Now I remember what the 'indie' filmmakers were ripping off before Pulp Fiction. It was David Lynch, right?
I hunted this thing down to see Kyle Secor. What a waste of a perfectly good Bayliss. It was so painful to watch him, sort of like when someone you love is horribly sick and there's nothing you can do.
Nearly every cliche in the book: the desert, the psycho, the quirky mob boss, the biker, Tracy Walker (who fortunately was only in one scene, but I kept expecting him to reappear and say something strange and profound like "If a man wants to know where he's going, he's got to look at where he's been," or some contrived garbage like that). I have a theory as to why so many indies are short on location in the desert. I think it's because they can save money on lighting.
If you like to be in pain, find this movie and give it a viewing. If you're a fan of Kyle Secor, watch reruns of Homicide on Court TV. If you want a good, quirky road thriller, check out Wild At Heart.
There is a reason that no one has heard of Delusion! My god, what a waste of a good title.
I hunted this thing down to see Kyle Secor. What a waste of a perfectly good Bayliss. It was so painful to watch him, sort of like when someone you love is horribly sick and there's nothing you can do.
Nearly every cliche in the book: the desert, the psycho, the quirky mob boss, the biker, Tracy Walker (who fortunately was only in one scene, but I kept expecting him to reappear and say something strange and profound like "If a man wants to know where he's going, he's got to look at where he's been," or some contrived garbage like that). I have a theory as to why so many indies are short on location in the desert. I think it's because they can save money on lighting.
If you like to be in pain, find this movie and give it a viewing. If you're a fan of Kyle Secor, watch reruns of Homicide on Court TV. If you want a good, quirky road thriller, check out Wild At Heart.
There is a reason that no one has heard of Delusion! My god, what a waste of a good title.