Stuart Little (1999)
9/10
A credit to live film animation
23 April 2000
Considering myself too grown up to face the terrifying throes of cartoon animation at age fourteen, I found myself mortified and aghast at the possibility of being reminded of the painful movie excursion to see "Pokemon" so soon, even if the little critter looked cute in the preview trailer.

Later I was reminded by the meaning of unwanted neck pains as a result of choosing a deliberately badly positioned seat in the theatre in order to see as little of the picture as possible.

Michael J. Fox performs a beautiful voice over characterisation of the witty, amusing Stuart, as does Nathan Lane as the non-scary cat villain, Snowbell. The best thing about the actual actors is that they are at least doing their best not to be obvious as second features of interest, and aren't too bad in the process. After all, it is hard to blame Stuart for stealing his own show.

One of the most interesting non-screen elements I found interesting was the fact that M. Night Shyamalan was the author of the amusing and well written screenplay. Having the writer and directorial credit of "The Sixth Sense" to your name is definitely not too shabby. Although relatively a new comer to mainstream film production, his ability to pen appropriate writings in two far differed genres is evident and I hope he returns to write a sequel to the film should one be produced. However, I did learn some all important lessons:

1. Never conclude anything about a film until AFTER seeing it. Unfortunately, I will never be able to have the same optimism for Pokemon.

2. Not a good idea to view "Stuart" with those less than ambitious about mice, in particular those with fears ranging from high to major phobia category. The idea of family bondage with rodents, in particular those with the ability to speak has turned some unsuspecting people I know off anything with mild animation forever.

3. Siamese cats are a good complement with pet mice because their daily activities consist solely of dining in style and mass exposure to nature's warm elements.

4. Children will always mostly love animation, good or bad. At least this is a more than pleasant example.

5. Hollywood can still make a good film without computerising the whole thing entirely.

6. No one has to die, be injured or violently advanced upon to produce good, subtle special effects.

Despite all skepticism, it is difficult to resist the irresistible, ageless appeal of any film featuring a form of animation. Not everyone is going to be thirsty for this particular cup of tea, but it has a sort of undeniable aroma about it anyway.

Perhaps if we wait another sixty years, Stuart Little, mouse extraordinaire, may achieve fame and lasting legacy as great as that of Mickey Mouse.

Rating: 9/10
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