Griff's a frat boy. So is Pete. Griff and Pete are lovers. Griff still wants to be seen as straight; so does Pete, though Pete is on the verge of coming out. Griff doesn't like being pressured. But when Pete is injured in a gay bashing, Griff is forced to decide on which side of the fence he must ultimately stand.
DEFYING GRAVITY is like one of those moralistic religious shows they used to show on Sunday mornings, mini-soap operas like "Insight" where average people found themselves facing difficult choices. Only in GRAVITY, religion is avoided and gay sex has been added. It is sincere. It is sweetly, naively philosophical in its morality. It is likable, but it is simplistic. It is about a man who wants to do the right thing, but has to muster up the moral courage to sacrifice his comfortable life in order to do it. DEFYING GRAVITY is vanilla, both sexually and dramatically. As Griff and Pete, Daniel Chilson and Don Handfield are boy-next-door handsome and kid brother cute. Their sex is PG rated. They are given a mutual best friend (Niklaus Lange) who is unmistakably straight to let us know that it is all right to be gay friendly. Griff's coming to terms with his sexuality is aided by a lesbian acquaintance (Linna Carter) who is black, to better identify being gay with being marginalized. It is all a bit too predictable.
Yet, the film is sincere and it is well acted, especially by Chilson who underplays his part with the right amount of repressed, middle-class indecisiveness. And the film's most honest revelation is noting that most great changes in life come after slow deliberation and soul searching.
DEFYING GRAVITY is feather weight, though it hardly defies gravity. But as it comfortably sets there taking up space, it is pleasant and inoffensive and delivers it message with utmost politeness. That may make it seem inconsequential, but since most gay films wallow in angry ranting or outrageous camp, GRAVITY's low-key thoughtfulness makes it a little bit different and a little bit special.
DEFYING GRAVITY is like one of those moralistic religious shows they used to show on Sunday mornings, mini-soap operas like "Insight" where average people found themselves facing difficult choices. Only in GRAVITY, religion is avoided and gay sex has been added. It is sincere. It is sweetly, naively philosophical in its morality. It is likable, but it is simplistic. It is about a man who wants to do the right thing, but has to muster up the moral courage to sacrifice his comfortable life in order to do it. DEFYING GRAVITY is vanilla, both sexually and dramatically. As Griff and Pete, Daniel Chilson and Don Handfield are boy-next-door handsome and kid brother cute. Their sex is PG rated. They are given a mutual best friend (Niklaus Lange) who is unmistakably straight to let us know that it is all right to be gay friendly. Griff's coming to terms with his sexuality is aided by a lesbian acquaintance (Linna Carter) who is black, to better identify being gay with being marginalized. It is all a bit too predictable.
Yet, the film is sincere and it is well acted, especially by Chilson who underplays his part with the right amount of repressed, middle-class indecisiveness. And the film's most honest revelation is noting that most great changes in life come after slow deliberation and soul searching.
DEFYING GRAVITY is feather weight, though it hardly defies gravity. But as it comfortably sets there taking up space, it is pleasant and inoffensive and delivers it message with utmost politeness. That may make it seem inconsequential, but since most gay films wallow in angry ranting or outrageous camp, GRAVITY's low-key thoughtfulness makes it a little bit different and a little bit special.