I saw this at London's National Film Theatre a couple of nights ago. The print, the best they could lay their hands on, was scratched and the colour had faded to the extent that much of it was a pinky sepia. Also, I could find very few reviews to read beforehand (zero on the IMDB). So I wasn't expecting much.
And I was therefore very pleasantly surprised. The tale of an old crooked banker who absconds to the US with a young male golddigger really works. Charles Vanel (who was so brilliant in The Wages of Fear) and Jean-Paul Belmondo are a wonderful team, as a very spiky and spiteful Father/Son relationship grows between them.
As a travelogue of a journey from New York to the Deep South it's fascinating, and reminded me, of all things, of Easy Rider, which I very much suspect it may have influenced.
There's a few problems with it, mainly due to the fact the Jean-Pierre Melville never really got the timing right when it came to editing emotional scenes (especially at the end).
But if you're a fan of the early Melville movies, Le Doulos in particular, then check it out.
And I was therefore very pleasantly surprised. The tale of an old crooked banker who absconds to the US with a young male golddigger really works. Charles Vanel (who was so brilliant in The Wages of Fear) and Jean-Paul Belmondo are a wonderful team, as a very spiky and spiteful Father/Son relationship grows between them.
As a travelogue of a journey from New York to the Deep South it's fascinating, and reminded me, of all things, of Easy Rider, which I very much suspect it may have influenced.
There's a few problems with it, mainly due to the fact the Jean-Pierre Melville never really got the timing right when it came to editing emotional scenes (especially at the end).
But if you're a fan of the early Melville movies, Le Doulos in particular, then check it out.