Magnum Force (1973)
"As Long As The Right People Get Shot"
26 January 2002
Clint does his tight-lipped Harry thing, and Hal Holbrook does his sinister-insider-perverting-American-institutions thing in this Dirty Harry offshoot which shows unmistakeable signs of a format creaking at the joints.

A group of vigilante cops is administering 'street' justice to criminals acquitted by the way-too-liberal San Francisco courts. Can Harry stop this uniformed lynch mob? You know he can.

The film starts well, but quickly degenerates into feeble formula. The early scenes of the mysterious motorcycle cops are striking. David Soul's character, Davies, is depicted cleverly as the 'fragments' of a policeman, with badge, gun and bike standing in for the man. He relies on these symbols and at the same time desecrates them.

And then the rot sets in. The 'crowd' scene at Ricca's acquittal is feeble. The hi-jack is quite ludicrous, and Mitch Ryan (McCoy) overacts outrageously. How come Davies is officiating at the funeral? Doesn't anyone think of the fingerprint evidence left on the car? Since when have lieutenant detectives done their own ballistics analysis, or defused bombs themselves? If evidence is processed as casually in California as this film suggests, it's no wonder that OJ Simpson was acquitted.

Why does Harry meekly obey Briggs as they drive along near the end? What has he got to lose? Or is the film just limping mindlessly along to the next location?
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