Mel Gibson and Franco Zeffirelli's adaptation of Hamlet has filled some of the gaps left by Shakespeare. This version of the classic story is thoroughly watchable. Gibson is perfect as Hamlet the Prince of Denmark, and he is well supported by Glenn Close (Gertrude), Alan Bates (Claudius), Ian Holm (Polonius) and Helena Bonham Carter (Ophelia). However, after already seeing Kenneth Branagh's 4-hour long version, I was left a little let down. Although this version was only 2 hours 20 minutes approximately, it was more boring in parts than Branagh's was. And no one can beat Kate Winslet as Ophelia, though Bonham Carter performed the lunatic scenes extremely well.
The acting, as is aboveforementioned, is the highlight of this version. You can see the emotions boiling over on Gibson's face, and Close gives Gertrude's nature a remarkable realism as both a worried mother and a lustful lover. Bates is the best Claudius I have ever seen, and Holm displays in Polonius what makes him such a great actor.
This Hamlet has an extremely good set design that complements the mood of each scene perfectly. The castle has a great look to it, both inside and outside.
The costumes, particularly those worn by Close, are excellent. They really highlight the mood and temprament of her character perfectly. On top of this, all of the costumes worn by the players (actors in Hamlet's play) in colour and shape symbolise the message that Hamlet was trying to get across.
Technically, this film is very well put together. The shots are each able to complement the action in that shot. Sound effects, especially in the ghost apparitions, as well as the lighting and juxtapositioning, set the moody feel of the film.
Of course, one cannot escape comparing this to Branagh's masterpiece, though in its own right is is a great version of Shakespeare's play that, through its star power and easier-to-follow storyline, should attract the younger audiences that saw Baz Lurmann's 'Romeo + Juliet', '10 Things I Hate About You' and will possibly see the upcoming 'O'. ***1/2 out of *****.
The acting, as is aboveforementioned, is the highlight of this version. You can see the emotions boiling over on Gibson's face, and Close gives Gertrude's nature a remarkable realism as both a worried mother and a lustful lover. Bates is the best Claudius I have ever seen, and Holm displays in Polonius what makes him such a great actor.
This Hamlet has an extremely good set design that complements the mood of each scene perfectly. The castle has a great look to it, both inside and outside.
The costumes, particularly those worn by Close, are excellent. They really highlight the mood and temprament of her character perfectly. On top of this, all of the costumes worn by the players (actors in Hamlet's play) in colour and shape symbolise the message that Hamlet was trying to get across.
Technically, this film is very well put together. The shots are each able to complement the action in that shot. Sound effects, especially in the ghost apparitions, as well as the lighting and juxtapositioning, set the moody feel of the film.
Of course, one cannot escape comparing this to Branagh's masterpiece, though in its own right is is a great version of Shakespeare's play that, through its star power and easier-to-follow storyline, should attract the younger audiences that saw Baz Lurmann's 'Romeo + Juliet', '10 Things I Hate About You' and will possibly see the upcoming 'O'. ***1/2 out of *****.