The set design and art direction on this movie was entirely mesmerizing! I will never forget the scene in which Dr Merivile returns to court (after The Plague has ravished London) in which this huge heavy swishing pendulum like incense burner, apparently to help ward off sickness... makes such a haunting and ominous sound as it waves smoke across the vast room...you can almost smell it! This movie is robustly lush and unnervingly eerie. As has been mentioned by a few others on the database...it's full of contrast on all levels.
Personally, I was gladly surprised at how inventive Robert Downey Jr was with the role of Robert Merivel. He began with a laughing stupidity which grew to eventual compassion and downright intellect by the end of his story. Sam Neil is always all around proficient at what ever he takes on, his portrayal here is no exception, although I think he granted Charles II a lot of likableness and charm that was surely improbable in reality. Got to love the fifty or so Spaniels meandering with him down the plush hallways of the nobility through out the kingdom. And the scenes with intricate scientific inventions and mechanisms of the era were sheer beauty to behold. At the same time there was such desperation and bleak contrast when dealing with the devastation and hopelessness of The Plague...only to be followed by the horrific Fire Of London. It's a wonder civilization survived at all in England at the time. The movie's art direction was of such a brilliant intensity. Parts of the script were a bit slow but the visuals tended to make up for it. The only truly unfortunate aspect of the film was the casting of Meg Ryan...just Plumb Awful(as they say)in the role of Dr Merivil's asylum inmate lover....who was by the way, miraculously cured of her insanity by his physical attentions. Whoever twisted Hollywood arms to get her on this project should be quartered and drawn.
Considering all, this movie made me curious enough to download a copy of Samuel Pepys Diary 1665 to read more about the history of the Restoration. Isn't that what a good historical adaptation should do?
Personally, I was gladly surprised at how inventive Robert Downey Jr was with the role of Robert Merivel. He began with a laughing stupidity which grew to eventual compassion and downright intellect by the end of his story. Sam Neil is always all around proficient at what ever he takes on, his portrayal here is no exception, although I think he granted Charles II a lot of likableness and charm that was surely improbable in reality. Got to love the fifty or so Spaniels meandering with him down the plush hallways of the nobility through out the kingdom. And the scenes with intricate scientific inventions and mechanisms of the era were sheer beauty to behold. At the same time there was such desperation and bleak contrast when dealing with the devastation and hopelessness of The Plague...only to be followed by the horrific Fire Of London. It's a wonder civilization survived at all in England at the time. The movie's art direction was of such a brilliant intensity. Parts of the script were a bit slow but the visuals tended to make up for it. The only truly unfortunate aspect of the film was the casting of Meg Ryan...just Plumb Awful(as they say)in the role of Dr Merivil's asylum inmate lover....who was by the way, miraculously cured of her insanity by his physical attentions. Whoever twisted Hollywood arms to get her on this project should be quartered and drawn.
Considering all, this movie made me curious enough to download a copy of Samuel Pepys Diary 1665 to read more about the history of the Restoration. Isn't that what a good historical adaptation should do?