WR is one of my two favorite films, and is widely considered by people knowledgable about the film and the era as "one of the most profound and humerous films of the decade". I call it the "Citizen Kane of the Sixties" because it did what the first "Citizen Kane" did earlier - it summarized the realities we all were living with in the Sixites in the Global Village - the reality of sexual repression in both the East and West, the horrors of the McCarthy Era in this country, the obsession with sports in Russia, etc., etc. It is no accident that a still from this film is on the cover of one of the greatest books on film, "Film As a Subversive Art" by film critic and founder of the NY Film Festival, Amos Vogel. I can understand why many Americans do NOT understand this film - the organization of the film, the two overlapping storylines, the music - all so different from the Hollywood material. However, it is considered by many including myself to be a masterpiece, as are all the films by its director, Dusan Makavejev. Together, he and Jean-Luc Godard are the two "Picassos" of film since WW II - and should both be held as two of the greatest filmmakers of all time.
Review of WR: Mysteries of the Organism
