I recently read Tarantino's original screenplay to "True Romance". Apart from the change in narrative structure (non-chronological), it hints to a bleaker, grittier urban drama, with a tragedy ending. It would be very interesting to see the final film in Tarantino's vision.
Tony Scott's sugar-coated adaptation works wonders though. It was made very clear in the script that the relationship between the two leads was very strong. Scott took this unison and gave the film a fairy-tale tone. The villains in the film are very colourful, contributing to the feel that Scott has established. Hans Zimmer's score does nothing better, than to enforce this vision.
The cast is one of the most impressive line-ups I've ever seen. Much of the film rests on the shoulders of Christian Slater and Patricia Arquette, both characters come off very likable with clear, clean, simple motives. These are career performances. Dennis Hopper gives good in his limited screen-time as Christian's ex-cop, ex-alcoholic father. It is in his time shared with Christopher Walken (being a one-scene wonder, like in "Pulp Fiction"), that he comes off at his best. The Sicilian scene is Walken's most intense since "Deer Hunter". Gary Oldman also gives another deliciously evil and memorable performance, the man is a chameleon, he is yet to unimpress me.
But one of my favourite things about the cast is seeing then-relative-unknowns Samuel L. Jackson, Brad Pitt and James Gandolfini in small, but memorable roles. A real shame that Jackson's performance was cut down heavily from the script, some of the dialogue in his one scene was very amusing, if maybe a little offensive to some.
"True Romance" is a brilliant crime drama, and a perfect (if phased) introduction to Tarantino's work, it is probably the most accessible film he's penned. People will always ponder over whether or not Tarantino's directorial version would have been better, but they can always rest-assure that Scott has given a wonderful adaptation, supported by a very strong cast. It could have been much, much worse. 9/10
Tony Scott's sugar-coated adaptation works wonders though. It was made very clear in the script that the relationship between the two leads was very strong. Scott took this unison and gave the film a fairy-tale tone. The villains in the film are very colourful, contributing to the feel that Scott has established. Hans Zimmer's score does nothing better, than to enforce this vision.
The cast is one of the most impressive line-ups I've ever seen. Much of the film rests on the shoulders of Christian Slater and Patricia Arquette, both characters come off very likable with clear, clean, simple motives. These are career performances. Dennis Hopper gives good in his limited screen-time as Christian's ex-cop, ex-alcoholic father. It is in his time shared with Christopher Walken (being a one-scene wonder, like in "Pulp Fiction"), that he comes off at his best. The Sicilian scene is Walken's most intense since "Deer Hunter". Gary Oldman also gives another deliciously evil and memorable performance, the man is a chameleon, he is yet to unimpress me.
But one of my favourite things about the cast is seeing then-relative-unknowns Samuel L. Jackson, Brad Pitt and James Gandolfini in small, but memorable roles. A real shame that Jackson's performance was cut down heavily from the script, some of the dialogue in his one scene was very amusing, if maybe a little offensive to some.
"True Romance" is a brilliant crime drama, and a perfect (if phased) introduction to Tarantino's work, it is probably the most accessible film he's penned. People will always ponder over whether or not Tarantino's directorial version would have been better, but they can always rest-assure that Scott has given a wonderful adaptation, supported by a very strong cast. It could have been much, much worse. 9/10