Any movie not plugged for mass hysteria and advancements of special effects that seem to occur with every movie released promising unique and original experiences is literally a must-see. Although the film currently co-incides with the release of "Mission Impossible 2", this is definitely the more intelligible and less senseless of the two. "Gladiator" proves that an epic can be good, produced on a massive scale and not run over three hours. Sometimes two and a half hours however, is still not enough to finish a large popcorn and drink.
One of the most noticeable elements of the film is its breathtaking cinematography, much of it possible by the special effects and beautiful European locations, not reliant on exploding helicopters, let alone the flaming city of the Rome. Spectacular battle sequences, a glimpse into an interpretation of the afterlife and even the employment of the simple slow motion technique provide handsome treats for the eyes.
Russell Crowe is the general turned slave, turned gladiator, turned risen hero, turned Hollywood star. His rugged, reluctant performance is naturally the centrepiece of the movie, although almost the entire cast turns in good performances, enhanced by an above average screenplay.
The only disappointing performance is from Joaquain Phoenix, whose pompous Commodus evokes a road company Peter Ustinov as Emperor Nero from "Quo Vadis", only no one will be handing any Academy Award nominations or nods of any sort to him. In terms of the possible bouquets handed out to "Gladiator", come February 2001, it looks like the film will be receiving a whole lot of them.
"Gladiator" evokes the classic epics of the Golden Era, "Ben-Hur", "Spartacus" and the definitive biblical epic, "Quo Vadis." Although the latter was filmed under more strained, theatrical-like conditions now almost fifty years ago, "Gladiator" is reminiscent of the film, albeit a more attractive looking one. Its plot line even seems to be similar, Ancient Rome, corrupt authorities, handsome hero falling for the forbidden fruit...a woman, even if Crowe's has a sense of partial fidelity amid faith and personal devastation.
The success of "Gladiator" has been enjoyed, primarily because the current generation has yet to see such a grand, lavish epic. Since I am fifteen, I can truthfully state this is the only large scale, true historical epic I have ever seen, made in the current day. Since there's enough historical accuracy, heroes, special effects and gory battle violent sequences, which insures box office and something for everyone, there's enough in this film to convince me that, for now, Hollywood may be capable once again of occasionally making films like they used to.
Rating: 10/10
One of the most noticeable elements of the film is its breathtaking cinematography, much of it possible by the special effects and beautiful European locations, not reliant on exploding helicopters, let alone the flaming city of the Rome. Spectacular battle sequences, a glimpse into an interpretation of the afterlife and even the employment of the simple slow motion technique provide handsome treats for the eyes.
Russell Crowe is the general turned slave, turned gladiator, turned risen hero, turned Hollywood star. His rugged, reluctant performance is naturally the centrepiece of the movie, although almost the entire cast turns in good performances, enhanced by an above average screenplay.
The only disappointing performance is from Joaquain Phoenix, whose pompous Commodus evokes a road company Peter Ustinov as Emperor Nero from "Quo Vadis", only no one will be handing any Academy Award nominations or nods of any sort to him. In terms of the possible bouquets handed out to "Gladiator", come February 2001, it looks like the film will be receiving a whole lot of them.
"Gladiator" evokes the classic epics of the Golden Era, "Ben-Hur", "Spartacus" and the definitive biblical epic, "Quo Vadis." Although the latter was filmed under more strained, theatrical-like conditions now almost fifty years ago, "Gladiator" is reminiscent of the film, albeit a more attractive looking one. Its plot line even seems to be similar, Ancient Rome, corrupt authorities, handsome hero falling for the forbidden fruit...a woman, even if Crowe's has a sense of partial fidelity amid faith and personal devastation.
The success of "Gladiator" has been enjoyed, primarily because the current generation has yet to see such a grand, lavish epic. Since I am fifteen, I can truthfully state this is the only large scale, true historical epic I have ever seen, made in the current day. Since there's enough historical accuracy, heroes, special effects and gory battle violent sequences, which insures box office and something for everyone, there's enough in this film to convince me that, for now, Hollywood may be capable once again of occasionally making films like they used to.
Rating: 10/10