This film is probably the best blockbuster of the summer. It has grisly and rousing action, wonderful technical direction from Ridley Scott, and masterful performances from Crowe and Pheonix.
Flaws always first. The opening battle sequence is confusing, and tries to be chaotic, when it is just incoherent. However, the rest of the film justifies Scott's technical brilliance (more on that later). The screenplay isn't as much a story told with action sequences but a string of action sequences with some connecting thread. However, it allows for some great acting. The script introduces a startling relationship between Commodus (Joaquin Pheonix) and his sister Lucilla (Connie Nelson), giving Pheonix and added dimension to chew through.
And does he ever. One of his three films this year, Pheonix proves that he can act in several diverse roles. This will probably garner him on Oscar nomination. His snivelling, ambitious emperor provides a fine foil for Crowe's Maximus. Crowe finally cements his star status with this film, after amazing turns in The Insider and L.A. Confidential. His performance is brutal and intense. In fact, the screenplay spares nothing on his character, giving Crowe several powerful scenes (the climax, his prison conversation with Lucilla, and his earlier conversation with Marcus Aurelius). He'll probably get an oscar nod as well.
Now, the direction of Ridley Scott. I am not a huge fan of his, so I was pleased to see him handle both the technical and narrative direction with equal aptitude. His technical direction is superb, ranking with Blade Runner and Alien. For the first (arguably second) time, however, he has paid attention to the story (the first being Thelma and Louise). And it has paid off handsomely. Look for Gladiator to have the most nominations at the academy awards this year (I'm guessing 11).
Flaws always first. The opening battle sequence is confusing, and tries to be chaotic, when it is just incoherent. However, the rest of the film justifies Scott's technical brilliance (more on that later). The screenplay isn't as much a story told with action sequences but a string of action sequences with some connecting thread. However, it allows for some great acting. The script introduces a startling relationship between Commodus (Joaquin Pheonix) and his sister Lucilla (Connie Nelson), giving Pheonix and added dimension to chew through.
And does he ever. One of his three films this year, Pheonix proves that he can act in several diverse roles. This will probably garner him on Oscar nomination. His snivelling, ambitious emperor provides a fine foil for Crowe's Maximus. Crowe finally cements his star status with this film, after amazing turns in The Insider and L.A. Confidential. His performance is brutal and intense. In fact, the screenplay spares nothing on his character, giving Crowe several powerful scenes (the climax, his prison conversation with Lucilla, and his earlier conversation with Marcus Aurelius). He'll probably get an oscar nod as well.
Now, the direction of Ridley Scott. I am not a huge fan of his, so I was pleased to see him handle both the technical and narrative direction with equal aptitude. His technical direction is superb, ranking with Blade Runner and Alien. For the first (arguably second) time, however, he has paid attention to the story (the first being Thelma and Louise). And it has paid off handsomely. Look for Gladiator to have the most nominations at the academy awards this year (I'm guessing 11).