`This was our last weekend together, and we didn't feel like going to Ft. Sumter and touring goddamn colonial homes! We wanted to go to the beach! And meet boys! And go to wild parties! And dance!' One of the most overlooked but greatest girl-movies all time, *Shag* is a meticulously crafted period piece that takes a look back at the summer of '63 - a hallowed summer cinematically, supposedly representing an innocent America untouched by the coming traumas of the Sixties. It is the story of four girls who have just graduated from high school who hightail it to Myrtle Beach - the forbidden zone of boys and booze. As they whoop it up, each of them has their eyes opened to a reality that is not part of the world their parents laid out for them. `Y'all, I'm *wild*,' Cates' character tells her friends towards the end of the movie, `I guess I always have been - I just didn't know it,' and Cates' youthful beauty and innocence make it completely believable. Hannah seems to not take herself as seriously as her more famous sister does - and her hilarious portrayal of the tight-assed Luanne morphs from rigid propriety to semi-unbridled lust. Pudge finally meets a boy who loves her for everything she is, and Gish has a field day with the character. But it is Fonda's portrayal of the bad-girl preacher's daughter who steals the show. Described by one reviewer as `*Dirty Dancing* meets *Mystic Pizza* meets *American Graffiti*,' as a coming-of-age film, *Shag* is nothing less than enchanting.
