Krzysztof Kieslowski's second installment in his "Three Colors" trilogy does not quite reach the greatness of his earlier or latter work, but is still a strangely interesting viewing experience that ends up being a dominant success by its final act in spite of some shortcomings. "White" (representing equality to the French) plays more light-hearted than "Blue" or "Red". It is modern-day France and a Polish hairdresser (Zbigniew Zamachowski) and his amazingly beautiful French wife (Julie Delpy) are going through a messy divorce due to Zamachowski's inability to perform sexually. The divorce crushes Zamachowski emotionally and financially. He is forced to leave France and go back to Poland, becoming a Metro beggar that has basically lost everything. However, with a little help, Zamachowski will get back up and vow revenge on the woman that ruined his life and took his self-dignity. Sometimes revenge can be sweet, but what happens when it does not necessarily accomplish what you had hoped? "White" is a little strange to the series. Its dark humor makes it stand out in an already unique set of films. The film is not near as emotional as "Blue" or near as rough as "Red". Instead it uses heart rather than thought at times to get its story across. This is not a bad thing, but it is just an odd chapter for Kieslowski. My least favorite of the trilogy (not saying I don't still like the movie very much), "White" still creates a tone that makes it a cinematic winner. Watch for Juliette Binoche (the greatest performer of the series) in what ends up being a cameo role. 4 stars out of 5.
Review of Three Colors: White
