When it premiered in 1964, "Thunderbirds" became Gerry Anderson's most successful series (and remains the jewel in the Anderson crown to this day); its popularity was such that after the second shorter series - 26 episodes were produced in 1964, followed by a further six episodes in 1966 - a pair of feature films were made for the big screen. Unlike a lot of movies to come from TV shows (like "Mission Impossible Vs. The Mob," which was the two-part story "The Council" given a theatrical release), they were real movies, but they were never as popular as the source.
"Thunderbirds Are GO," the first of the two, deals with a manned mission to Mars which the Hood (International Rescue's recurring nemesis) tries to sabotage, but our heroes give the astronauts help both going there and on the return journey. The model work and special effects remain impressive, but Scott, Gordon, Alan, Gordon and John never defeat their real foes this time around:
1. With or without his wife Sylvia, Gerry Anderson's strengths were never in the writing department, and to his credit he knew it, which was why apart from the pilot episodes of his shows (and a few exceptions, such as the entire second season of "Supercar" and a couple of episodes of "Stingray") he left the actual writing to the likes of Dennis Spooner, Tony Barwick, Donald James et al. But he and the missus wrote the movie, and the weak pacing and terrible dialogue hobble the tale.
2. The movie's second act is an endless dream sequence (a staple of most Anderson shows - though tellingly, never of "Thunderbirds") featuring Alan Tracy, the most whiny and least appealing of the brothers. This is a three-time loser: it serves no real purpose outside of padding the running time, it stops the movie dead in its tracks in a manner not seen again until the Michael Jackson song in "Free Willy 2," and it provides the movie's official low point - an awful song from Cliff Richard (er, "Cliff Richard Jr.") and the Shadows, with a music video to boot!
All Gerry Anderson/"Thunderbirds" fans should see this movie once, and then go back to the previous 32 stories. (But the live-action military band performing the theme music at the end is a nice touch.)
"Thunderbirds Are GO," the first of the two, deals with a manned mission to Mars which the Hood (International Rescue's recurring nemesis) tries to sabotage, but our heroes give the astronauts help both going there and on the return journey. The model work and special effects remain impressive, but Scott, Gordon, Alan, Gordon and John never defeat their real foes this time around:
1. With or without his wife Sylvia, Gerry Anderson's strengths were never in the writing department, and to his credit he knew it, which was why apart from the pilot episodes of his shows (and a few exceptions, such as the entire second season of "Supercar" and a couple of episodes of "Stingray") he left the actual writing to the likes of Dennis Spooner, Tony Barwick, Donald James et al. But he and the missus wrote the movie, and the weak pacing and terrible dialogue hobble the tale.
2. The movie's second act is an endless dream sequence (a staple of most Anderson shows - though tellingly, never of "Thunderbirds") featuring Alan Tracy, the most whiny and least appealing of the brothers. This is a three-time loser: it serves no real purpose outside of padding the running time, it stops the movie dead in its tracks in a manner not seen again until the Michael Jackson song in "Free Willy 2," and it provides the movie's official low point - an awful song from Cliff Richard (er, "Cliff Richard Jr.") and the Shadows, with a music video to boot!
All Gerry Anderson/"Thunderbirds" fans should see this movie once, and then go back to the previous 32 stories. (But the live-action military band performing the theme music at the end is a nice touch.)