A group of criminals highjack a subway train and demand $1 million from New York City. Transit cop, Lt. Garber tries to work the situation out, but it seems the gang have planned everything to the second and are running the show. Garber tries to get one step ahead of the gang.
Of course now everyone knows this film because of the supposed connection to Reservoir Dogs, in that the criminals are colour coded instead of names. However even without this cult reference this film deserves to be watched and enjoyed. The story exists on two levels. First we have the setup it also acknowledges that it is the usual disaster movie setup .the majority of characters are listed in the credits as stereotypes instead of people (ie, `the pimp' `the junkie' etc). However this is not a weakness as the thriller story is solid enough to carry the film. It isn't all action but it's very tense and interesting. What really tops it off is the thick vein of humour that runs through it mostly coming from Matthau.
Matthau shows how wonderful he is and how he manages to do well in so many different film styles. His world-weary act is great and his Brooklyn accent is pushed to the fore. Roberts Shaw is also good, but has less of a character and is working hard to sound English. The cast is actually deep in faces we have an almost unrecognisable Elizondo, Woody Allen actor Tony Roberts, a fantastic Mayor from Wallace and Jerry Stiller (Ben's dad), who doesn't look much older today than he did then!
Overall this is very enjoyable, but it is made by Matthau. The thriller plot stands up well despite the lack of modern fireworks. A cult classic in the making.
Of course now everyone knows this film because of the supposed connection to Reservoir Dogs, in that the criminals are colour coded instead of names. However even without this cult reference this film deserves to be watched and enjoyed. The story exists on two levels. First we have the setup it also acknowledges that it is the usual disaster movie setup .the majority of characters are listed in the credits as stereotypes instead of people (ie, `the pimp' `the junkie' etc). However this is not a weakness as the thriller story is solid enough to carry the film. It isn't all action but it's very tense and interesting. What really tops it off is the thick vein of humour that runs through it mostly coming from Matthau.
Matthau shows how wonderful he is and how he manages to do well in so many different film styles. His world-weary act is great and his Brooklyn accent is pushed to the fore. Roberts Shaw is also good, but has less of a character and is working hard to sound English. The cast is actually deep in faces we have an almost unrecognisable Elizondo, Woody Allen actor Tony Roberts, a fantastic Mayor from Wallace and Jerry Stiller (Ben's dad), who doesn't look much older today than he did then!
Overall this is very enjoyable, but it is made by Matthau. The thriller plot stands up well despite the lack of modern fireworks. A cult classic in the making.