Clan des Siciliens". I think he is supposed to be in his mid fifties, perhaps as he was in real life and comes over EXCELLENTLY as a restaurant owner. Delorme, who had an angelic face but an evil character beyond all imagination turns up as the daughter of his estranged wife saying her mother is dead and asking Gabin to look after her. All this is a devilish plot fomented between her and her mother, who is still alive, to marry Gabin for his money and then dispose of him. Gabin is so good-natured that he doesn't see this at first and takes Delorme at face value to the point of even turning against his own adoptive sun. Delorme is extremely evil to the point of playing one off against the other - when you see her at it you want to wring her neck ! - but a certain number of fateful slip-ups will be made along the way and she will come a cropper in conformity with the outcome of this 'film noir". She not only precipitates one of her former lovers to his death but also kills Gabin's adopted sun with a coldness which can only be described as totally psychotic !!
Although Delorme and her mother are evil, they are not alone. Gabin's mother, who runs the guingette in Lagny is a cold domineering character who has an inventive way of killing chickens - with a whiplash - quite a nifty idea on the part of Duvivier I thought - and this same whiplash is used to good effect on Delorme at one moment in the film.
There is also a servant woman, extremely ugly and shrivelled-up who is poking her nose into everyone else's affairs. All this goes to show that, bar Gabin and his adoptive son, most of the other characters in the film are real scum and the spectator can have no sympathy with them at all. It's just a shame to see someone as nice as Gabin being taken in.
The final justice is meted out to Delorme not by Gabin as we might expect but by the dog belonging to his murdered son who no doubt "smelled" out his killer. An excellent way of getting Gabin off the hook, and in fact causing more panic in Delorme's eyes than if she had been threatened by a man !
I have no idea whether the film is known outside France ( like Les Diaboliques ) but it certainly merits the attention of anyone who is interested in good French cinema of the "Film Noir" type. More than that it is a living documentary of Paris in 1959 and is a must for those across the world who love that city !
First and foremost we have a long disappeared part of Paris, the Halles market, called "le ventre de Paris" or the belly of Paris due to its being the source of nourishment for most of the Parisians. The atmosphere of this area is extremely well rendered and we see various characters typical of the day, and notably a few "forts" or strong men, so called because they used to lug around day in and day out huge carcasses of meat upon their shoulders. Many years ago, Les Halles was transferred out of Paris to Rungis in the suburbs and the gaping hole that was left after the removal of the four "pavillons" or market buildings has today been filled with a shopping mall called the "Forum des Halles" but which has little to do with the original market building. One of the original pavillons was saved and re-erected at Nogent-sur-Marne in the suburbs, not far from the Marne river and is used for dances and other meetings.
The second aspect of parisian culture is the guingette or dance Hall on the banks of the Marne river owned by Gabin's mother. It is set quite a way out at Lagny-sur-Marne. We see various characters of the time and hear the accordion music to which millions danced the "java", "valse musette" and other typically parisian popular dances.
The third aspect is the seedy room in the Hôtel du Charolais in which lives the supposedly deceased mother of Danièle Delorme and where the final horror takes place.
The film was made by Julien Duvivier ( cf La Belle Equipe ) who was a master of a certain type of french film called "film noir", a pessimistic type of film with a gloomy unpromising ending, what the French call "une fin sans concession".
The film is extremely well acted. Gabin is between two ages, not the young impetuous character from La Belle Equipe nor the older patriarch character from "La Horse" ou "Le Clan des Siciliens". I think he is supposed to be in his mid fifties, perhaps as he was in real life and comes over EXCELLENTLY as a restaurant owner. Delorme, who had an angelic face but an evil character beyond all imagination turns up as the daughter of his estranged wife saying her mother is dead and asking Gabin to look after her. All this is a devilish plot fomented between her and her mother, who is still alive, to marry Gabin for his money and then dispose of him. Gabin is so good-natured that he doesn't see this at first and takes Delorme at face value to the point of even turning against his own adoptive sun. Delorme is extremely evil to the point of playing one off against the other - when you see her at it you want to wring her neck ! - but a certain number of fateful slip-ups will be made along the way and she will come a cropper in conformity with the outcome of this 'film noir". She not only precipitates one of her former lovers to his death but also kills Gabin's adopted sun with a coldness which can only be described as totally psychotic !!
Although Delorme and her mother are evil, they are not alone. Gabin's mother, who runs the guingette in Lagny is a cold domineering character who has an inventive way of killing chickens - with a whiplash - quite a nifty idea on the part of Duvivier I thought - and this same whiplash is used to good effect on Delorme at one moment in the film.
There is also a servant woman, extremely ugly and shrivelled-up who is poking her nose into everyone else's affairs. All this goes to show that, bar Gabin and his adoptive son, most of the other characters in the film are real scum and the spectator can have no sympathy with them at all. It's just a shame to see someone as nice as Gabin being taken in.
The final justice is meted out to Delorme not by Gabin as we might expect but by the dog belonging to his murdered son who no doubt "smelled" out his killer. An excellent way of getting Gabin off the hook, and in fact causing more panic in Delorme's eyes than if she had been threatened by a man !
I have no idea whether the film is known outside France ( like Les Diaboliques ) but it certainly merits the attention of anyone who is interested in good French cinema of the "Film Noir" type. More than that it is a living documentary of Paris in 1959 and is a must for those across the world who love that city !