Is it possible these days to tell a story -- a taut, relentless, no-fat-no-frills story -- in contemporary Hollywood? This 1991 effort by writer/director Jonathan Mostow reminds me of Steven Spielberg's "Duel" in its relentless pursuit of a linear take-no-prisoners storyline. No real characters, but who needs 'em? Let Merchant/Ivory wander through sanguine tepidity ... Mostow wants to grab you, must compel your attention -- he plies his craft for the MTV 15-second-attention-span generation.
I stumbled across this unknown gem flipping through cable stations one meandering Saturday afternoon, and immediately wondered why Hollywood hadn't discovered this amazing director. Then I searched IMDB and learned he recently finished directing "Terminator 3: Rise of the Machines." Hmm ... guess he was only anonymous to me.
The aerial dogfights are simply great. The maniacal plan of the wacked-out Crazy Christian Crusader main character is riveting, and Mostow's script seems plausible in its attention to military technology detail.
Highly recommended.
I stumbled across this unknown gem flipping through cable stations one meandering Saturday afternoon, and immediately wondered why Hollywood hadn't discovered this amazing director. Then I searched IMDB and learned he recently finished directing "Terminator 3: Rise of the Machines." Hmm ... guess he was only anonymous to me.
The aerial dogfights are simply great. The maniacal plan of the wacked-out Crazy Christian Crusader main character is riveting, and Mostow's script seems plausible in its attention to military technology detail.
Highly recommended.